Verdi Anna Netrebko
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- Giuseppe Verdi (1813-1901): Macbeth / Version 1865 for the Paris Opéra / Act 1
- 1Scena e Cavatina Nel dì della vittoria io le incontrai02:10
- 2Vieni t affretta03:08
- 3Or tutti sorgete01:59
- Act 2
- 4La luce langue04:00
- Act 4
- 5Gran Scena del sonnambulisma Una macchia è qui tuttora09:58
- Giovanna d'Arco / Act 1
- 6Qui! Qui...dove più s apre libero il cielo02:32
- 7O fatidica foresta02:15
- I vespri siciliani / Act 4
- 8Arrigo! Ah! parli a un core03:58
- Act 5
- 9Mercè, dilette amiche04:02
- Don Carlo / Act 5
- 10Tu che le vanità10:22
- Il Trovatore / Act 4
- 11Vanne ... lasciami02:24
- 12D amor sull ali rosee03:40
- 13Miserere ... Quel son, quelle preci04:35
- 14Tu vedrai che amore02:12
Info for Verdi
In her first studio album for five years, Anna Netrebko celebrates the mighty power and compelling human drama of Verdis music. The superstar Russian soprano has surged to the top of the opera world since the release of her first recording for Deutsche Grammophon a decade ago, propelled by the unforgettable force of her interpretations of landmark works of the operatic repertoire. Anna Netrebko Verdi is destined to stand out among major highlights of the composers bicentenary year, thanks not least to the albums choice of music personally and diligently selected by the artist and the sheer intensity of its music-making.
Anna Netrebko has chosen to explore the psychological depths of five of Verdis most complex characters. Anna Netrebko Verdi opens with excerpts from Macbeth, including Lady Macbeths sleepwalking scene and progresses through the turbulent psychological landscapes of Giovanna d Arco, Elena from I Vespri Siciliani and Elisabetta from Don Carlo and on to Leonora from Il trovatore. Tenor Rolando Villazon, who launched Verdi Year with his own solo album on Deutsche Grammophon, here joins forces with Netrebko for a scene from the final act of Il trovatore.
Netrebkos expressive conviction in each role reflects her mature understanding of Verdis art. The albums authentic spirit is reinforced throughout by the presence of the Chorus and Orchestra of the Teatro Regio Torino and their Music Director, Gianandrea Noseda. The Italian conductor first met Netrebko during his time at the Mariinsky Theatre and conducted her Deutsche Grammophon debut album. Recording this album has been a wonderful journey, full of discoveries, the singer recalls. Together with Gianandrea and the fantastic orchestra, our goal is to do justice to Verdis beautiful creations.
'They don't call it electricity anymore. They call it Netrebko ... I have met plenty of dazzling people in my time, but Netrebko is more charismatic than any of them ... she seems lit from within and animated by a charming, benign mania ... she is the biggest international star the opera world has had since Luciano Pavarotti ... her instinctive connection with the audience makes her performance fresh and real each time out.' (Scott Barns, Opera News, New York)
'The shadowy timbres at the lower end of her range lend a frightening glow as Lady Macbeth in Act II of 'Macbeth' contemplates Banquo's murder in fading light. The sheer force of Netrebko's still-maturing voice is equally intimidating ... she makes every heroine leap before us, fully alive, each widely different from the other. There are bold colours too from the orchestra Teatro Regio Torino and the conductor Gianandrea Noseda, never happier than when raising tension with tremulous strings or stabbing chords.' (Geoff Brown, The Times, London)
Anna Netrebko, soprano
Rolando Villazón, tenor
Orchestra del Teatro Regio di Torino
Gianandrea Noseda, conductor
has transcended the boundaries typical of classical music stardom to become one of the world’s most widely recognized and highly regarded opera singers. Regularly headlining productions at virtually all of the world’s leading opera houses, the Russian soprano has been hailed as “the reigning new diva of the early 21st century.”[i] In 2007 she became the first classical musician to be named to the Time 100 list, Time magazine’s list of the most influential people in the world. Her beautiful, dark, distinctive voice and her elegant and alluring stage presence have prompted critics to hail her as “Audrey Hepburn with a voice” and “a singer who simply has it all: a voice of astounding purity, precision, and scope, extensive dynamic and tonal range, imagination, insight, and wit – all combined with a dazzling charisma that makes it all but impossible to look away when she is performing.”[ii]
Since her triumphant Salzburg Festival debut in 2002 as Donna Anna in Mozart’s Don Giovanni, Anna Netrebko has gone on to appear with nearly all of the world’s great opera companies, including the Metropolitan Opera, the San Francisco Opera, London’s Royal Opera House Covent Garden, Milan’s Teatro alla Scala, the Vienna State Opera, the Paris Opera, the Zurich Opera, the Berlin State Opera, and Munich’s Bavarian State Opera. She frequently returns to the Kirov Opera at the Mariinsky Theater in St. Petersburg (where she made her stage debut as Susanna in Mozart’s Le nozze di Figaro) to collaborate with her longtime mentor, conductor Valery Gergiev. Her other signature roles include Mimì in Puccini’s La bohème; Violetta in Verdi’s La traviata; Giulietta in Bellini’s I Capuleti e i Montecchi, Elvira in his I puritani, and Amina in his La sonnambula; Donna Anna in Mozart’s Don Giovanni; Norina in Donizetti’s Don Pasquale, Adina in his L’elisir d’amore, and the title roles in his Lucia di Lammermoor and Anna Bolena; the title role in Massenet’s Manon; Juliette in Gounod’s Roméo et Juliette; and the title role in Tchaikovsky’s Iolanta. Netrebko also appears extensively in concerts throughout the world, both in revered music venues such as New York’s Carnegie Hall and in arenas in front of tens of thousands of people. Her outdoor concerts at Berlin’s Waldbühne and at Vienna’s Schönbrunn Palace, where she has shared the stage with artists such as Plácido Domingo, are often internationally televised events. She is a fixture at the Salzburg Festival and has headlined the famous Last Night of the BBC Proms in London. Netrebko also frequently appears in recital with the world’s leading artists, including Daniel Barenboim.
In September Anna Netrebko returned to the Metropolitan Opera, where she made her debut in 2002 as Natasha in Prokofiev’s War and Peace, to headline her second consecutive season opening night gala. After her star turn last year as the tragic title character in the Met premiere of Donizetti’s Anna Bolena, she opened the house’s 2012-13 season as the irresistible Adina in Donizetti’s comic gem, L’elisir d’amore, in a new staging by Tony Award-winning director Bartlett Sher. Following her successful La Scala debut in Don Giovanni last season, she returned to famed theater in October with her signature portrayal of the ill-fated Mimì in La bohème. The role will also be the vehicle for her Lyric Opera of Chicago debut this spring in a new-to-the-house production of the Puccini opera. Other highlights of the soprano’s exciting 2012-13 season include a European concert tour in the title role of Tchaikovsky’s rarely-heard one-act opera Iolanta this November, and her role debut as Tatyana in Tchaikovsky’s Eugene Onegin in her return to the Vienna State Opera.
Anna Netrebko boasts an extensive discography that includes solo albums, complete opera recordings, concert repertoire. Her solo discs for Deutsche Grammophon – Opera Arias, Sempre Libera, Russian Album, Souvenirs, In the Still of Night, and Anna Netrebko: Live at the Metropolitan Opera – have all been bestsellers, as have her full-length opera recordings of La traviata, Le nozze di Figaro, La bohème, and I Capuleti e i Montecchi. Highlights from Netrebko’s videography include DVD or blue-ray discs of Ruslan and Lyudmila, Betrothal in a Monastery, La traviata, Le nozze di Figaro, I puritani, Manon, Lucia, Don Pasquale, and Anna Bolena; a feature film release of La bohème directed by Robert Dornhelm; and a DVD of music videos, titled Anna Netrebko: The Woman, The Voice. Her CD Duets, with tenor Rolando Villazón, set a record for the best European debut ever for a classical album, climbing to the top of the pop charts in several countries.
In 2007, the year she was named to the Time 100 list, Netrebko serenaded film director Martin Scorsese on the CBS broadcast of the 30th Annual Kennedy Center Honors, and the following year she performed on the BBC telecast of the Classical BRIT Awards alongside Andrea Bocelli. Netrebko has been profiled in numerous magazines, including Vogue, Vanity Fair, and Town & Country, to name but a few. She has also been featured on television shows such as ABC’s Good Morning America, NBC’s The Tonight Show with Jay Leno, CBS’s 60 Minutes, CNN’s Revealed, and Germany’s Wetten, dass..? Documentaries about her have been televised in Austria, Denmark, Germany, Russia, and Switzerland.
Anna Netrebko’s other honors and awards include Grammy nominations for her recordings Violetta and Russian Album; Musical America’s 2008 “Musician of the Year;” Germany’s prestigious Bambi Award; the UK’s Classical BRIT Awards for “Singer of the Year” and “Female Artist of the Year;” and nine German ECHO Klassik awards. In 2005, she was awarded the Russian State Prize – the country’s highest award in the field of arts and literature – by President Vladimir Putin; in 2008 the president bestowed on her the title of “People’s Artist of Russia.”
Born in 1971 in Krasnodar, Russia, Anna Netrebko studied vocal performance at the St. Petersburg Conservatory. An avid advocate for children’s causes, she supports a number of charitable organizations, including SOS-Kinderdorf International and the Russian Children’s Welfare Society. Since 2006 she has been a global ambassador for Chopard jewelry.
[i] Charles Michener, New York Observer
[ii] Joshua Kosman, San Francisco Chronicle
[iii] Verena Dobnik, Associated Press