- 1The Healer02:48
- 2Abie's Thing03:09
- 4It's A Man's World03:36
- 5Descarga Para Andy02:31
- 6Avisale A Mi Vecina05:11
- 7Thunder Drum02:24
- 9A Bailar Mi Bomba03:16
- 12A La Loma De Belen03:03
- 14Fly Me To The Moon02:35
Info zu Iroko
Mit Iroko verwirklicht Avishai Cohen seinen langjährigen Traum, "ein Latin-Projekt mit seinen Lieblings-Latin-Musikern in New York zu machen. "Der aus Israel stammende Bassist und Sänger und der meisterhafte Conguero-Sänger Abraham Rodriguez Jr. strotzen nur so vor Melodien, Grooves, Wärme, unauslöschlichen Melodien und den Banden der Bruderschaft, die die Yoruba-Götter beschwören.
In der Überlieferung der Yoruba ist Iroko ein kompliziertes Symbol - ein Troll, der in den obersten Ästen eines Baumes wohnt, der "Thron Gottes" genannt wird und vor dem man sich hüten muss, damit er nicht auf die Erde kommt, gesehen wird und die Menschen in den Wahnsinn treibt. Aber Iroko, die einzigartige Veröffentlichung des französischen Labels Frenchnaïve von Sänger-Bassist Avishai Cohen und Conguero-Sänger Abraham Rodriguez Jr., strotzt vor Melodie, Groove und Wärme. Es hat tiefe Wurzeln in der esoterischen Religion und im Volkslied und kommt ganz natürlich von diesen seit 30 Jahren interkulturell zusammenarbeitenden Musikern, die im musikalischen Geiste vereint sind und Probleme abwehren.
Das Album ist das zwanzigste für den in Israel lebenden Komponisten und Interpreten Cohen, aber erst das dritte Projekt für Rodriguez, der sich selbst als Nuyorican, Santeria-Experte und Doo-Wop-Bata-Rumba-König bezeichnet, obwohl er seit Jahrzehnten den besten Latin-New-York-Aufnahmen seine geheime Soße beifügt. Das von Cohen zusammen mit dem mit dem Latin Grammy ausgezeichneten Produzenten Javier Limón produzierte Album ist so gefühlvoll wie ein Ständchen an einer Straßenecke in Spanish Harlem. Appelle an die Orishas der Yoruba mischen sich mit neu interpretierten Versionen von James Browns "It's a Man's World", dem Oscar-prämierten "Theme to Exodus" von 1960 und dem Sinatra-assoziierten "Fly Me To the Moon". Alles basiert auf dem treibenden Clavé-Rhythmus, der praktisch der gesamten afro-karibischen Musik (einschließlich Jazz) zugrunde liegt, während Rodriguez' Handschlagzeug mit Cohens unwiderstehlichen Bassmustern synkopiert und ihre Stimmen wie die von wahren Freunden verschmelzen.
Mit Iroko verwirklicht Cohen seinen langjährigen Traum, "ein Latin-Projekt mit meinen Lieblings-Latin-Musikern in New York zu machen. Es beginnt mit diesem Konzeptalbum, nur ich und Abi", sagt er, "gefolgt von der Premiere unserer Band [mit dem Schlagzeuger Hernacio "El Negro" Hernandez, dem Trompeter Diego Urcola, dem Saxophonisten Yosvany Terry, dem Perkussionisten Jose Angel und der spanischen Sängerin Virginia Alves] im März in Paris, dann eine Woche im Blue Note in New York und Termine auf den Sommerfestivals". Während Cohen, der seine ersten Erfolge in den Klaviertrios von Chick Corea und Danilo Perez feierte, bereits weltumspannende Ensembles wie die International Vamp Band und Abi (so wird er genannt, nicht nur von Avishai) ins Leben gerufen hat und die Bands Cachimba Inolvidable und Okonkolo leitete, ist Iroko eine noch nie dagewesene Synthese der Einflüsse, die das Duo verehrt.
Die beiden lernten sich 1993 kennen, als sie mit der Band des Pianisten Ray Santiago in der Lower East Side von Manhattan zusammenarbeiteten. "Es war eine Zusammenarbeit von kubanischer und puertoricanischer Musik mit ein wenig Jazz", sagt Abisay. "Eine nuyorikanische Sache." Avishai erinnert sich: "Als ich zu dem Ort kam, an dem sie probten, hörte ich das Klavier und die Conga, die ein Montuno [eine sich wiederholende Ostinato-Figur] spielten, nahm die Abdeckung von meinem Bass ab und machte einfach mit. Wir kannten uns noch nicht, aber der Rest ist eine Geschichte vieler gemeinsamer Auftritte.
Avishai hatte Jazz an der New School und der Mannes School of Music studiert und Andy Gonzalez, den meistbeschäftigten Bassisten der Latin-Szene, als Lehrer gewählt. Abi, ein Santeria-Priester, der von seinem Patenonkel, dem Bata-Großmeister Orlando "Puntilla" Rios, in seiner Mischung aus Heiligem und Weltlichem bestärkt wurde, kannte den Bassisten Gonzalez und seinen Bruder Jerry Gonzalez, der Trompete und Conguero spielte, aus den Trommelkreisen, in denen er aufwuchs. Sie waren die Leiter der Grupo Folklórico y Experimental Nuevayorquino, in der Abiplay spielte, und der Fort Apache Band, die für die Latinisierung der Kompositionen von Thelonious Monk bekannt ist. Iroko ist den Brüdern Gonzalez gewidmet, die inzwischen beide verstorben sind, als Geste an die Salsa-meets-Jazz-Bewegung, zu deren Stars Machito und Dizzy Gillespie, Mongo Santamaria, Ray Barretto und Eddie Palmieri gehören.
"Was mich zuerst an Abi und Ray Santiagos Musik reizte, war ihr New Yorker Touch, die etwas anders swingende Latin Music, die Abi als Schmelztiegel-Musiker verkörpert. Er hat sich eine eigene Sprache aus R&B, Blues, Doo-Wop, Jazz und Motown geschaffen - eine eigene Welt, in der ich Bass spielen wollte. Vom Anfang bis zum Ende nur Conga, Bass und Gesang, und zutiefst schöne Songs, die wir auseinandernehmen und uns zu eigen machen konnten. Wenn ich jetzt den Groove höre, möchte ich tanzen. Die Essenz ist da."
"Wie Mongo Santamaria sagte: 'Drum and chant'," fügt Abi hinzu. "Das ist es, was wir hier haben. Es ist universell und für jeden, ob jung oder alt. Selbst diejenigen, die verbittert sind, werden beim Hören dieser Lieder berührt sein und lächeln. Diejenigen, die wütend sind? Auf Iroko beschwören Avishai Cohen und Abraham Rodriguez Jr. Yoruba-Götter, unauslöschliche Melodien und die Bande der Brüderlichkeit, um sich gegen den Wahnsinn zu wehren, der uns droht, wenn wir vergessen, dass unsere ultimative Stärke darin liegt, gemeinsam Schönheit zu schaffen.
"Iroko ist ein lang gehegter Traum von mir, seit ich Abraham Rodrigues Jr. in New York kennengelernt und mit ihm gespielt habe. Ich wollte Teil von etwas sein, das Abis Gesang und Spiel auf eine sehr direkte und einfache Weise präsentiert." (Avishai Cohen)
Avishai Cohen, Kontrabass, Gesang
Abraham Rodriguez Jr., Congas, Gesang
Virginia Alves, Gesang
born in Kabri, Israel on April 20th, 1970, grew up in a multicultural family whose roots were found in Spain, Greece and Poland. At home, music was always in the air, with his mother Ora, an artistic influence, listening to both classical and traditional music. Avishai’s musical journey began when he was nine years old, when he began playing the piano. After moving to St. Louis, Missouri with his family aged fourteen, he continued to study the piano and began to play the bass guitar. The electric bass put a spell on him when his teacher introduced him to the music of luminary bassist Jaco Pastorius. Back in Israel, Avishai joined the Music and Arts Academy in Jerusalem to further explore the bass universe. At the age of 22, having served for two years in an army band, he decided to take a big step and moved to New York city.
Avishai arrived in a wintry New York, January 1992. Moving to the ‘Big Apple’ was a challenging decision, emotionally as well as professionally. The young Israeli had a tough beginning; performing on the streets and working in construction to get by. These small steps gave his music a unique sense of authenticity. He studied at the New School in New York City with such artists as Brad Mehldau and was soon to be performing and recording with Panamanian pianist Danilo Perez’ Trio, reflecting the essential role that Latin music played in Avishai’s early years whilst in New York.
In 1997 a call from Chick Corea changed everything. Avishai had passed one of Corea’s friends a demo tape without particular hope of being noticed. Chick listened to it in his car and called Avishai back a few weeks later, blown away by its freshness. As a member of “Chick Corea’s New Trio” and a co-founder of Corea’s ensemble, “Origin”, for over six years Avishai became an integral part of Chick’s music and received the opportunity to fine-tune his skills as a bassist and composer. Performing with Chick Corea played an important part in shaping his musicianship, which led Avishai to consider Chick as a teacher, colleague and friend.
Avishai’s first four albums, (Adama, 1998 Devotion, 1999 Colours, 2000 Unity, 2001) were released under Corea’s label ‘Stretch / Concord Records’ and already featured the essence of his music and original compositions; Mediterranean and Latin influences, and the use of horns and vocals created a sound that was truly unique. Unity, Avishai’s fourth album as a leader and the first to showcase his skills on piano, deserves a special mention. The album was recorded with the International Vamp Band, a group of fellow musicians formed by Avishai, from different parts of the world (Mexico, Argentina, Cuba and Israel). The idea behind the cutting-edge project was to allow different cultures interact and converse using the medium of music, delivering a message of peace and harmony.
The growing range of projects he was involved in led Avishai to create his own record label with his manager in 2002, ‘Razdaz Recordz’, enabling him to follow his own path as well as record talented young musicians he believed in.
Lyla (2003), Avishai’s debut release on Razdaz Recordz , reflected his multitalented artistic personality, ranging from Latin rhythms to electronics, and jazz. At Home (2004) can be regarded as a metaphor defining Avishai’s music, if indeed it can be put into words: “music makes one feel at home everywhere”. Most followers will also recognize At Home featuring the composition ‘Remembering’, an evocative ballad performed with trio and probably the most demanded encore at his live performances, as well as being highly favoured for global use in film and TV .
The cosmopolitan Continuo (2006) followed with great success and displayed the magic of a working band. In 2007, the live recording As Is, Live at the Blue Note marked his return to New York for a series of concerts at the legendary Blue Note jazz club. With Gently Disturbed (2008), Avishai achieved a masterstroke, hitting the right balance between a powerful trio recording, and delicate compositions. This release was an amalgamation of melody and groove, complexity and simplicity that redefined the concept of jazz, and ‘raised the bar’ for fellow Jazz musicians.
After residing for many years in New York City , Avishai returned to his roots and moved back to Israel, releasing a fresh musical statement linked to his heritage and history, Sensitive Hours / Shaot Regishot (2008), attained gold sales status in Israel. It was the first album to introduce vocals in all its compositions as well as songs in Hebrew.
Avishai has always been open to various musical influences in his career and he has dedicated his creativity to music that is meaningful to him. A process that led him to incorporate the Ladino language (the language spoken by Sephardic Jews) and culture through his international release Aurora (2009). “I find so much honesty, truth and innocence in those songs that I wanted to keep the language and tradition and make people aware of it” says Cohen. The same year saw Avishai’s career begin a fruitful partnership with the prestigious jazz label EMI / Blue Note. This coincided with a special relationship and connection with the French audience. In Aurora, Avishai surrounded himself with a new musical family; a unique project that blended jazz, classical music and Sephardic traditions, finding the perfect environment to fully express himself as a singer. He shared all the languages he felt close to (Hebrew, English, Spanish and Ladino), and opening up to sing enabled him to reach a higher level of communication personally as well as attract listeners and fans way beyond the borders of jazz.
Having already recorded Continuo and Gently Disturbed at the Swedish studio Nilento, sound engineer Lars Nilsson had also become a part of Avishai’s artistic family. He felt it was the perfect place to record Seven Seas (2011), his second opus with EMI / Blue Note; which entailed songs he had been performing on tour for some time. This led Avishai to also record Duende (2012) EMI / Blue Note there; a duo album that featured the young and talented Israeli pianist Nitai Hershkovits, a musician he discovered in Tel Aviv and rapidly felt in tune with.
Duende – a Spanish word referring to the spirit, the groove – was the result of the intimate yet challenging format of the piano and double bass duo. It was indeed an enchanted and natural dialogue through music that shed new light on jazz standards, (Such as; “Criss Cross” by Thelonious Monk, Cole Porter’s “All Of You” as well as John Coltrane’s “Central Park West”) and brought these arrangements by Avishai to the fore. In this musical jewel, the first duo interlude in a prolific discography, winning in Germany a Jazz Echo Award for best International album 2013. Avishai proved once again he can never cease to surprise us.
The energy Avishai put into bringing the bass under the spotlight has pushed the boundaries of jazz and earned him international awards and recognition globally. He has continuously performed at the most renowned venues and festivals worldwide and it has enabled him to develop a strong network of followers and listeners, striking a chord with the audience wherever he has performed. The stage is undoubtedly a place where Avishai feels at home, so much so that attending one of his live performances is probably the best way to get acquainted with his musical universe. DownBeat magazine noted Avishai as a “jazz visionary of global proportions” while Bass Player magazine declared him as one of the 100 most influential bass players of the twentieth century.
Throughout 2013, Avishai presented a new, unique project, ‘Avishai Cohen with Strings’ to a worldwide audience. At the center of this project was a string quartet with a difference; Avishai replaced one of the violins with a viola in order to benefit from its darker timbre and create more depth. An oboist was further added to the ensemble and joined Avishai’s core trio. Avishai’s warm vocals in Hebrew, Ladino and Spanish subtly created a mood that complimented the luscious instrumentation on his own one of a kind compositions. He found in this original configuration – “a classical setting with an escape into jazz” as he described it himself – the best way to fully express his love for both, through written music and improvisation and to let influences that have existed for years to blossom.
In 2014, Avishai extensively toured with his trio, and his Almah project ‘trio with strings’, worldwide. Furthermore, Avishai produced and presented All Original, released on his own label Razdaz Recordz, a beautiful compilation of music celebrating the growing young Israeli Jazz talents and scene. Avishai hand-picked the musicians featured on the album who he considered as some of the leading young composers of this movement.
2015 saw the release of the new, highly anticipated trio album named From Darkness (Razdaz Recordz) featuring Nitai Hershkovits (piano) and introducing the talented Daniel Dor on drums and marked the next step in Avishai’s career. The Trio, a format that has always been present in his music and guides him on his artistic journey, has never been praised so much than in this album; outstanding for the unity and mutual listening between the three partners: “With this Trio, there is an immediate form of equality between musicians.”. “Here, three becomes one” says Cohen.
From Darkness combines the strength, the groove and the rhythmic challenges of original pieces such as “Lost Tribe” or “C#-“, with the sensitivity and fragility noticeable in “Almah Sleeping” or “Ballad for an Unborn”. Far from being a plunge into darkness, this release proves to uplift the listeners and the musicians: “If there is an effect I like feeling within myself whilst playing, it’s this one. It is the very essence of the music, a goal to achieve … in those difficult lives of ours, music can be a form of salvation. At least this is what it has always represented for me” says Cohen.
In Leonard Cohen’s song “Anthem”, he wrote these penetrating lines; “There is a crack in everything. That’s how the light gets in.” It is through these majestic flaws, carved by humans and musicianship, that From Darkness lets the light radiate from an art that, more than ever, can legitimately claim to reach the truth of the human soul.
In 2016, halfway between respect for tradition and urge for new ventures: Avishai Cohen’s very own sound has never been clearer. Throughout his previous projects and musical projects such as; Trio, with Strings, Quintet, Sextet and Duet, it has become evident that the musician and composer is breaking new ground in the classical world. Not surprisingly, Johann Sebastian Bach, admired for his mathematical approach with music, is a frequently cited source of inspiration by Avishai, for the soul and spirit his work conveys.
In 2016 ‘An Evening with Avishai Cohen’ was presented which features his dynamic core trio of double bass, drums and piano, while the sophisticated, legitimate integration of full orchestra and chamber orchestra lends an added dimension to Cohen’s distinctive sound. This path into the classical world has included collaborations to date with over 25 orchestras with the Malmo Symphony , Luxembourg, Brussels Philharmonic , the BBC Concert Orchestra , Philharmonic Orchestra Essen, Brno Philharmonic Orchestra , Lviv Philharmonic and the Philharmonie de Paris . These unique and emcompassing concerts continuously develop globally in major venues, festivals with renown classical orchestra partners and conductors.
In October 2017 it was time for Avishai to launch a new band ‘1970’, and new album released with Sony ‘Masterworks’ France . As recent stellar performances at the world’s major venues have shown Cohen is at the peak of his creative powers. Those who have followed his career over the past fifteen years or so will know that his musical references reach far and wide, moving seamlessly from classical to jazz and traditional songs. Cohen plays and sings magnificently, and often gives vent to his love of melody as well as the art of improvisation. ‘1970’ highlights the more accessible side of his talent without compromising his artistic integrity. “It’s not a jazz record,” Cohen explains. “I don’t know what it is, but I’ve always had a connection to pop. I like pop as much as I like Bach and Charlie Parker. Singing has become very serious in my life over time. I’ve been asked by many people, when is the vocal album gonna come? Well, this is it, right here.” Around this time a beautiful fresh co-operation came to fruition with famous French film directors Eric Tolédano and Olivier Nakaché , for whom Avishai was commissioned to write the film score for the popular French movie ‘Le Sens de la Fête’ . released (October 2017) in over 40 countries ,with box office sales in excess of 5 million, (June 2018 ). The film score and music includes Avishai’s original compositions such as ‘ Wedding Song ‘, ‘Remembering’ ‘Nu Nu ‘ , ‘Seven Seas’ among others.
In the early days of 2018, A new ambitious initiative ,and project known as : ‘The Avishai Cohen Music Award 2020’ Avishai instigating an outreach program that very much upholds the spirit of his label Razdaz Recordz. The award, was open to any musician , composer or group in any style or genre of music to apply. The award gives the opportunity for the overall winner to record and release worldwide an album in 2020. The year was complete with a busy live tour schedule for Avishai with his ‘1970’ band, Trio and Orchestral performances ‘An Evening with Avishai Cohen’ all over.
In February 2019 Avishai recorded his latest album titled ‘Arvoles’ ( Razdaz 2019) returning to the favoured Nilento Studios in Sweden. This new musical statement delivers nine profound , freshly executed original compositions and one soulful arrangement.‘ Arvoles’ which means ‘Trees’in Ladino (the ancient language spoken by the Sephardic people of the diaspora). The 17th album as leader, Is clearly identified with Avishai own unique DNA and heartbeat .‘Arvoles’makes you float between key trio songs with the compliment of horns on several of the tracks, a working unit of deliberation, spirit,and giving you real joy. This is a masterful musical statement. Avishai with his dynamic trio will be presenting ‘ Arvoles ‘touring extensively with album recording partners, pianist and composer Elchin Shirinov from Azerbaijan, and the creative and distinctive Noam David, a drummer and composer whose delivers a rich style and complex polyrhythmic sounds .
Plans were being set for 2020 when Avishai will be celebrating his 50th year when he is scheduled to perform 50 concerts in 50 countries all over the globe. 50:50:50… the numbers add up to a whole world of sound.
Due to the exceptional worldwide circumstances that prevailed due to the covid-19 worldwide pandemic severely affecting live touring as planned, Avishai spent most of his 50th year at home in Israel, actively composing and recording in his own home studio, where he broadcast several live streams from his “Blue Door Studio”. In the early days of 2020 he also recorded and produced 3 original compositions for the short film documentary ”De Terezin au Kinderblock de Birkenau” by French director Chochana Boukhobza.
In March, Avishai was invited by Gary Barlow, songwriter, producer, and lead singer of the pop group “Take That”, to record and perform as a special guest on the track “Before We Get Too Old (ft. Avishai Cohen)”, for Barlow’s latest album “Music Played By Humans” ( Polydor/ Universal – November 27th ).
In November Avishai released a Limited Edition Vinyl Box Set “The 50 Gold Selection (Razdaz/naive) – “Chosen By You For You”. It is the first time the music of Avishai Cohen has been remastered and presented in such an exclusive way, with 50 tracks selected from a 2019 global fan survey, featuring hit tracks such as Remembering, Seven Seas, Eleven Wives, Morenika and Song Of Hope, from twelve of his worldwide album releases since 1998. Avishai also made his very first cameo acting appearance in a feature film to be released in 2021.
Abraham "Abe" Rodriguez, Jr.
is a skillful and versatile musician born in New York City. As a member of the Grupo Folklorico Experimental Nuevayorquino and The Oyu Oro Afro-Cuban Dance Ensemble, Abe is a highly sought-after musician in the New York Latin Jazz scene. He has been touring for over 20 years with such renowned artists as Puntilla y Su Nueva Generacion, Totico Y Su Rumberos, Celia Cruz, Kip Hanrahan (see a more complete list below). He has recorded with Puntilla, Totico y Sus Rumberos on the hit single "What's Your Name?", Daniel Ponce on "Arawe", Kip Hanrahan, Kubata, and Los Afortunados. He is also the featured singer on Ray Santiago's internationally acclaimed CD "Pa' Que Nadie Me Olvide."
Abe has appeared on television shows broadcast by WXTV, WNET and WNYE in New York. He has performed at Carnegie Hall; Lincoln Center; Symphony Space; the New York Coliseum; The Blue Note; Smalls; Fat Cat; Pregones Theater; Lidia de Burgos Cultural Center; Sweet Rhythm; Aaron Davis Hall; Alvin Ailey Dance School, SOB's; La Fonda Boricua, The Pyramid Club, Plan B, and Nuyorican Poet's Cafe in the East Village; and the Puerto Rican and Cuban parades. Abe has also appeared at numerous colleges and universities such as Columbia University, Brown University, The Berkeley School of Music, The University of Miami, CCNY, Nassau Community College, Hunter College, and Brooklyn College.
Touring extensively, Abraham Rodriguez has performed in Holland, Las Fietas Patronales in Puerto Rico, The Caribbean Music Festival in Columbia, the Kansas City Ethnic Festival, the Philadelphia Folk Festival, Lincoln Center Out of Doors, the Chicago Blues Festival, the Smithsonian Folklife Festival, and the Field Museum in Illinois. In Amsterdam, Abe formed Future Paradise with Steve Sandburg, Ami Malina, and Nivelton Butler. At the Haus Der Kulturen Der Welt, Abe performed at "New York in Berlin" in Berlin, Germany.
Abraham Rodriguez received his music instruction at the Berkeley School of Music and at the University of Miami. He was lead singer and drummer of the Afro-Caribbean Ensemble Los Afortunados and collaborated with Orlando Rios "Puntilla" and Roberto Borrell, who have played a major role in the dissemination of Afro-Cuban music and dance. Los Afortunados performed for theaters, colleges, clubs, and community centers throughout New York City. He has also received several government grants to study Afro-Cuban folklore.
Mr. Rodriguez's knowledge and mastery of ritual and secular music of the Caribbean as well as of Du-wop has made him one of the most sought-after musicians in the Afro-Latin-Jazz music scene. Abraham Rodriguez is known internationally for his music in Spain, Switzerland, Cuba, and Mexico. He also teaches private classes and gives workshops on vocals and percussion, including congas, bongos, bata, shekeres, timbales, and other hand-held instruments.
Recently, Abe has been performing with Michele Rosewoman and the New Yor-Uba. Abe Rodriguez currently leads his band "Cachimba Inolvidable" throughout New York City.
Dieses Album enthält kein Booklet