Mahler: Symphony No. 8, "Symphony of a Thousand" - Adagio from Symphpony No. 10 San Francisco Symphony & Michael Tilson Thomas
- Gustav Mahler (1860 - 1911): Symphony No. 10 in F-Sharp Minor:
- 1I. Adagio27:41
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand":
- 2Part I, Veni, creator spiritus: Veni, creator spiritus -07:24
- 3Part I, Veni, creator spiritus: Accende lumen sensibus -04:29
- 4Part I, Veni, creator spiritus: Infunde amorem cordibus -08:56
- 5Part I, Veni, creator spiritus: Gloria sit Patri Domino02:27
- 6Part II, Final Scene from Faust: Poco adagio -11:13
- 7Part II, Final Scene from Faust: Waldung, sie schwankt heran -04:57
- 8Part II, Final Scene from Faust: Ewiger Wonnebrand -01:15
- 9Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -04:36
- 10Part II, Final Scene from Faust: Gerettet ist das edle Glied -05:40
- 11Part II, Final Scene from Faust: Hier ist die Aussicht frei -04:20
- 12Part II, Final Scene from Faust: Dir, der Unberuhrbaren -04:57
- 13Part II, Final Scene from Faust: Du schwebst zu Hohen der ewigen Reiche -01:26
- 14Part II, Final Scene from Faust: Bei dem Bronn, zu dem schon weiland -07:58
- 15Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! -01:17
- 16Part II, Final Scene from Faust: Blicket auf -06:34
- 17Part II, Final Scene from Faust: Alles Vergangliche06:05
Info zu Mahler: Symphony No. 8, "Symphony of a Thousand" - Adagio from Symphpony No. 10
Michael Tilson Thomas and the San Francisco Symphony reach the culmination of their best-selling series of Mahler Symphonies with the Eighth, “Symphony of a Thousand”, coupled with the Adagio from Symphony No. 10.
Michael Tilson Thomas and the San Francisco Symphony reach the 11th instalment of their award-winning Mahler cycle with a live recording of the mighty Eighth Symphony, “Symphony of a Thousand”, coupled with the Adagio from Symphony No. 10. This release marks the culmination of their recordings of the complete Symphonies; future recordings rounding out the series will include Des Knaben Wunderhorn with baritone Thomas Hampson, Rückert Lieder with mezzo-soprano Susan Graham, and Songs of a Wayfarer. One of the most notable recording projects of our time, the series has been a world-wide commercial and artistic success, selling over 100,000 CDs. Every release has entered the top 10 of the Billboard Classical Chart, and the series has garnered four Grammy® Awards, a Gramophone Award, and numerous other international citations.
“In part II, however, Tilson Thomas manages to create a sense of rapt introspection and untroubled serenity far removed from the more tangible and portentous lyricism Solti tends to provide in quiet passages. …this is one of the most consistently satisfying and stimulating Mahler's Tenth, receives a lovingly harrowing performance; it demonstrates MTT's ability to characterise Mahler precisely and effectively without wallowing in undirected or unwarranted emotion.” (BBC Music Magazine)
“Tilson Thomas's reading is always warm and spontaneous-sounding but its real strength lies in the way phrases connect so that what can sometimes seem, on certain versions, merely a series of episodes...emerges very much 'of a piece'...Tilson Thomas [draws] more colour and variety (tonal and emotional) from the score than almost any of his rivals” (Gramophone Magazine)
“Very much on the plus side are the superlative orchestral playing, which is as consistently fine and well integrated as in any Mahler cycle currently available on disc, and the exceptional dynamic range and refinement of the recorded sound, which is demonstrated even more spectacularly than before” (The Guardian)
Erin Wall, soprano
Elza van den Heever, soprano
Laura Claycomb, soprano
Katarina Karnéus, mezzo
Yvonne Naef, mezzo
Anthony Dean Griffey, tenor
Quinn Kelsey, baritone
James Morris, bass-baritone
San Francisco Symphony Chorus
San Francisco Girls Choir
San Francisco Symphony
Michael Tilson Thomas, conductor
San Francisco Symphony
The San Francisco Symphony, widely considered to be among the most artistically adventurous and innovative arts institutions in the U.S., celebrated its Centennial season in 2011-12. The Orchestra was established by a group of San Francisco citizens, music-lovers, and musicians in the wake of the 1906 earthquake, and played its first concert on December 8, 1911. Almost immediately, the Symphony revitalized the city's cultural life. The Orchestra has grown in stature and acclaim under a succession of distinguished music directors: American composer Henry Hadley, Alfred Hertz (who had led the American premieres of Parsifal, Salome, and Der Rosenkavalier at the Metropolitan Opera), Basil Cameron, Issay Dobrowen, the legendary Pierre Monteux (who introduced the world to Le Sacre du printemps and Petrushka), Enrique Jordá, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt (now Conductor Laureate), and current Music Director Michael Tilson Thomas (MTT). Led by Tilson Thomas, who begins his nineteenth season as Music Director in 2013-14, the SFS presents more than 220 concerts annually, and reaches an audience of nearly 600,000 in its home of Davies Symphony Hall, through its multifaceted education and community programs, and on national and international tours.
Since Tilson Thomas assumed his post as the SFS's eleventh Music Director in September 1995, he and the San Francisco Symphony have formed a musical partnership hailed as one of the most inspiring and successful in the country. His tenure with the Orchestra has been praised for outstanding musicianship, innovative programming, highlighting the works of American composers, and bringing new audiences to classical music. In addition, the Orchestra has been recognized nationally and internationally as a leader in music education and for the use of multimedia, television, technology, and the web to make classical music available worldwide to as many people as possible. MTT now is the longest-tenured music director for a major American orchestra, and the longest-serving music director in the San Francisco Symphony's history.
In its Centennial season, the Orchestra reprised its acclaimed American Mavericks Festival of music by pioneering modern American composers, featuring the world premieres of four commissioned works in two weeks of concerts at Davies Symphony Hall and on a two-week national tour, including four performances at Carnegie Hall. The San Francisco Symphony regularly mounts special weeklong semi-staged productions with multimedia, hosted and curated by MTT, and in 2012-13 presented specially staged performances of Grieg's Peer Gynt and the first concert performances by an orchestra of the complete music from Bernstein's West Side Story, which were recorded for release on SFS Media. Tilson Thomas and the Orchestra also dedicated several weeks to explorations of the music of Beethoven, selections of which were recorded for SFS Media, and Stravinsky, on the occasion of the 100th anniversary of the premiere of his Rite of Spring.
Since 1996, when Tilson Thomas led the Orchestra on the first of their more than a dozen national tours together, they have continued an ambitious yearly touring schedule that takes them to Europe, Asia and throughout the United States. In March 2014 they return to Europe for a three-week tour performing repertoire from the SFS Media catalogue including John Adams' Absolute Jest, Ives' A Concord Symphony, Mahler's Symphony No. 3, and Berlioz' Symphonie fantastique at two concerts each in London, Paris, and Vienna, and performances in Prague, Geneva, Luxembourg, Dortmund, and Birmingham. In 2012, they performed during a two-week national American Mavericks tour and a two-week tour of Asia with pianist Yuja Wang in Beijing, Shanghai, Hong Kong, Tokyo, Taipei, and Macau. In 2011, they made a three-week tour of Europe, culminating in Vienna performances of three Mahler symphonies to commemorate the anniversaries of the composer's birth and death. Recent touring highlights also include a three-week 2007 European tour that featured two televised appearances at the BBC Proms in London and concerts at several other major European festivals.
The Orchestra's recording series on SFS Media continues to reflect the artistic identity of its programming, including its commitment to performing the work of American maverick composers alongside that of the core classical masterworks. The San Francisco Symphony has recorded works from the American Mavericks Festival
concerts by Henry Cowell, Lou Harrison, and Edgard Varèse with pianist Jeremy Denk and organist Paul Jacobs, and won a 2013 Best Orchestral Performance Grammy award for its recording of John Adams' Harmonielehre and Short Ride in a Fast Machine. Other recently recorded works include Beethoven's Symphonies No. 5, 7, 9, and Piano Concerto No. 4, with soloist Emanuel Ax; Ives' A Concord Symphony; and Copland's Organ Symphony with Paul Jacobs. A live performance of John Adams' Absolute Jest with the St. Lawrence String Quartet and the Orchestra was recorded for future release on SFS Media, and live performances of Beethoven's Symphony No. 2 and Cantata on the Death of Emperor Joseph II was released in November 2013. Tilson Thomas and the Orchestra have recorded all nine of Gustav Mahler's symphonies and the Adagio from the unfinished Symphony No. 10, and the composer's works for voices, chorus, and orchestra for SFS Media. Their 2009 recording with the SFS Chorus of Mahler's sweeping Symphony No. 8, Symphony of a Thousand, and the Adagio from Symphony No. 10 won three Grammy awards, including Best Classical Album and Best Choral Performance. Other significant recordings include scenes from Prokofiev's Romeo and Juliet, a collection of Stravinsky ballets, a Gershwin collection, and Charles Ives: An American Journey, among others. In addition to fifteen Grammy awards, seven of them for the Mahler cycle, the SFS has won some of the world's most prestigious recording awards, including Japan's Record Academy Award, France's Grand Prix du Disque, and Germany's ECHO Klassik Award.
Tilson Thomas and the SFS launched the national Keeping Score PBS television series and multimedia project in 2006 to help make classical music more accessible to people of all ages and musical backgrounds. The project, an unprecedented undertaking among orchestras, is anchored by eight composer documentaries, hosted by Tilson Thomas, and eight live concert films; it also includes www.keepingscore.org, an innovative website to explore and learn about music; a national radio series; documentary and live performance DVD and CDs; and an education program for K-12 schools to further teaching through the arts by integrating classical music into core subjects. More than six million people have seen the Keeping Score television series, and the radio series has been broadcast on almost 100 stations nationally.
The San Francisco Symphony provides the most extensive education programs offered by any American orchestra today. In 1988, the Symphony established Adventures in Music (AIM), a free, comprehensive music education program that reaches every first- through fifth-grade child in the San Francisco Unified School District. The SFS Instrument Training and Support program reaches students in all San Francisco public middle and high schools with instrumental music programs, providing coaching by professional musicians. The Symphony expanded its educational offerings in 2011-12 with Community of Music Makers, a program that supports amateur choral singers and instrumental musicians with professional coaching by SFS musicians, rehearsals, and other learning opportunities. In development is a revitalized children's music education website, www.sfskids.org, created in conjunction with the UC Irvine Center for Computer Games and Virtual Worlds. The SFS also offers opportunities to hear and learn about great music through its programs Concerts for Kids, Music for Families, the internationally-acclaimed SFS Youth Orchestra, and annual free and community concerts.