Jorge Bolet at Carnegie Hall, New York City, February 25, 1974 (Remastered) Jorge Bolet

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
28.12.2016

Label: Sony Classical/Daniel Taylor

Genre: Classical

Subgenre: Instrumental

Interpret: Jorge Bolet

Komponist: Johann Sebastian Bach (1685-1750), Frédéric François Chopin (1810-1849), Moritz Moszkowski (1854-1925), Anton Grigorevich Rubinstein (1829-1894), Paul de Schlözer (1841-1898), Johann Strauss (1825-1899), Richard Wagner (1813-1883)

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  • Violin Partita No. 2 in D Minor, BWV 1004:
  • 1Violin Partita No. 2 in D Minor, BWV 100414:57
  • Preludes, Op. 28:
  • 2Preludes, Op. 28: Prelude No. 1 in C Major00:35
  • 3Preludes, Op. 28: Prelude No. 2 in A Minor02:03
  • 4Preludes, Op. 28: Prelude No. 3 in G Major00:53
  • 5Preludes, Op. 28: Prelude No. 4 in E Minor02:02
  • 6Preludes, Op. 28: Prelude No. 5 in D Major00:33
  • 7Preludes, Op. 28: Prelude No. 6 in B Minor02:00
  • 8Preludes, Op. 28: Prelude No. 7 in A Major00:50
  • 9Preludes, Op. 28: Prelude No. 8 in F-Sharp Minor01:47
  • 10Preludes, Op. 28: Prelude No. 9 in E Major01:32
  • 11Preludes, Op. 28: Prelude No. 10 in C-Sharp Minor00:29
  • 12Preludes, Op. 28: Prelude No. 11 in B Major00:42
  • 13Preludes, Op. 28: Prelude No. 12 in G-Sharp Minor01:08
  • 14Preludes, Op. 28: Prelude No. 13 in F-Sharp Major03:45
  • 15Preludes, Op. 28: Prelude No. 14 in E-Flat Minor00:28
  • 16Preludes, Op. 28: Prelude No. 15 in D-Flat Major ("Raindrop")06:29
  • 17Preludes, Op. 28: Prelude No. 16 in B-Flat Minor01:06
  • 18Preludes, Op. 28: Prelude No. 17 in A-Flat Major03:48
  • 19Preludes, Op. 28: Prelude No. 18 in F Minor00:49
  • 20Preludes, Op. 28: Prelude No. 19 in E-Flat Major01:15
  • 21Preludes, Op. 28: Prelude No. 20 in C Minor01:45
  • 22Preludes, Op. 28: Prelude No. 21 in B-Flat Major02:01
  • 23Preludes, Op. 28: Prelude No. 22 in G Minor00:45
  • 24Preludes, Op. 28: Prelude No. 23 in F Major00:51
  • 25Preludes, Op. 28: Prelude No. 24 in D Minor02:41
  • Man lebt nur einmal, Op. 167 (Piano Transcription):
  • 26Man lebt nur einmal, Op. 167 (Piano Transcription)07:32
  • Nachtfalter, Op. 157 (Piano Transcription):
  • 27Nachtfalter, Op. 157 (Piano Transcription)06:54
  • Arabesque on "The Beautiful Danube, Op. 314":
  • 28Arabesque on "The Beautiful Danube, Op. 314"11:16
  • Tannhäuser, WWV 70:
  • 29Tannhäuser, WWV 70: Overture (Piano Transcription), S. 44216:36
  • Nocturne in F-Sharp Major, Op. 15, No. 2:
  • 30Nocturne in F-Sharp Major, Op. 15, No. 204:11
  • Etude de Concert in A-Flat Major, Op. 1, No. 2:
  • 31Etude de Concert in A-Flat Major, Op. 1, No. 203:22
  • 6 Phantasiestücke, Op. 52:
  • 326 Phantasiestücke, Op. 52: No. 4, La Jongleuse01:48
  • Etude in C Major, Op. 23, No. 2:
  • 33Etude in C Major, Op. 23, No. 204:46
  • Total Runtime01:51:39

Info zu Jorge Bolet at Carnegie Hall, New York City, February 25, 1974 (Remastered)

„To a great degree, this disc captures the excitement of Jorge Bolet's legendary recital at Carnegie Hall on February 25, 1974, and only falls short in conveying this pianist's enormous sound. The original analog recording is somewhat diminished in the digital transfer, and the inadequate technology of 1988 makes this CD a prime candidate for a new remastering. Yet Bolet's performances shine through the limited audio, and his mastery is what makes this album an essential item in any collection. His playing of the Bach/Busoni Chaconne in D minor is as controlled as possible, in light of its contrapuntal crossings and sudden changes of textures. Bolet gives a vigorous performance with only a few wrong notes -- easy to forgive when the daunting complexities of this arrangement are considered -- and the music is rich and powerful. In Chopin's Preludes, Bolet balances the shifting moods with great discipline, perhaps favoring the pensive preludes by minimizing the exuberance of the brighter pieces, but never at the expense of the set's continuity. Bolet's incredible ability to orchestrate at the keyboard is most apparent in Liszt's transcription of Wagner's Tannhäuser Overture, a tour de force of the piano's timbral possibilities. Decidedly the most dazzling offering of the evening, this extraordinary performance invites repeated listening.“ (Blair Sanderson, AMG)

Jorge Bolte, piano

Digitally remastered



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