Cover Verismo

Album info

Album-Release:
2016

HRA-Release:
01.09.2016

Label: Deutsche Grammophon (DG)

Genre: Classical

Subgenre: Vocal

Artist: Anna Netrebko, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia

Composer: Arrigo Boito (1842-1918), Francesco Cilea (1866-1950), Ruggero Leoncavallo (1858-1919), Umberto Giordano (1867-1948), Giacomo Puccini (1858-1924), Alfredo Catalani (1854-1893), Amilcare Ponchielli (1834-1886)

Album including Album cover Booklet (PDF)

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  • 1Ecco: respiro appena ... Io son l'umile ancella03:43
  • 2La mamma morta04:59
  • 3Un bel dì vedremo04:32
  • 4Signore, ascolta!02:39
  • 5Qual fiamma avea nel guardo! ... Stridono lassù04:32
  • 6Ebben? Ne andrò lontana03:55
  • 7L'altra notte in fondo al mare06:53
  • 8Suicidio! In questi fieri momenti04:35
  • 9Vissi d'arte, vissi d'amore03:27
  • 10In questa reggia06:12
  • 11In quelle trine morbide02:48
  • 12Tutta su me ti posa02:56
  • 13Manon, senti, amor mio01:59
  • 14Sei tu che piangi?04:38
  • 15Sola perduta, abbandonata04:25
  • 16Fra le tue braccia amore06:42
  • Total Runtime01:08:55

Info for Verismo

The “Diva Assoluta del Mondo” (Opera News) is back, as you have never heard her before! With VERISMO Anna Netrebko presents her long-awaited new studio album – the first in three years – displaying her remarkable vocal maturity and reaffirming her status as one of the leading sopranos of her generation.

For Anna Netrebko herself, it was the obvious next step; for her public it promises to be a revelation. The challenging verismo repertoire offers a fascinating portrait of Netrebko’s voice in its full maturity. Having reached the latest peak in an already sensational career, the soprano continues her vocal and artistic development in logical fashion, illuminating the stylistic and psychological complexities of verismo with her own special intensity and powers of expression.

Set to be one of the most important and anticipated classical releases of 2016.

VERISMO features Netrebko in the greatest, most irresistible hits of the Grand Italian repertoire of the fading 19th Century, with arias by Puccini, Leoncavallo, Ponchielli, Boito, Giordano, Catalani.

Showcasing brand new interpretations of some of the greatest and most popular opera arias of all time.

A winning classical music team – Anna Netrebko and Sir Antonio Pappano – now joined on record for the very first time by her husband and tenor Yusif Eyvazov.

Anna Netrebko has reached the heart of the rich, mature dramatic repertoire that allows her to showcase the sheer beauty, endless, wide range of colours and emotion in combination with her distinct and beloved timbre that sets her apart from any other artist, past or present. In many ways this album is a self-discovery for this unique artist, and is destined to reach Anna’s widest fan-base.

Verismo at the turn of the last century introduced 'real life' experience to opera and left behind the romantic approach of Belcanto. Netrebko’s recent performances of Verdi’s “Macbeth” and “Il Trovatore' but also her role debut of 'Manon Lescaut' in March 2014 in Rome, have shown that Netrebko is able to combine the most beautiful sound production with the harsh, sometimes brutal and scary reality of those heroines she is awaking to life for us.

Anna Netrebko, soprano
Yusif Eyvazov, tenor
Orchestra dell'Accademia Nazionale di Santa Cecilia
Antonio Pappano, conductor


Anna Netrebko
has transcended the boundaries typical of classical music stardom to become one of the world’s most widely recognized and highly regarded opera singers. Regularly headlining productions at virtually all of the world’s leading opera houses, the Russian soprano has been hailed as “the reigning new diva of the early 21st century.”[i] In 2007 she became the first classical musician to be named to the Time 100 list, Time magazine’s list of the most influential people in the world. Her beautiful, dark, distinctive voice and her elegant and alluring stage presence have prompted critics to hail her as “Audrey Hepburn with a voice” and “a singer who simply has it all: a voice of astounding purity, precision, and scope, extensive dynamic and tonal range, imagination, insight, and wit – all combined with a dazzling charisma that makes it all but impossible to look away when she is performing.”[ii]

Since her triumphant Salzburg Festival debut in 2002 as Donna Anna in Mozart’s Don Giovanni, Anna Netrebko has gone on to appear with nearly all of the world’s great opera companies, including the Metropolitan Opera, the San Francisco Opera, London’s Royal Opera House Covent Garden, Milan’s Teatro alla Scala, the Vienna State Opera, the Paris Opera, the Zurich Opera, the Berlin State Opera, and Munich’s Bavarian State Opera. She frequently returns to the Kirov Opera at the Mariinsky Theater in St. Petersburg (where she made her stage debut as Susanna in Mozart’s Le nozze di Figaro) to collaborate with her longtime mentor, conductor Valery Gergiev. Her other signature roles include Mimì in Puccini’s La bohème; Violetta in Verdi’s La traviata; Giulietta in Bellini’s I Capuleti e i Montecchi, Elvira in his I puritani, and Amina in his La sonnambula; Donna Anna in Mozart’s Don Giovanni; Norina in Donizetti’s Don Pasquale, Adina in his L’elisir d’amore, and the title roles in his Lucia di Lammermoor and Anna Bolena; the title role in Massenet’s Manon; Juliette in Gounod’s Roméo et Juliette; and the title role in Tchaikovsky’s Iolanta. Netrebko also appears extensively in concerts throughout the world, both in revered music venues such as New York’s Carnegie Hall and in arenas in front of tens of thousands of people. Her outdoor concerts at Berlin’s Waldbühne and at Vienna’s Schönbrunn Palace, where she has shared the stage with artists such as Plácido Domingo, are often internationally televised events. She is a fixture at the Salzburg Festival and has headlined the famous Last Night of the BBC Proms in London. Netrebko also frequently appears in recital with the world’s leading artists, including Daniel Barenboim.

In September Anna Netrebko returned to the Metropolitan Opera, where she made her debut in 2002 as Natasha in Prokofiev’s War and Peace, to headline her second consecutive season opening night gala. After her star turn last year as the tragic title character in the Met premiere of Donizetti’s Anna Bolena, she opened the house’s 2012-13 season as the irresistible Adina in Donizetti’s comic gem, L’elisir d’amore, in a new staging by Tony Award-winning director Bartlett Sher. Following her successful La Scala debut in Don Giovanni last season, she returned to famed theater in October with her signature portrayal of the ill-fated Mimì in La bohème. The role will also be the vehicle for her Lyric Opera of Chicago debut this spring in a new-to-the-house production of the Puccini opera. Other highlights of the soprano’s exciting 2012-13 season include a European concert tour in the title role of Tchaikovsky’s rarely-heard one-act opera Iolanta this November, and her role debut as Tatyana in Tchaikovsky’s Eugene Onegin in her return to the Vienna State Opera.

Anna Netrebko boasts an extensive discography that includes solo albums, complete opera recordings, concert repertoire. Her solo discs for Deutsche Grammophon – Opera Arias, Sempre Libera, Russian Album, Souvenirs, In the Still of Night, and Anna Netrebko: Live at the Metropolitan Opera – have all been bestsellers, as have her full-length opera recordings of La traviata, Le nozze di Figaro, La bohème, and I Capuleti e i Montecchi. Highlights from Netrebko’s videography include DVD or blue-ray discs of Ruslan and Lyudmila, Betrothal in a Monastery, La traviata, Le nozze di Figaro, I puritani, Manon, Lucia, Don Pasquale, and Anna Bolena; a feature film release of La bohème directed by Robert Dornhelm; and a DVD of music videos, titled Anna Netrebko: The Woman, The Voice. Her CD Duets, with tenor Rolando Villazón, set a record for the best European debut ever for a classical album, climbing to the top of the pop charts in several countries.

In 2007, the year she was named to the Time 100 list, Netrebko serenaded film director Martin Scorsese on the CBS broadcast of the 30th Annual Kennedy Center Honors, and the following year she performed on the BBC telecast of the Classical BRIT Awards alongside Andrea Bocelli. Netrebko has been profiled in numerous magazines, including Vogue, Vanity Fair, and Town & Country, to name but a few. She has also been featured on television shows such as ABC’s Good Morning America, NBC’s The Tonight Show with Jay Leno, CBS’s 60 Minutes, CNN’s Revealed, and Germany’s Wetten, dass..? Documentaries about her have been televised in Austria, Denmark, Germany, Russia, and Switzerland.

Anna Netrebko’s other honors and awards include Grammy nominations for her recordings Violetta and Russian Album; Musical America’s 2008 “Musician of the Year;” Germany’s prestigious Bambi Award; the UK’s Classical BRIT Awards for “Singer of the Year” and “Female Artist of the Year;” and nine German ECHO Klassik awards. In 2005, she was awarded the Russian State Prize – the country’s highest award in the field of arts and literature – by President Vladimir Putin; in 2008 the president bestowed on her the title of “People’s Artist of Russia.”

Born in 1971 in Krasnodar, Russia, Anna Netrebko studied vocal performance at the St. Petersburg Conservatory. An avid advocate for children’s causes, she supports a number of charitable organizations, including SOS-Kinderdorf International and the Russian Children’s Welfare Society. Since 2006 she has been a global ambassador for Chopard jewelry.

[i] Charles Michener, New York Observer
[ii] Joshua Kosman, San Francisco Chronicle
[iii] Verena Dobnik, Associated Press

Booklet for Verismo

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