Fitz & The Tantrums Fitz & The Tantrums
Label: Elektra (NEK)
Subgenre: Indie Rock
Interpret: Fitz & The Tantrums
Komponist: Fitz and The Tantrums, Jesse Shatkin, Kevin Bard, Ross Golan, Eric Frederic, Fitz and The Tantrums, Sam Hollander
Das Album enthält Albumcover
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- 3Burn It Down03:22
- 4Roll Up03:38
- 7Run It03:29
- 8Get Right Back03:44
- 9Do What You Want03:13
- 10Walking Target02:37
- 11A Place For Us03:32
Info zu Fitz & The Tantrums
The self-titled album is the follow-up to 2013’s More Than Just a Dream. “HandClap is a primal tale of love and lust, a call to arms in the late hours of the night,” says lead vocalist Fitz. “It’s the X-rated version of ‘Eternal Sunshine of the Spotless Mind’ happening on a dance floor.”
Fitz and The Tantrums will celebrate the album’s release with a North American headline tour that kicks off on June 11 at the Keloorah Festival in Brooklyn, MI and includes a June 21 show at New York City’s Terminal 5. Fans who pre-order the album from Fitz and The Tantrums’ online store will automatically receive a code enabling them to purchase tour tickets on Tuesday, March 29 – before the artist pre-sale and public on sale. The artist pre-sale for tickets begins HERE on Wednesday, March 30, at 10 AM local time. Tickets will go on sale to the general public on Friday, April 1, at 10 AM local time.
The Washington Post called Fitz and The Tantrums’ live show “captivatingly crazy” and Rolling Stone praised the band for its “irrepressible energy: hopped-up rhythms, shout-it-out choruses, and hooted background vocals” in a review of More Than Just a Dream. The New York Times noted, “Their debut effort, ‘Pickin’ Up the Pieces’ (Dangerbird), and follow-up, ‘More Than Just a Dream’ (Elektra), burst with danceable hooks.” The Los Angeles Times said, “Fitz…understands what makes a good song…And co-vocalist Noelle Scaggs’ charisma overflows.”
More Than Just a Dream, which has racked up over 76 million album streams to date, contained the RIAA Gold-certified singles “The Walker” (which was tapped for the 2014 OSCAR ad campaign featuring Ellen DeGeneres and a cast of dancers) and “Out Of My League.” Both songs were multi-format hits, topping Billboard’s Alternative Songs chart at #1 and placing in the Top 5 at Triple A radio and in the Top 15 at Hot AC.
Fitz and The Tantrums’ natural exuberance permeates their new self-titled album, which celebrates walking to the beat of your own drum. Lead singer, Michael Fitzpatrick, says of new record, “We’ve always tried to push ourselves at every turn. For our third album, we continued to challenge ourselves, taking care not to write the same record again.” “Turn It Up,” Fitz exhorts at the top of album opener and first single “HandClap.” The horn-and-beats fueled track captures the exhilarating sense of promise – and danger – that a night out and a new romance hold. The staccato “Complicated” paints a relationship that’s packed with both chemistry and conflict and bursts into an unexpected cheer. Echo and otherworldly keyboards make “Tricky” an intoxicating dance-floor anthem and a warning to any future lover, while “A Place For Us,” the album closer, encapsulates the band’s belief that there is a place in the world for each of us to belong, regardless of our differences.
“Overall, this is an album about desire – the desire for intimacy, for sex, for acceptance on your own terms and the struggle not to compromise,” explains Fitz.
Fitz and The Tantrums was recorded in the band’s hometown of Los Angeles. Jesse Shatkin (Sia, Matt & Kim) produced eight of the album’s eleven tracks. Fitz produced “Fadeback” while Joel Little (Lorde) produced “Do What You Want” and Ricky Reed (Jessie J) helmed “HandClap.”
Noelle Scaggs, vocals, tambourine
James King, saxophone
Jeremy Ruzumna, keyboards
Joseph Karnes, bass
John Wicks, drums
Fitz & The Tantrums
Brimming with imagination, energy, and genre-smashing scope, Fitz & The Tantrums defied the odds to become an indisputable phenomenon, a chart-topping, show-stopping modern pop combo unlike any other. Now, with their spectacular Elektra Records debut, More Than Just A Dream, the Los Angeles-based sextet have ramped up the timeless songcraft and soul sonic force that made them a worldwide sensation to fashion a kaleidoscopic milestone that delivers on the promise of their 2010 breakthrough, Pickin’ Up The Pieces. Songs like the impossibly catchy first single, “Out Of My League” are positively brazen with verve and vivacity, demonstrating all the drama and passion of the band’s famed live shows. From the charged back-and-forth between co-lead vocalists Fitz and Noelle Scaggs to the incontrovertible power of The Tantrums in full flight, More Than Just A Dream is the sound of a great band taking it right to the edge.
“The only rule in making this record was that there were no rules,” says Fitz. “Nobody was allowed to say, ‘We can’t do that.’ We didn’t limit ourselves.”
A longtime studio engineer and aspiring musician, Michael “Fitz” Fitzpatrick founded Fitz & The Tantrums in 2008, driven simply by “a need to be creative and not lose my mind over a breakup.” He convened an “amazing set of people” – including Noelle, James King (saxophone, flute), Jeremy Ruzumna (keyboards), Joseph Karnes (bass) and John Wicks (drums, percussion) – and quickly recorded the band’s debut EP, Songs From A Breakup, Vol. 1, in his Silverlake home studio. Fitz felt so strongly about the band that he put it all on the line, investing his life savings in the project. Belt buckles were pulled as tight as the band itself, which spent the next year captivating audiences with their outrageously entertaining live set. “We busted our butts,” he says. “We just kept building a name for ourselves, getting our music out there in a really old school way – playing as many shows as we could, winning over five, ten, fifty people at a time.” It wasn’t long before Fitz & The Tantrums were being spoken of as one of the most exciting live acts in the country. This led to the band’s 2010 signing with Fitz’s Silverlake neighbors, Dangerbird Records, a feat the singer describes as both “an accomplishment and the beginning of the hardest work we’ve ever done.” Pickin’ Up The Pieces was released in August 2010 to unanimous critical acclaim.
Fitz & the Tantrums did anything and everything to spread the word. Things soon began to break their way as irresistible singles like “MoneyGrabber” and “Don’t Gotta Work It Out” began drawing national radio airplay. The next 20 months proved both exhilarating and exhaustive as Pickin’ Up The Pieces ultimately ascended to #1 on Billboard’s Heatseekers chart, and sales numbers to match. The band embarked on an unrelenting schedule that included high profile TV performances, sold-out headline shows, and so many festival appearances that Vogue declared them to be the “Hardest Working Band” of Summer 2011. The first time the FATT camp noticed the ball starting to hover above their palms was at Lollapalooza 2011. As the band tore through the set, the audience sang not only the radio hit "Moneygrabber," but deeper cuts from the album—finally, this road-proved sextet had conjured the lush, holy glow all performers pine for. And judging from the smiles on both sides of the mic, it was hard to know who was being entertained more, the band or the crowd.
That sense of purpose and commitment suffused the second Fitz & The Tantrums album right from the outset. The band wrote over 30 songs in just two months, toiling in their practice space “to the point of hallucinating.”
In May 2012, Fitz & The Tantrums arrived at Hollywood’s Sound Factory eager to grab hold of the “raw, in-your-face, non-stop energy” of their live show and put some of their spilt blood to work. A self-proclaimed “studio nerd,” with an abiding faith in “creating mood and atmosphere through production,” Fitz considered once again producing himself, but instead opted to enlist producer Tony Hoffer, known for classic collaborations with such artists as Beck, M83, and Phoenix.
While their first record was conceived as a homage to 60’s pop soul music, More Than Just A Dream sees Fitz & The Tantrums propelling their sound towards their own distinctive, utterly contemporary vision. Nothing was off the table as the band sought to “create these interesting hybrids of styles and influences that embrace and repel each other all at the same time,” synthesizing everything from soul to pop, from indie to electronic with a dose of hip-hop. Songs like “Spark” and the anthemic “Break The Walls” celebrate “pushing through, personally and artistically,” while “The End” and “6AM” find Fitz continuing to grapple with questions of the heart. To record the latter song – a much-loved staple of The Tantrums’ live set – Hoffer suggested Fitz and Scaggs sing together at the same time for the recording, much like they do on stage. The result is a stunningly soulful dialogue that defines the two lead singers’ special chemistry. “It was this pure moment,” Fitz says. “We sang the song to each other, looking into each other’s eyes, it was incredibly powerful and emotional. That’s the take that’s on the record.” FATT's own single-minded determination comes to the fore in “The Walker,” a dizzyingly delightful discoball inspired by the “almost mythological” Silverlake Walker, the shirtless (and now sadly deceased) neighborhood fixture known for his perpetual power-walking around the Silverlake Reservoir rain or shine, night or day. “The song sounds happy and playful,” Fitz says, “but it’s a dark tale of obsession that is really about our own fixation with chasing our dreams and knowing there is always a price to pay, but with that said this has truly been more than we could have ever dreamed for.” Thus, the title of the record.
The album reaches a moving climax with “Merry Go Round,” a potent paean to “the loneliness and the sadness of being on the road.” "When it came time to laying my vocals down for this song, the words held more truth for me than ever,” recalls Fitz. “I had been away for two years and came home to an empty house. I had experienced so much on the outside, but inside was still damaged. It was hard to get through a single take without breaking down." From the studio to the stage, Fitz & The Tantrums give everything they have to anything they do, leaving it all on the floor night in and night out. With its artistic audaciousness and pure pop punch, More Than Just A Dream fully confirms Fitz & The Tantrums are here to stay.
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