Phantasmagoria - Danish Piano Trios Trio con Brio Copenhagen

• Bent Sørensen (b. 1958): Phantasmagoria for piano trio (2007)
• 1I. Molto energico05:59
• 2II. Misterioso e dolce01:47
• 3III. Dolcissimo03:27
• 4IV. Misterioso e meccanico03:36
• 5V. Dolcissimo02:33
• Hans Abrahamsen (b. 1952): Traumlieder for piano trio (1984-2009)
• 6I. Serenade03:19
• 7II. Arabesque01:56
• 8III. Blues02:07
• 9IV. Marcia funebre04:28
• 10V. Scherzo misterioso02:22
• 11VI. For the Children01:24
• Per Nørgård (b. 1932): Spell for piano trio (1973)
• 12Spell for piano trio (version for violin, cello and piano)15:47
• Total Runtime48:45

Info zu Phantasmagoria - Danish Piano Trios

The three Danish composers Per Nørgård, Bent Sørensen and Hans Abrahamsen have all created new, visionary forms of musical expression, while also managing to renew a deep Romantic yearning to contain the intangible and the mysterious. In this new recording, Trio con Brio Copenhagen displays a keen awareness of the dreamlike idiom of the three composers, their magically charged sensitivity and sophisticated musical character sketches. This is music that transcends the now and stretches far into eternity.

Trio con Brio Copenhagen:
Soo-Jin Hong, violin
Soo-Kyung Hong, cello
Jens Elvekjær, piano

Trio con Brio Copenhagen
There are times when two plus two can equal three. Trio con Brio Copenhagen is one such instance, where family ties, cultural blending, and musical connections all converge to color, shape and energize the concerts they present worldwide. Korean sisters Soo-Jin and Soo-Kyung Hong and Danish pianist Jens Elvekjaer created the Trio in Vienna in 1999 with the concept of pairs coming together. The sisters had played together since childhood, and Jens Elvekjaer and Soo-Kyung Hong (who are now married) had played piano and cello duos together for years. According to Mr. Elvekjaer, "We have always felt that this ‘two and two equals three' dynamic provides a uniqueness and intensity to all of our performances.

"The strong personal bonds among the three of us greatly affect the way we conceive music together. We can be one hundred percent honest with each other in rehearsal and performance, and our different cultural backgrounds have provided an unusual perspective that shapes all that we do. It is a process of thinking without boundaries, cultural or otherwise, while staying within the great traditions that the music needs."

This high quality has been recognized not only by audiences and critics, but by some of the most important and renowned musicians of our time. In 2005, Trio con Brio Copenhagen was the recipient of the Kalichstein-Laredo-Robinson International Trio Award, one of the most coveted in the world of chamber music. This biennial award, with a panel of prominent musicians as judges, carried with it appearances on twenty major concert series across the United States, including at New York City's Carnegie Hall, thereby introducing an extraordinarily accomplished "rising" piano trio to American audiences.

The Trio was praised from the time of its inception. About the Trio's debut CD, the American Record Guide wrote: "One of the greatest performances of chamber music I've ever encountered...What stands out from this ensemble is the range of tone and sound...They command an amazing range of timbres. Melodies sing with an aching sweetness, or seduce with wild eroticism, or haunt with impenetrable mystery." Gramophone magazine wrote: "It's easy to see what so impressed the judges...[the] performances can compete with the best available...airtight ensemble...a superb, greatly gifted chamber group."

The Trio first commanded international attention with a performance that took the highest prize at Germany's prestigious ARD-Munich Competition in 2002. Since then, it has won First Prize in additional competitions: Italy's Premio Vittorio Gui (Florence), Norway's Trondheim Chamber Music Competition, and the Danish Radio Competition. The ensemble also won the "Allianz Prize" for Best Ensemble in Germany's Festspiele Mecklenburg-Vorpommern, Second Prize in the Vienna Haydn Competition, and the Premio Trio di Trieste in Italy. Critics have praised the Trio for its "sparkling joie de vivre" and "magic dialogue"; a review of its performance at the Salzburg Mozarteum stated, "They cast a spell over their audience...so alive, so musical...ravishing."

Trio con Brio Copenhagen's busy schedule includes major concert halls in the U.S., Europe and Asia, such as Tivoli Concert Hall (Copenhagen), the Concertgebouw (Amsterdam), Carnegie Hall (New York City), Lincoln Center's Avery Fisher Hall (Mostly Mozart Festival, twice in 2009), the Konzerthaus Berlin, the Mozart-Saal (Vienna), Herkulessaal (Munich), Beethoven-Haus (Bonn), the Musikhalle (Hamburg), the Mozarteum (Salzburg), the Seoul and Sejong Arts Centers (Korea), Bunka Kaikan (Tokyo), Teatro Olimpico (Vicenza, Italy), the Båstad Chamber Music Festival (Sweden), and the Bergen and Trondheim Chamber Music Festivals (Norway).

Booklet für Phantasmagoria - Danish Piano Trios