At The Royal Albert Hall (At The Royal Albert Hall / London, UK / April 14, 1970 Remastered) Creedence Clearwater Revival

• 1Born On The Bayou (At The Royal Albert Hall / London, UK / April 14, 1970)05:13
• 2Green River (At The Royal Albert Hall / London, UK / April 14, 1970)03:02
• 3Tombstone Shadow (At The Royal Albert Hall / London, UK / April 14, 1970)03:38
• 4Travelin' Band (At The Royal Albert Hall / London, UK / April 14, 1970)02:11
• 5Fortunate Son (At The Royal Albert Hall / London, UK / April 14, 1970)02:15
• 6Commotion (At The Royal Albert Hall / London, UK / April 14, 1970)02:45
• 7Midnight Special (At The Royal Albert Hall / London, UK / April 14, 1970)03:37
• 8Bad Moon Rising (At The Royal Albert Hall / London, UK / April 14, 1970)02:19
• 9Proud Mary (At The Royal Albert Hall / London, UK / April 14, 1970)03:01
• 10The Night Time Is The Right Time (At The Royal Albert Hall / London, UK / April 14, 1970)03:11
• 11Good Golly Miss Molly (At The Royal Albert Hall / London, UK / April 14, 1970)02:51
• 12Keep On Chooglin' (At The Royal Albert Hall / London, UK / April 14, 1970)08:37
• Total Runtime42:40

Info zu At The Royal Albert Hall (At The Royal Albert Hall / London, UK / April 14, 1970 Remastered)

Seit Jahrzehnten kursieren unter den Fans von Creedence Clearwater Revival Gerüchte über einen lange verschollenen Mitschnitt ihrer legendären Show von 1970 in der Londoner Royal Albert Hall. Jetzt freut sich Craft, bekannt geben zu können, dass die Gerüchte tatsächlich wahr sind.

Als CCR im April 1970 für zwei Abende die Bühne betraten, hatten die Bandmitglieder den Höhepunkt ihres internationalen Ruhms erreicht und waren bereit, sich als ebenbürtige Gegner von Led Zeppelin, Jimi Hendrix und den Beatles zu beweisen, die nur wenige Tage zuvor ihre Auflösung bekannt gegeben hatten. Ihr Auftritt - mit Hits wie "Born On The Bayou", "Proud Mary", "Fortunate Son" und "Bad Moon Rising" - wurde mit einer 15-minütigen Standing Ovation und begeisterten Kritiken in den führenden britischen Zeitungen am nächsten Tag belohnt.

Nachdem die Original-Mehrspurbänder etwa 50 Jahre lang gelagert worden waren, wurden sie sorgfältig restauriert und von dem mit dem GRAMMY® Award ausgezeichneten Team aus Produzent Giles Martin und Tontechniker Sam Okell abgemischt, die bereits unzählige gefeierte Projekte gemeinsam geleitet haben, darunter die Jubiläumsausgaben der Beatles zum 50. Geburtstag von Abbey Road und Sgt. Pepper's Lonely Hearts Club Band sowie das Audiomaterial für das Elton John-Biopic Rocketman und Peter Jacksons The Beatles: Get Back Series. Die LP wurde von dem berühmten Tontechniker Miles Showell in den Abbey Road Studios gemastert, wobei die Half-Speed-Technologie zum Einsatz kam, um ein Hörerlebnis in höchster Qualität zu ermöglichen.

Das Album wird zeitgleich mit dem dokumentarischen Konzertfilm Travelin' Band veröffentlicht: Creedence Clearwater Revival in der Royal Albert Hall. Unter der Regie des zweifachen GRAMMY®-Preisträgers Bob Smeaton (The Beatles Anthology und Jimi Hendrix Band of Gypsies) und mit dem Oscar®-prämierten Schauspieler Jeff Bridges als Erzähler führt der Film die Zuschauer von den ersten gemeinsamen Jahren der Band in El Cerrito, Kalifornien, bis zu ihrem kometenhaften Aufstieg zum Ruhm. Travelin' Band enthält eine Fülle von bisher unveröffentlichtem Filmmaterial und gipfelt in der Show der Band in der Royal Albert Hall.

Creedence Clearwater Revival

Digitally remastered

Creedence Clearwater Revival
Unquestionably one of the greatest American rock bands ever, Creedence Clearwater Revival will best be remembered for their unique bayou sound popularized in songs like "Proud Mary" and "Green River."

Although their music evoked the raw, gospel-tinged sound of the rural South, Doug Clifford, Stu Cook, and Tom and John Fogerty actually hailed from El Cerrito, California, a small town near Berkeley. Back in 1960, while in junior high school, the boys formed a band called Tommy Fogerty & the Blue Velvets and spent much of their time practicing in the Fogertys' garage. Four years later, they auditioned for the Berkeley-based Fantasy Records where John Fogerty had been a warehouse employee, and signed as "the Golliwogs."

After a couple of years on the central California club circuit, they changed their name to Creedence Clearwater Revival, and things began to happen very quickly.

The 1967 release of the band's debut album Creedence Clearwater Revival paralleled the flowering of the San Francisco music scene, but the Creedence phenomenon had little in common with the "San Francisco Sound." That first LP contained rock standards such as Dale Hawkins's "Susie Q" and Screamin' Jay Hawkins's "I Put a Spell on You," as well as original material by John Fogerty, who was to emerge as one of rock's most influential songwriters. "Susie Q" was an immediate hit, soon followed by "I Put a Spell on You."

With the release of their second album, Bayou Country, it became evident that Creedence had an uncanny knack for writing hits. Their astounding string of successes continued with "Born on the Bayou," "Bad Moon Rising," and "Lodi."

By 1970, CCR had undeniably become the number one American rock and roll attraction.

The man responsible for their exalted position was John Fogerty. In addition to writing the band's material and producing their records, John sang with a powerful, raw-edged voice that was the Creedence sound.

The same genius responsible for Creedence's tremendous popularity, however, also contributed to their eventual demise. Tensions arose among the other group members as they vied for greater say in band decisions which had, till then, been made exclusively by John. An agreement for more democratic decision-making was reached, but came too late for Tom Fogerty, who left the band in 1971 to pursue a solo career.

The remaining members went on to record Mardi Gras, and a double album, Live in Europe. The latter, which contained the Top Ten single "Sweet Hitch-Hiker," was the last album recorded before CCR disbanded in 1972.

Saleswise, Creedence had an astonishing track record: eight consecutive gold singles ("Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Who'll Stop the Rain," "Up Around the Bend," "Lookin' Out My Back Door," "Have You Ever Seen the Rain?") and eight consecutive gold albums (Creedence Clearwater Revival, Bayou Country, Green River, Willy and the Poor Boys, Cosmo's Factory, Pendulum, Mardi Gras, and Pendulum. There have been more than 100 cover versions of "Proud Mary," one of CCR's most enduring tunes.

Critical and popular reaction to Fantasy's 1980 release of The Concert, a 1970 live Creedence recording, was highly enthusiastic. Robert Hilburn wrote in the Los Angeles Times: "[The LP] captures the seductive rhythms and invigorating spirit that made the Berkeley group one of rock's most appealing units." The San Francisco Chronicle's Joel Selvin concurred, claiming that the album brings "Creedence's classic rock and roll alive."

Indeed, Creedence's music sounds as fresh and compelling today as it did 30 years ago. CCR is one of a handful of bands whose entire body of work has attained true "classic" status.

Dieses Album enthält kein Booklet