Dorothea Vogel & John Thwaites

Biographie Dorothea Vogel & John Thwaites

Dorothea Vogel & John ThwaitesDorothea Vogel & John Thwaites
Dorothea Vogel
was born in Switzerland and studied with Rudolf Weber in Winterthur. After winning first prize in the Swiss Youth Competition, Dorothea won scholarships to study with Paul Coletti at the Peabody Institute, USA, and with David Takeno and Micaela Comberti at the Guildhall School in London, where she graduated with the coveted Concert Recital Diploma. She was a founder member of the Amar Quartet. Dorothea has played the baroque viola in the Kings Consort and Florilegium and has been both principal viola in the Gustav Mahler Orchestra and the World Youth Orchestra in Israel. She has appeared as a soloist with the Zurich Kammerorchester and at London’s Wigmore Hall.

In 2001 she joined the Allegri String Quartet, one of the UK’s longest-standing chamber groups, with whom she enjoys a busy performing, touring and recording schedule.

She teaches Chamber Music at Pro Corda as well as festivals throughout the UK. Her viola is by Ludovico Rastelli, Genoa, circa 1800.

John Thwaites
is best known for his collaborative work with strings. He has worked over decades with cellists Alexander Baillie and Johannes Goritzki, and appeared with Pierre Doumenge, Louise Hopkins, Natalie Clein, Alexander Ivashkin, David Cohen, Oleg Kogan, Li Wei and others, and with the Martinu, Maggini, Dante, Schidlof, Emperor and Aurea String Quartets. Theatrical collaborations have included work with Simon Callow, Tony Britton and Tim Piggott-Smith.

John performs regularly in the major festivals across Europe, broadcasts for radio, and has issued a string of critically acclaimed recordings. His recording of Lyapunov’s Piano Sextet with the Dante Quartet for Dutton Digital was a BBC Music Magazine ‘Recording of the Month, as was a Double CD of British Twentieth Century Cello Sonatas with Alexander Baillie for SOMM.

Concerto appearances include Grieg at St John’s Smith Square and Tchaikovsky at the Royal College of Music. Whilst Head of Keyboard at Christ’s Hospital, he programmed the complete Chamber Music of Brahms, taking the 17 piano parts – an abiding passion increasingly informed by historic performance study. Baillie/Thwaites have recorded the Brahms Cello Sonatas using period pianos in Vienna.

John’s more recent teaching career includes posts at the Royal Conservatoire of Scotland and the Guildhall School of Music and Drama. He is Course Director of the Cadenza International Summer Music School, a piano and strings festival resident at the Purcell School, and Head of Keyboard Studies at Birmingham Conservatoire, where he has directed major Festivals of Ireland, Delius, Bax, Skryabin and Brahms as well as directing a celebrity-studded All Night Gala at Birmingham Town Hall.

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