Schumann Cello & Piano Works Alberto Martos & Myriam Sotelo

• Clara Schumann (1819 - 1896): Drei Romanzen op. 22:
• 1Schumann: Drei Romanzen op. 22: I. Andante molto03:17
• 2Schumann: Drei Romanzen op. 22: II. Allegretto03:18
• 3Schumann: Drei Romanzen op. 22: III. Leidenschaftlich schnell05:05
• Robert Schumann (1810 - 1856): Adagio und Allegro op. 70:
• 4Schumann: Adagio und Allegro op. 70: I. Adagio04:45
• 5Schumann: Adagio und Allegro op. 70: II. Allegro05:16
• Fantasiestücke op.73:
• 6Schumann: Fantasiestücke op.73: I. Zart und mit Ausdruck03:05
• 7Schumann: Fantasiestücke op.73: II. Lebhaft, leicht03:39
• 8Schumann: Fantasiestücke op.73: III. Rasch und mit Feuer04:26
• Drei Romanzen op.94:
• 9Schumann: Drei Romanzen op.94: I. Nicht schnell03:48
• 10Schumann: Drei Romanzen op.94: II. Einfach, innig03:50
• 11Schumann: Drei Romanzen op.94: III. Nicht schnell04:28
• Fünf Stücke im Volkston op. 102:
• 12Schumann: Fünf Stücke im Volkston op. 102: 1. Vanitas vanitatum. Mit humor03:16
• 13Schumann: Fünf Stücke im Volkston op. 102: 2. Langsam03:44
• 14Schumann: Fünf Stücke im Volkston op. 102: 3. Nicht schnell, mit viel Ton zu spielen03:43
• 15Schumann: Fünf Stücke im Volkston op. 102: 4. Nicht zu rasch02:09
• 16Schumann: Fünf Stücke im Volkston op. 102: 5. Stark und markiert03:05
• Märchenbilder op. 113:
• 17Schumann: Märchenbilder op. 113: I. Nicht schnell03:34
• 18Schumann: Märchenbilder op. 113: II. Lebhaft03:49
• 19Schumann: Märchenbilder op. 113: III. Rasch02:28
• 20Schumann: Märchenbilder op. 113: IV. Langsam, mit melancholischem Ausdruck05:31
• Total Runtime01:16:16

Info zu Schumann Cello & Piano Works

The name proposed for this programme comes from the title of the poem by Heinrich Heine that Robert Schumann set to music in the 11th piece of his song cycle for voice and piano "Dichterliebe" (Poet's Love) Opus 48, written in the year of his marriage to Clara. This poem may sum up the well-known love of both Brahms and Schumann for the master's daughter they shared. The aim is to bring the public closer to the language of our protagonists through the genres most cultivated by them, such as lyric and fantasy in short pieces, in the case of Robert and Clara, and the sonata, one of the forms most cultivated by César Franck.

Alberto Martos, violoncello
Myriam Sotelo, piano

Alberto Martos
is a Sony Classical artist and founding member of the Garnati Ensemble. His work Playing Goldberg, (along with Pablo Martos and Yuval Gotlibovich) obtained the best reviews from the specialized press. He was personally chosen by maestro Daniel Barenboim to occupy the first music stand of the West-Eastern Divan Orchestra. He has performed in venues such as the National Auditorium of Spain, Carnegie Hall in New York, Teatro Colón in Buenos Aires or Philharmonie in Berlin. In 2013 he received the Young Andalusia Award for his solidarity work through music. Part of this work was recorded in the documentary The Healing Notes, directed by Amparo Mendo and produced by Mercedes Milá. In 2017 he made his second recording for Sony Classical, performing the Concerto in D major by J. Haydn, together with the OCG and under the direction of maestro Antoni Ros Marbà. That same year he received the Andalusians of the Future award (Bankia / Grupo Joly) in the Culture category. In 2018 he went on a national tour with the complete Bach Suites for solo cello, with the support of the INAEM. He is currently a professor of cello at the RCSM Victoria Eugenia in Granada.

Myriam Sotelo
began her studies at the age of eight at the Ángel Barrios Professional Conservatory of Music in Granada, obtaining a professional music degree ten years later in the specialty of piano with the highest qualifications under the direction of Ramona Blacksmith. She completed her advanced degree in music at the prestigious Hochschule für Musik Carl Maria von Weber in Dresden (Germany) with Professor Gunther Anger. She has worked with great pianists such as Eldar Nebolsin, Ludmil Agelov, Claudio Martínez-Méhner, Luis Fernando Pérez and Alexander Kandelaki among others, highlighting the enormous influence received for several years by maestro Andrey Reznik. Despite his youth, he has extensive experience in the chamber repertoire, having participated in cycles of young performers in Spain and Germany, highlighting his appearance at the Granada International Music and Dance Festival (Fex) as well as in the cycle of young performers. Pulsnitz interpreters.

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