Fodder On My Wings (Remastered) Nina Simone

• 1I Sing Just To Know That I'm Alive02:21
• 2Fodder In Her Wings05:32
• 3Vous etes seuls, mais je désire etre avec vous04:27
• 4Il y a un baume à Gilead02:19
• 5Liberian Calypso02:57
• 6Alone Again Naturally06:24
• 7I Was Just A Stupid Dog To Them02:23
• 8Color Is A Beautiful Thing01:01
• 9Le peuple en Suisse04:56
• 10Heaven Belongs To You03:36
• 11Thandewye05:29
• 12Stop02:17
• 13They Took My Hand00:33
• Total Runtime44:15

Info zu Fodder On My Wings (Remastered)

Eine Wiederentdeckung: „Fodder On My Wings“, eines von Nina Simones erklärten Lieblingsalben, aufgenommen 1982 kurz nach ihrem Umzug nach Paris, ist heute vergriffen und zu Unrecht vergessen. Nina schrieb die Musik und Texte für alle bis auf einen der 13 Songs, ihre Band besteht hauptsächlich aus afrikanischen Musikern und präsentiert den späteren Manu Dibango/Salif Keita-Drummer Paco Sery. Soulful, ungewöhnlich und zeitlos!

Große Kunst entsteht oft in den dunkelsten Stunden. Nina Simones heutzutage nahezu vergessenes Album “Fodder On My Wings”, aufgenommen 1982, kurz nachdem sie nach Paris gezogen war, ist dafür ein eindrucksvolles Beispiel. Es war eines von Nina Simones Lieblingsalben, aber da es ursprünglich für ein kleines französisches Label aufgenommen wurde, war es seit seiner Erstveröffentlichung nur sporadisch erhältlich. Jetzt veröffentlicht Verve das faszinierende Werk neu mit drei Bonustracks on HIGHRESAUDIO.

Alle Songs stammen aus der Feder Nina Simones, bis auf „Alone Again (Naturally)“ (Musik: Gilbert O’Sullivan). „Fodder On My Wings“ enthält teilweise geradezu schmerzhaft persönliche Songs der legendären Sängerin und Pianistin. Zu der Zeit, als sie das Album aufnahm, lebte Nina Simone erst kurz in Frankreich und fühlte sich extrem einsam. Ihre psychische Erkrankung hatte sich verschlimmert, ihr Familienleben lag in Trümmern.

Musikalisch ging Nina Simone auf dem Album neue Wege. Ihre Stimme war spröder und härter als zuvor, brachte ihre Gefühle aber mit einer ungewöhnlichen Intensität hervor. Der elegante Swing und die zärtlichen Balladen ihrer klassischen Alben ersetzte sie auf „Fodder On My Wings“ gegen afrikanische und karibische Elemente, fetzige Bläsersätze und poppige Grooves. Das Album entstand in einer Zeit, in der Simone von ihrer neuen Umgebung und der Pariser Szene musikalisch verjüngt wurde. Ihre Band bestand hauptsächlich aus afrikanischen Musikern, darunter dem zukünftigen Many Dibango/Salif Keita/Joe Zawinul-Schlagzeuger Paco Sery.

Nina Simones Albumvorgänger „Baltimore“ (CTI Records, 1978) war noch von der typischen Eleganz und Lässigkeit der 70er Jahre geprägt, auf „Fodder On My Wings“ flechtet sie, von ihren Reisen nach Afrika beeinflusst, Weltmusik in ihren jazzigen Stil ein. Paul Simon wird mit seinem Album „Hearts And Bones“ (1983) kurz darauf eine ähnliche Richtung einschlagen, die dann in seinem Hitalbum „Graceland“ gipfelt. So gesehen kann man hier auch einer wichtigen Zeitströmung nachfühlen.

Nina Simone, Gesang, Klavier, Tambourin, Hintergrundgesang
Sylvin Marc, Bass, Gesang
Paco Sery, Percussion, Tympani
Sydney Thaim, Congas, Glocken, Holzblock

Produced by Yves Chamberlan, Giancarlo Cerri

Digitally remastered

Nina Simone
Nina Simone (1933-2003) holds a unique place amongst the great jazz performers of all time. What sets her apart from other jazz masters is not only her captivating and sultry voice and skillful command of the piano, but her aptitude in almost every genre of music there is. She has taken soul, jazz, and pop to new levels, as well as proving herself in blues, gospel, Broadway, folk, classical, and opera. She also performed and recorded many of her own compositions.

Born Eunice Waymon in North Carolina, Simone grew up in a family with eight children. She started out as a classical pianist, but in 1954 the financial necessity of her family led her to take a job in an Atlantic City nightclub. After auditioning for the gig, the owner told her that she could have it, but only if she agreed to sing as well. Thus, Nina ("little one") Simone (French actress Simone Signoret), was born.

In the late 1950s, Simone began recording on a small label, Bethlehem Records. In 1959, she had a Top 20 hit. "I Loves You Porgy," a song from George Gershwin’s musical "Porgy and Bess." This was the only song that Simone recorded in her entire career that made the Top 40. Hits were not a big concern, however. Simone did just fine performing in nightclubs and making albums, most of them live recordings. She recorded nine albums in the early 1960s alone.

In the mid-‘60s, inspired by the Civil Rights Movement, Simone composed several songs, including "Old Jim Crow" and "Mississippi Goddam" which were issued on her first album with Philips (Nina Simone in Concert). "Mississippi Goddam" was written in response to the death of four black children in a church bombing, in 1963. It was her protest songs that best demonstrated Simone’s amazing ability to communicate, deeply and clearly, human emotion, especially those of Black people in the U.S.A. It was around this time that people began referring to Simone as the "High Priestess of Soul," after she put out an album of the same name. Along with her original songs, Simone chose some diverse covers. Songs like Weill–Brecht’s "Pirate Jenny," "I Put a Spell on You," and "See Line Woman," were among some of the others that Simone transformed into classics. Her experimentation with timing, her use of silence, her low and intense vocals, her impeccable piano playing capabilities, and her inimitable live act, turned every song she sang into a fresh and magnificent Nina Simone creation. In the late 60s and early 70s, Nina was recording for RCA. An original song, "Young, Gifted & Black" was considered somewhat of a Black national anthem of the time. This song, inspired by Lorraine Hansberry’s play of the same title, was has since been covered by Aretha Franklin and Donny Hathaway. During this brief period of time, Simone was remarkably prolific, releasing nine albums. Despite the quantity and quality of her product, Simone was not particularly well served by RCA.

Later in the decade, Simone’s personal life began to see some trouble. She divorced her husband and manager, Andy Stroud, and became disillusioned by the record industry when she found herself in financial trouble after all the effort she had put forth. Disgusted with show business, as well as with racism in the U.S.A., Simone moved to Barbados in 1974. In the years to come she lived in Liberia, Switzerland, Paris, the Netherlands, and the South of France. The frequency of her recordings slowed significantly after she left RCA, but in 1978, Simone released Baltimore, for the label CTI, which contained the definitive version of Judy Collins’s "My Father." Since then Simone has recorded several albums, most recently "A Single Woman," a studio album released in 1993. She has written her autobiography, I Put a Spell on You, received an Honorary Doctorate in Music and Humanities, and has continued to perform at festivals and events around the world.

Despite her self imposed exile and her obvious outspoken lack of appreciation for the recording industry, Nina Simone is a legend of incalculable magnitude. Still today she is able to arouse new and young listeners, as well as hold the attention of life-long devoted fans. Nina Simone has burned her soulful, musical wonders on the psyche of jazz lovers everywhere, and has inspired love and compassion in places seemingly bereft of such trying emotions. Rachel F. Newman (Source: Verve Music Group)

Dieses Album enthält kein Booklet