Farewell Andromeda (Remastered) John Denver
Entschuldigen Sie bitte!
Sehr geehrter HIGHRESAUDIO Besucher,
leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.
Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.
Wir bedanken uns für Ihr Verständnis und Ihre Geduld.
- 1I'd Rather Be a Cowboy (Lady's Chains) 04:23
- 2Berkeley Woman 03:32
- 3Please Daddy 02:54
- 4Angels from Montgomery 04:48
- 5River of Love 03:36
- 6Rocky Mountain Suite (Cold Nights in Canada) 03:03
- 7Whiskey Basin Blues 02:47
- 8Sweet Misery 03:31
- 9Zachary and Jennifer 01:57
- 10We Don't Live Here No More 04:04
- 11Farewell Andromeda (Welcome to My Morning) 04:01
Info zu Farewell Andromeda (Remastered)
Farewell Andromeda is the 7th studio album from John Denver, and was released in 1973.
"...This is John Denver's best and most balanced album in a long time...Denver's performance...is enough to render almost anything credible..." (Rolling Stone)
John Denver, guitar, vocals
Eric Weissberg, banjo, steel guitar
Jan Camp Garrett, mandolin, vocals
Victor Garrett, bass, vocals
Lawrence Gottlieb, steel guitar, vocals
Lee Holdridge, string arrangements
Michael Holmes, piano
Richard Kniss, bass
Herb Lovelle, drums
George Marge, woodwind
Frank Owens, piano
Paul Prestopino, guitar, autoharp
John Sommers, banjo, guitar, mandolin, vocals
Toots Thielemans, harmonica
Bryan Bowers, autoharp
One of the world’s best-known and best-loved performers, John Denver earned international acclaim as a songwriter, performer, actor, environmentalist and humanitarian. Denver’s career spanned four decades and his music has outlasted countless musical trends and garnered numerous awards and honors.
The son of a U.S. Air Force officer, Denver’s artistic journey began at age eleven when he was given his grandmother’s guitar. Denver eventually took guitar lessons and joined a boys’ choir, which led him at age twenty to pursue his dream of a career in music.
In 1963 he struck out on his own, moving to Los Angeles to be in the heart of the burgeoning music scene. It was during this time that Henry John Deutschendorf, Jr. was urged by friends to change his name if a recording career was to be in his future. He took his stage name from the beautiful capital city of his favorite state, Colorado. Later in life, Denver and his family settled in Aspen, Colorado and his love for the Rocky Mountains inspired many of his songs.
John Denver experienced his first major break in the music industry when he was chosen from 250 other hopefuls as lead singer for the popular Mitchell Trio. Two years and three albums later, Denver had honed his considerable vocal talent and developed his own songwriting style. He gained recognition when his song “Leaving On A Jet Plane” was recorded by Peter, Paul and Mary, becoming their first and only number one hit. As the Mitchell Trio disbanded, Denver was climbing up the pop charts as a solo act with songs like “Take Me Home, Country Roads,” “Rocky Mountain High,” “Sunshine On My Shoulders,” “Annie’s Song,” “Back Home Again,” “Thank God I’m A Country Boy,” and “Calypso,” solidifying his position as one of the top stars of the 1970s.
By his third album in 1970, Denver’s social and political leanings were defined more clearly. Denver was one of the first artists to share an environmental message through his music, beginning with the song “Whose Garden Was This?” This was the first in a long line of songs that he wrote about the environment.
Denver contributed his talents to the benefit of many charitable and environmental causes and received numerous civic and humanitarian awards over the years. Fans responded to his heartfelt urgings about ecology, peace, and compassion that were consistently delivered in a gentle manner on his records and at live performances.
His passion to help create a global community paved the way for ventures into new musical and geographic territories. In 1985 he was invited by the Soviet Union of Composers to perform in the USSR, inspiring the internationally acclaimed song “Let Us Begin (What Are We Making Weapons For?).” The powerful video for “Let Us Begin” moved viewers around the world.
Dieses Album enthält kein Booklet