Missa Inviolata (Live) Dionysos Now

• Maistre Jhan (1485 - 1538):
• 1Jhan: Missa Inviolata: I. Kyrie (Live)03:58
• 2Jhan: Missa Inviolata: II. Gloria (Live)05:40
• 3Jhan: Missa Inviolata: III. Credo (Live)10:40
• 4Jhan: Missa Inviolata: IV. Sanctus (Live)01:43
• 5Jhan: Missa Inviolata: V. Agnus Dei (Live)03:43
• Total Runtime25:44

Info zu Missa Inviolata (Live)

Das Ensemble Dionysos Now! die wunderbar fesselnde Vokalpolyphonie der Renaissance präsentieren: das Repertoire von Adriaen Willaert, geboren in Roeselare (Belgien), Begründer der Venezianischen Schule.

Die herzliche Aufnahme und das positive Feedback, das wir nach der Veröffentlichung unseres Debütalbums Adriano 1 erhalten haben, hat uns dazu inspiriert, weiter in das unerforschte Werk dieses flämischen Meisters einzutauchen. Unsere Faszination für Adriaen Willaerts schier unendlich strahlendem Oeuvre führte uns zu diesem schönen, polyphonen Monument einer Messe. Die Kombination mit den anderen Werken auf dieser LP ist kein Zufall: Sie verdeutlicht, dass der Komponist genau wusste, was in Venedig musikalisch vor sich ging, auch außerhalb der Kirchenmauern des Markusdoms. Er verwandelte Volkslieder, die Canzone Villanesche, in vierstimmige musikalische Kleinode, die bis heute niemanden unberührt lassen. Es ist auffallend, wie unterschiedlich Willaert geistliche Texte einerseits und weltliche Lieder andererseits in packende Kompositionen umsetzt.

So hat die Messe eine polyphone Struktur: Eine Stimme beginnt, die zweite Stimme imitiert, verschönert und gibt die Fackel an eine dritte, vierte und fünfte Stimme weiter. Es entsteht ein Geflecht von Melodien, die kein Ende zu nehmen scheinen. Der Text ist schwer zu verstehen, aber hier und da erkennt man einen Ausschnitt der Hauptmelodie, der gregorianischen Melodie "Benedicta es", auf der alle Sätze dieser Missa Benedicta basieren.

Bei den Chansons ist das anders: Sie klingen polyphon, aber hochrhythmisch. Alle singen denselben Text zur gleichen Zeit, so dass man die Texte der einzelnen Strophen sehr gut hören und verstehen kann.

Dionysos Now

Dionysos Now
I would like to show you that vocal polyphony of the Renaissance is very captivating music, and deserves to be heard by a wider audience.

Dionysos Now! wants to create cathedrals from sounds, in which you perceive the music as if you were flattering the cathedrals with a drone from far above. The brick stones are overall but they seem to merge into the whole, into the 'gestalt', where the radiant music generates much more effervescent energy than the sum of the tones, the contagious flow in the music is sought and captured, like a surfer who seems to have found the perfect wave and seizes his chance to float on it before it goes away again.

With the wise words of Winston Churchill in mind "Never waste a good crisis", I started studying the scores of my fellow townsman Adriaen Willaert during the lockdown and so I rediscovered the wonderful music of this Venetian chapel master over the past few months. A new initiative was born: Dionysos Now! Vienna is a brand new project that aims to spread the magnificent heritage of Adriaen Willaert. With Dionysos Now!, I would like to demonstrate that Renaissance vocal polyphony is very captivating music that deserves to be appreciated by a wider audience.

Tore Tom Denys, founder Dionysos Now! Vienna

Anyone who reads the name Dionysos Now! correctly will discover the reference to Denys: Tore Tom Denys is the founder and artistic director of the ensemble.

Dionysos Now! is also in Greek mythology the growth force of the earth and human civilisation, zeal and enthusiasm, god of wine (construction) and fruit growing, poetry, theatre and music. As god of peace he brings people together and as victor over death he is god of the underworld. In various ways he had an important influence on the life, thought and work of the Greeks and Romans.

An ideal figurehead, therefore, from a great recognition for Willaert's work, to want to share this oeuvre with a large audience in the most diverse forms with great enthusiasm. It is Tore Tom Denys' ambition to map out the work of his "fellow townsman" by means of concerts and original CD recordings and to give him the fame he deserves.

The ensemble works and rehearses from Vienna but has an international base and unites top soloists in polyphony. Tore Tom Denys has his own clear vision on how he wants to perform Willaert's oeuvre with care for the original manuscripts and scores.

Ensemble Dionysos Now! is a flexible project in which the basis consists of 6 voices which, depending on the programme, can be extended to polyphonic or supplemented with an instrumental ensemble. To this end, a permanent collaboration will be set up with various internationally renowned ensembles.

Tore Tom Denys
has worked and lived in Vienna for over 20 years but was born and raised in Roeselare.

Tenor Tore Tom Denys joined the vocal core of the Capilla Flamenca in 2006. He studied trumpet at the Conservatory of Antwerp and could be heard worldwide as a concert and solo trumpet player. From 1994 to 1998, as a member of the 'World Youth Choir', he visited all continents, where his interest in early music and the art of singing grew steadily and he changed the trumpet for singing. He was a member of the vocal ensemble Currende with whom he recorded several CD's and was co-founder of the Goeyvaerts Consort. etc...

In 1998 Tore Tom Denys moved to Vienna and studied singing at the "Konservatorium der Stadt Wien". He was admitted to the "Arnold Schönberg Chor" (conducted by Erwin Ortner) and went on various tours as a soloist with this choir. Since 1999 he has been a member of the choir of the Vienna State Opera and has performed with it at the "Salzburger Festspiele" in productions by L. Maazel, R. Muti, Gjergiev W. Sawallisch. Besides his performances at various festivals in Austria and abroad, he is a permanent soloist with the ensembles "Nova", "Armonico Tributo Austria", "Cinquecento" and "Clemencic Consort". He is also founder and singer of the ensemble "Vivante", an ensemble for early music, which mainly performs music from the Italian Early Baroque and Ensemble Dionysos Now!, with a focus on polyphony. He is also a much sought-after soloist by Philippe Herreweghe with Collegium Vocale Gent for the specific polyphony music.

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