Coltrane '58: The Prestige Recordings (Remastered) John Coltrane
Label: Craft Recordings
Interpret: John Coltrane
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- 1Lush Life13:56
- 2Come Rain Or Come Shine08:45
- 3The Believer13:52
- 4Nakatini Serenade11:02
- 6Russian Lullaby05:33
- 7Theme For Ernie04:55
- 8You Say You Care06:16
- 9Good Bait12:09
- 10I Want To Talk About You10:55
- 12Why Was I Born03:13
- 13Freight Trane07:20
- 14I Never Knew07:06
- 15Big Paul14:04
- 16I See Your Face Before Me09:56
- 17Rise ’N’ Shine07:17
- 18Little Melonae14:03
- 19If There Is Someone Lovelier Than You09:18
- 20By The Numbers12:02
- 21Black Pearls13:12
- 22Lover Come Back To Me07:27
- 23Sweet Sapphire Blues18:14
- 24Spring Is Here06:55
- 26I'm A Dreamer (Aren't We All)07:01
- 27Love Thy Neighbor09:21
- 28Don't Take Your Love From Me09:17
- 30My Ideal07:35
- 31I'll Get By (As Long As I Have You)08:12
- 32Do I Love You Because You're Beautiful?05:12
- 33Then I’ll Be Tired Of You09:27
- 34Something I Dreamed Last Night10:48
- 36Goldsboro Express04:45
- 37Time After Time07:45
Info zu Coltrane '58: The Prestige Recordings (Remastered)
Newly remastered by Paul Blakemore featuring 37 tracks: Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige Records label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed “sheets of sound.”
The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings.
Coltrane '58 brims with the shared jazz repertoire of the day-blues, bebop standards and familiar ballads-as well as original compositions and obscure tunes Coltrane rediscovered. Together they offer an array of emotional depth and instrumental prowess, showing how the rising saxophonist was actively stretching sound and increasing the intensity, and shifting the direction of what jazz performance was about. Included are definitive versions of "Lush Life," "Lover Come Back to Me," "Stardust," "Good Bait" and "Little Melonae"; first recordings of originals like "Nakatini Serenade," "The Believer," "Black Pearls" and the heartfelt "Theme for Ernie"; and extended tenor saxophone tours-de-force such as "Russian Lullaby," "Sweet Sapphire Blues" and "I Want to Talk About You" that anticipate the stratospheric heights Coltrane would reach in the 1960s.
In 1958 Coltrane was still two years away from emerging as a bandleader, but his membership in ensembles led by Miles Davis and Thelonious Monk had propelled him into the spotlight as one of jazz's most exciting and controversial figures. Coltrane '58 serves as a window onto the shock and awe-and eventually deep appreciation-Coltrane generated during this period, when his sheets of sound approach pushed the bebop ideal of slaloming through a tune's chordal pathways to its extreme.
To be sure, Coltrane ’58 is more than sheets of sound: It’s the sound of Coltrane working and smoothing out those sheets and exploring other ideas as well. For example, he frequently played in double-time—as if the chords were moving twice as fast as the rest of the band—and, if the music called for it, he’d decrease the intensity, caressing and embellishing a melody, an aspect that could calm the toughest critics.
Produced by Nick Phillips, the vinyl box includes eight 180-gram LPs, remastered from the original analog tapes by Paul Blakemore (all of which were recorded by renowned engineer Rudy Van Gelder) and cut by Clint Holley from 24-bit/192kHz transfers. The lavish, linen-wrapped, portfolio-style book features an eye-catching design and includes 40 pages containing extensive liner notes by Grammy®-winning American music historian Ashley Kahn, rare ephemera and historical photographs of the saxophonist and his collaborators, including several taken by renowned jazz photographers Francis Wolff and Esmond Edwards. The 5-CD edition, containing a 76-page book, is a faithful replica of the 8-LP vinyl box.
Coltrane ’58 reveals other significant aspects of Coltrane’s emergence, too, like his growing status in the hard bop brotherhood of the day. He recorded with contemporaries (many future legends in their own right), including pianist Red Garland; guitarist Kenny Burrell; trumpeters Donald Byrd, Freddie Hubbard and Wilbur Harden; bassist Paul Chambers and drummers Art Taylor, Jimmy Cobb and Louis Hayes. The sessions all took place in Rudy Van Gelder’s legendary home studio in Hackensack, New Jersey, where so much of the best jazz of that era was recorded. Coltrane’s music of 1958 benefits from a marked blue-collar, pressure-cooker aesthetic: Born in three-hour sessions with minimal rehearsal, head arrangements and mostly first takes, these tracks provide a true and transparent view of the talent Coltrane was able to draw upon and the timeless, improvised magic they created together.
It’s a challenge today to imagine how radical Coltrane must have sounded sixty years ago to jazz listeners accustomed to a gentler, lyrical flow. In his liner notes, Ashley Kahn sees an enduring relevancy in Coltrane’s bold chance-taking, as a creative artist and an African-American: “In the context of current headlines and an overriding sense of déjà vu, Coltrane’s music rings clearer than ever, with even greater meaning than it had in 1958. What he was playing then never felt less than urgent and relevant—subversive even. It still sounds that way.”
Remarkably, the majority of this music wasn’t released until the ’60s on various albums after Coltrane’s emergence as a bandleader, denying these 37 tracks the chance to tell their own collective story. By sequencing this music in the order of its original creation, Coltrane ’58 clearly delineates Coltrane’s first full year as a recording artist, finally allowing fans to experience—track by track—the emergence of a master improviser in his first great career crest.
John Coltrane, tenor saxophone
Kenny Burrell, guitar
Donald Byrd, trumpet
Tommy Flanagan, piano
Red Garland, piano
Wilbur Harden, trumpet, flugelhorn
Freddie Hubbard, trumpet
Paul Chambers, bass
Jimmy Cobb, drums
Louis Hayes, drums
Art Taylor, drums
Produced by Nick Phillips
Zur Info: wir bieten dieses Album in der nativen Abtastrate von 96 kHz, 24-Bit an. Die uns zur Verfügung gestellte 192 kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!
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