Slavic Soul Jan Michiels

• Antonín Dvořák (1841-1904): Poetic Tone Pictures, Op. 85:
• 1III. In the Old Castle04:09
• Leoš Janáček (1854-1928): On an Overgrown Path:
• 2Vivo01:38
• Antonín Dvořák: Poetic Tone Pictures, Op. 85:
• 3VII. Furiant02:41
• Leoš Janáček: On an Overgrown Path:
• 4The Barn Owl Has Not Flown Away!03:27
• Antonín Dvořák: Poetic Tone Pictures, Op. 85:
• 5VI. Reverie03:52
• Leoš Janáček: 1.X.1905:
• 6I. The Presentiment05:03
• 7II. The Death06:15
• Antonín Dvořák: Dumka-Furiant, Op. 12:
• 8I. Allegretto moderato (Dumka)04:31
• 9II. Vivace (Furiant)04:03
• Leoš Janáček: On an Overgrown Path:
• 10Allegro05:03
• 11VII. Good Night!02:25
• Antonín Dvořák: Poetic Tone Pictures, Op. 85:
• 12IX. Serenade04:41
• Leoš Janáček: On an Overgrown Path:
• 13VI. Words Fail!01:51
• Antonín Dvořák: 8 Humoresques, Op. 101:
• 14I. Vivace02:12
• 15VII. Poco lento e grazioso02:42
• Leoš Janáček: On an Overgrown Path:
• 16Allegretto02:34
• 17The Madonna of Frýdek03:22
• Antonín Dvořák: Poetic Tone Pictures, Op. 85:
• 18XIII. On the Holy Mount03:12
• Leoš Janáček: In the Mist:
• 19I. Andante03:04
• 20II. Molto Adagio04:09
• 21III. Andante02:09
• 22IV. Presto04:52
• Total Runtime01:17:55

Info zu Slavic Soul

Prag und Brünn, die zwei größten Städte des Landes, das wir heute als Tschechische Republik kennen, waren die Ausgangspunkte, wo die Karrieren der drei großen Repräsentanten der tschechischen Schule – Dvorak, Janacek und Smetana – ihre Karrieren begannen. Auch wenn der 13 Jahre jüngere Janacek seinen Kollegen Dvorak als Vaterfigur erachtete, teilten die beiden Komponisten doch die vielbeschriebene poetische Slawische Seele. Und Janacek sagte über Dvorak: „Es ist, als kämen seine Melodien direkt aus meinem Herzen. Nichts kann solch eine Verbindung durchbrechen.“

In seiner vierten Solo-Einspielung für das Label FUGA LIBERA betrachtet der Pianist Jan Michiels dieses slawische Bewusstsein und die damit verbundene Musikalität aus der Perspektive des Vater-Sohn-Verhältnisses der beiden Komponisten. Das gelingt ihm durch die Vermischung zweier bedeutender lyrischer Zyklen, nämlich Dovraks „Poetische Tonbilder, Op. 85“ und Janaceks „Auf verwachsenem Pfade“.

Jan Michiels, Klavier

Jan Michiels
born 1966 studied with Abel Matthys at the Royal Conservatory of Brussels. From 1988 to 1993 he studied at the Hochschule der Künste in Berlin under the direction of Hans Leygraf - he was awarded an exceptional distinction for his interpretations of Bartók's Second concerto for piano and Ligeti's Etudes. He was Tenuto-laureate in 1988 ; in 1989 he won the international E.Durlet competition. In 1991 he was laureate of the international Queen Elizabeth Competition. In 1992 he was awarded the JeM/ Cera prize for musicians and in 1996 he was signed up as festival star of the Flanders Festival. He is also laureate of the 'Gouden Vleugels/KBC Muziekprijs' 2006.

Jan Michiels is currently active as piano professor in the Koninklijk Conservatorium Brussel, where he also led the class of contemporary music for eight years. He conducted masterclasses in London, Murcia, Hamburg, Oslo, Montepulciano, Szombathely (Bartokfestival). He was jury member in several competitions (Brussels, Bolzano, ...). He obtained in 2011 a doctorate in the arts (with greatest distinction) by performing a 'teatro dell'ascolto', inspired by the 'New Prometheus' of Luigi Nono. He regularly performs as a soloist or with chamber music ensembles (a.o. the Piano Quartet "Tetra Lyre" and a piano duo "YIN-YANG" with Inge Spinette) in several musical centres in Europe and Asia, with conductors such as Angus, Asbury, Baudo, Blunier, Boreycko, Edwards, Eötvös, Guerrero, Holliger, Latham-Koenig, Kamu, Meylemans, Nézet-Séguin, Ono, Pfaff, Rahbari, Rundel, Soustrot, Stern, Tabachnik, Tamayo, Zagrosek, Zender - but also with dance-productions of Anna Teresa De Keersmaeker, Vincent Dunoyer and Sen Hea Ha. His repertoire reaches from Bach to today. Apart from his many radio recordings, he also recorded cd's with works from a.o. Bach, Bartók, Beethoven, Brahms, Busoni, Debussy, Dvorák, Janácek, Liszt, Rachmaninov, Ligeti, Kurtág and Goeyvaerts (these three last composers appreciated very much his interpretations). The cd 'Via Crucis' - a Liszt-portrait (Eufoda) - received a Caeciliaprize in 2002. He realized different complete cycles: on the concert stage all Beethoven sonatas, all pianoworks of Schoenberg, Webern and Berg, the complete works for piano by Ligeti and the complete chamber music with piano of Johannes Brahms.

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