Coltrane (Remaster) John Coltrane Quartet
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- 1Out Of This World14:05
- 2Soul Eyes05:26
- 3The Inch Worm06:17
- 5Miles' Mode07:32
Info zu Coltrane (Remaster)
„Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet. The result is a most focused effort, a relatively popular session to both his fans or latecomers, with five selections that are brilliantly conceived and rendered. "Out of This World," at over 14 minutes in modal trim, is a powerful statement, stretched over Tyner's marvelous and deft chords, the churning rhythms conjured by Jones, and the vocal style Coltrane utilizes as he circles the wagons on this classic melody, including a nifty key change. "Tunji" is a mysterious, easily rendered piece in 4/4 which speaks to the spiritual path Coltrane tred, a bit riled up at times while Tyner remains serene. Hard bop is still in the back of their collective minds during "Miles' Mode," a sliver of a melody that jumps into jam mode in a free-for-all blowing session, while the converse is to be found in Mal Waldron's "Soul Eyes," the quintessential ballad and impressive here for the way Coltrane's holds notes, emotion, and expressive intellectuality. On soprano you can tell Coltrane is close to taking complete control of his newly found voicings, as a playful, jaunty "The Inch Worm" in 3/4 time is only slightly strained, but in which he finds complete communion with the others. Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums Olé Coltrane and Impressions -- completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.“ (Michael G. Nastos, AMG)
John Coltrane, tenor saxophone, soprano saxophone
McCoy Tyner, piano
Jimmy Garrison, bass
Elvin Jones, drums
Recorded April 11, June 19, 20, and 29, 1962; Van Gelder Studio, Englewood Cliffs
Produced by Bob Thiele
Born September 23, 1926 in Hamlet, North Carolina, John Coltrane was always surrounded by music. His father played several instruments sparking Coltrane’s study of E-flat horn and clarinet. While in high school, Coltrane’s musical influences shifted to the likes of Lester Young and Johnny Hodges prompting him to switch to alto saxophone. He continued his musical training in Philadelphia at Granoff Studios and the Ornstein School of Music. He was called to military service during WWII, where he performed in the U.S. Navy Band in Hawaii.
After the war, Coltrane began playing tenor saxophone with the Eddie 'CleanHead' Vinson Band, and was later quoted as saying, 'A wider area of listening opened up for me. There were many things that people like Hawk, and Ben and Tab Smith were doing in the ‘40’s that I didn’t understand, but that I felt emotionally.' Prior to joining the Dizzy Gillespie band, Coltrane performed with Jimmy Heath where his passion for experimentation began to take shape. However, it was his work with the Miles Davis Quintet in 1958 that would lead to his own musical evolution. ' Miles music gave me plenty of freedom,' he once said. During that period, he became known for using the three-on-one chord approach, and what has been called the ‘sheets of sound,’ a method of playing multiple notes at one time.
By 1960 Coltrane had formed his own quartet which included pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison. Eventually adding players like Eric Dolphy, and Pharoah Sanders. The John Coltrane Quartet created some of the most innovative and expressive music in Jazz history including the hit albums: 'My Favorite Things,' 'Africa Brass,' ' Impressions,' ' Giant Steps,' and his monumental work 'A Love Supreme' which attests to the power, glory, love, and greatness of God. Coltrane felt we must all make a conscious effort to effect positive change in the world, and that his music was an instrument to create positive thought patterns in the minds of people.
In 1967, liver disease took Coltrane’s life leaving many to wonder what might have been. Yet decades after his departure his music can be heard in motion pictures, on television and radio. Recent film projects that have made references to Coltrane’s artistry in dialogue or musical compositions include, 'Mr. Holland’s Opus', 'The General’s Daughter', 'Malcolm X', 'Mo Better Blues', 'Jerry McGuire', 'White Night', 'The Last Graduation', 'Come Unto Thee', 'Eyes On The Prize II' and 'Four Little Girls'. Also, popular television series such as 'NYPD Blue', 'The Cosby Show', 'Day’s Of Our Lives', 'Crime Stories' and 'ER', have also relied on the beautiful melodies of this distinguished saxophonist.
In 1972, 'A Love Supreme' was certified gold by the RIAA for exceeding 500,000 units in Japan. This jazz classic and the classic album 'My Favorite Things' were certified gold in the United States in 2001.
In 1982, the RIAA posthumously awarded John Coltrane a Grammy Award of ' Best Jazz Solo Performance' for the work on his album, 'Bye Bye Blackbird'. In 1997 he received the organizations highest honor, the Lifetime Achievement Award.
On June 18, 1993 Mrs. Alice Coltrane received an invitation to The White House from former President and Mrs. Clinton, in appreciation of John Coltrane’s historical appearance at the Newport Jazz Festival.
In 1995, John Coltrane was honored by the United States Postal Service with a commemorative postage stamp. Issued as part of the musicians and composers series, this collectors item remains in circulation.
In 1999, Universal Studios and its recording division MCA Records recognized John Coltrane’s influence on cinema by naming a street on the Universal Studios lot in his honor.
In 2001, The NEA and the RIAA released 360 songs of the Century . Among them was John Coltrane’s 'My Favorite Things.' (Source: www.johncoltrane.com)
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