Sempre libera Anna Netrebko

Cover Sempre libera

Album info



Label: Deutsche Grammophon (DG)

Genre: Classical

Subgenre: Vocal

Artist: Anna Netrebko

Composer: Giuseppe Verdi (1813-1901), Vincenzo Bellini (1801-1835), Gaetano Donizetti (1797-1848), Giuseppe Verdi (1813-1901), Giacomo Puccini (1858-1924)

Album including Album cover Booklet (PDF)

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  • Giuseppe Verdi (1813 - 1901): La Traviata / Act 1:
  • 1"E strano!" - "Ah, fors'è lui"04:55
  • 2Sempre libera03:40
  • Vincenzo Bellini (1801 - 1835): La Sonnambula / Act 2:
  • 3Ah! Se una volta sola05:38
  • 4Ah, non credea mirarti04:47
  • 5Ah! non giunge uman pensiero02:42
  • I Puritani / Act 2:
  • 6O rendetemi le speme...Qui la voce04:36
  • 7Ah! tu sorridi04:02
  • 8Vien, diletto, è in ciel la luna02:57
  • Gaetano Donizetti (1797 - 1848): Lucia di Lammermoor / Act 2:
  • 9"O giusto cielo!"03:18
  • 10Ohime’ sorge il tremendo fantasma03:15
  • 11"Ardon gli incensi..."05:01
  • 12"Spargi d'amaro pianto"03:37
  • Giuseppe Verdi: Otello / Act 4:
  • 13Era più calmo?05:00
  • 14"Piangea cantando nell'erma landa..."07:03
  • 15Ave Maria, piena di grazia05:17
  • Giacomo Puccini (1858 - 1924): Gianni Schicchi:
  • 16O mio babbino caro02:51
  • Total Runtime01:08:39

Info for Sempre libera

Claudio Abbado conducts the Mahler Chamber Orchestra behind operatic soprano Anna Netrebko's performance of Sempre Libera.

"Sempre libera," Anna Netrebko's second album with Deutsche Grammophon, will be released in August 2004. The album features arias from La traviata, Lucia di Lammermoor, I Puritani, La Sonnambula, and Otello and was recorded with Claudio Abbado and the Mahler Chamber Orchestra.

„Anna Netrebko's second CD is even more impressive than her first . . . a very satisfying -- even thrilling--program . . . Growing artistry and everything else aside, Netrebko's voice is just beautiful. Much of the fine effect of this recital is due to Claudio Abbado's leadership -- he's infinitely sensitive not only to the music but also to his soprano's strengths. And the Mahler Chamber Orchestra is a fine group, its wind players mellow and plangent, its strings sweetly ideal for bel canto.“ (Robert Levine,

„Particularly affecting and fitting here is her movement from note to note and her subtle use of vibrato, and the inward feeling she brings in . . . In any case, all but the most fastidious will find the interpretations of this ever-improving voice and talent hard to resist and . . . the beauty, and often the pathos in the singing is its own advocate . . . she is greatly helped by Abbado's experience and understanding, and the sympathetic playing of the Mahler Chamber Orchestra.“ (Alan Blyth, Gramophone)

„Anna Netrebko gets back on form with this stunning collection of arias. Here is insightful, intelligent singing, beautifully phrased and impressively controlled -- and what a voice! Clear as a mountain stream, and evenly weighted from top to bottom. But perhaps her greatest talent is to communicate passion and emotion with restraint and delicacy: there's nothing histrionic here, but you can really hear the blood pounding under everything she does . . . Claudio Abbado and the Mahler Chamber Orchestra provide a wonderfully sympathetic accompaniment . . .“ (Warwick Thompson, Classic FM (London)

Anna Netrebko, soprano
Mahler Chamber Orchestra
Claudio Abbado, conductor
Sara Mingardo, mezzo-soprano
Saimir Pirgu, tenor
Nicola Ulivieri, bass
Andrea Concetti, bass
Coro Sinfonico di Milano Giuseppe Verdi

Anna Netrebko
has transcended the boundaries typical of classical music stardom to become one of the world’s most widely recognized and highly regarded opera singers. Regularly headlining productions at virtually all of the world’s leading opera houses, the Russian soprano has been hailed as “the reigning new diva of the early 21st century.”[i] In 2007 she became the first classical musician to be named to the Time 100 list, Time magazine’s list of the most influential people in the world. Her beautiful, dark, distinctive voice and her elegant and alluring stage presence have prompted critics to hail her as “Audrey Hepburn with a voice” and “a singer who simply has it all: a voice of astounding purity, precision, and scope, extensive dynamic and tonal range, imagination, insight, and wit – all combined with a dazzling charisma that makes it all but impossible to look away when she is performing.”[ii]

Since her triumphant Salzburg Festival debut in 2002 as Donna Anna in Mozart’s Don Giovanni, Anna Netrebko has gone on to appear with nearly all of the world’s great opera companies, including the Metropolitan Opera, the San Francisco Opera, London’s Royal Opera House Covent Garden, Milan’s Teatro alla Scala, the Vienna State Opera, the Paris Opera, the Zurich Opera, the Berlin State Opera, and Munich’s Bavarian State Opera. She frequently returns to the Kirov Opera at the Mariinsky Theater in St. Petersburg (where she made her stage debut as Susanna in Mozart’s Le nozze di Figaro) to collaborate with her longtime mentor, conductor Valery Gergiev. Her other signature roles include Mimì in Puccini’s La bohème; Violetta in Verdi’s La traviata; Giulietta in Bellini’s I Capuleti e i Montecchi, Elvira in his I puritani, and Amina in his La sonnambula; Donna Anna in Mozart’s Don Giovanni; Norina in Donizetti’s Don Pasquale, Adina in his L’elisir d’amore, and the title roles in his Lucia di Lammermoor and Anna Bolena; the title role in Massenet’s Manon; Juliette in Gounod’s Roméo et Juliette; and the title role in Tchaikovsky’s Iolanta. Netrebko also appears extensively in concerts throughout the world, both in revered music venues such as New York’s Carnegie Hall and in arenas in front of tens of thousands of people. Her outdoor concerts at Berlin’s Waldbühne and at Vienna’s Schönbrunn Palace, where she has shared the stage with artists such as Plácido Domingo, are often internationally televised events. She is a fixture at the Salzburg Festival and has headlined the famous Last Night of the BBC Proms in London. Netrebko also frequently appears in recital with the world’s leading artists, including Daniel Barenboim.

In September Anna Netrebko returned to the Metropolitan Opera, where she made her debut in 2002 as Natasha in Prokofiev’s War and Peace, to headline her second consecutive season opening night gala. After her star turn last year as the tragic title character in the Met premiere of Donizetti’s Anna Bolena, she opened the house’s 2012-13 season as the irresistible Adina in Donizetti’s comic gem, L’elisir d’amore, in a new staging by Tony Award-winning director Bartlett Sher. Following her successful La Scala debut in Don Giovanni last season, she returned to famed theater in October with her signature portrayal of the ill-fated Mimì in La bohème. The role will also be the vehicle for her Lyric Opera of Chicago debut this spring in a new-to-the-house production of the Puccini opera. Other highlights of the soprano’s exciting 2012-13 season include a European concert tour in the title role of Tchaikovsky’s rarely-heard one-act opera Iolanta this November, and her role debut as Tatyana in Tchaikovsky’s Eugene Onegin in her return to the Vienna State Opera.

Anna Netrebko boasts an extensive discography that includes solo albums, complete opera recordings, concert repertoire. Her solo discs for Deutsche Grammophon – Opera Arias, Sempre Libera, Russian Album, Souvenirs, In the Still of Night, and Anna Netrebko: Live at the Metropolitan Opera – have all been bestsellers, as have her full-length opera recordings of La traviata, Le nozze di Figaro, La bohème, and I Capuleti e i Montecchi. Highlights from Netrebko’s videography include DVD or blue-ray discs of Ruslan and Lyudmila, Betrothal in a Monastery, La traviata, Le nozze di Figaro, I puritani, Manon, Lucia, Don Pasquale, and Anna Bolena; a feature film release of La bohème directed by Robert Dornhelm; and a DVD of music videos, titled Anna Netrebko: The Woman, The Voice. Her CD Duets, with tenor Rolando Villazón, set a record for the best European debut ever for a classical album, climbing to the top of the pop charts in several countries.

In 2007, the year she was named to the Time 100 list, Netrebko serenaded film director Martin Scorsese on the CBS broadcast of the 30th Annual Kennedy Center Honors, and the following year she performed on the BBC telecast of the Classical BRIT Awards alongside Andrea Bocelli. Netrebko has been profiled in numerous magazines, including Vogue, Vanity Fair, and Town & Country, to name but a few. She has also been featured on television shows such as ABC’s Good Morning America, NBC’s The Tonight Show with Jay Leno, CBS’s 60 Minutes, CNN’s Revealed, and Germany’s Wetten, dass..? Documentaries about her have been televised in Austria, Denmark, Germany, Russia, and Switzerland.

Anna Netrebko’s other honors and awards include Grammy nominations for her recordings Violetta and Russian Album; Musical America’s 2008 “Musician of the Year;” Germany’s prestigious Bambi Award; the UK’s Classical BRIT Awards for “Singer of the Year” and “Female Artist of the Year;” and nine German ECHO Klassik awards. In 2005, she was awarded the Russian State Prize – the country’s highest award in the field of arts and literature – by President Vladimir Putin; in 2008 the president bestowed on her the title of “People’s Artist of Russia.”

Born in 1971 in Krasnodar, Russia, Anna Netrebko studied vocal performance at the St. Petersburg Conservatory. An avid advocate for children’s causes, she supports a number of charitable organizations, including SOS-Kinderdorf International and the Russian Children’s Welfare Society. Since 2006 she has been a global ambassador for Chopard jewelry.

[i] Charles Michener, New York Observer
[ii] Joshua Kosman, San Francisco Chronicle
[iii] Verena Dobnik, Associated Press

Booklet for Sempre libera

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