Northern Lights – Southern Cross The Band
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- 1Forbidden Fruit05:55
- 2Hobo Jungle04:09
- 4Acadian Driftwood06:40
- 5Ring Your Bell03:51
- 6It Makes No Difference06:31
- 7Jupiter Hollow05:17
- 8Rags And Bones04:44
Info zu Northern Lights – Southern Cross
The Band’s Northern Lights—Southern Cross is, in nearly every respect, the group’s studio swan song. The group’s fifth album is also one of its finest works, a finely textured collection that at the time of its 1975 release marked the quintet’s first album of new material in four years. And what songs they are. Anchored by the standards “Acadian Driftwood,” “Ophelia,” and “It Makes No Difference,” the set finds the collective in peak form.
Mastered from the original master tapes brings the beauty, intellect, and contours of Northern Lights—Southern Cross to life as never before. You can now hear the oddly tuned fiddling of bluegrass virtuoso Byron Berline seamlessly mesh with Garth Hudson’s bagpipe and Richard Manuel’s piccolo with unparalleled transparency. Bliss.
The first studio album of Band originals in four years, in many respects „Northern Lights, Southern Cross“ was viewed as a comeback. It also can be seen as a swan song. The album was the Band's finest since their self-titled sophomore effort." (Rolling Stone)
Robbie Robertson, vocals, guitar
Richard Manuel, vocals, piano, organ, keyboards
Rick Danko, vocals, bass
Levon Helm, vocals, drums
Garth Hudson, soprano saxophone, woodwinds, piccolo, accordion, organ
THE LAST WALTZ is the document of the Band's 1976 farewell performance, filmed as a documentary by Martin Scorsese, capturing the all-star concert for posterity. Sort of a rock version of "This Is Your Life," THE LAST WALTZ brought together performers from all phases of the group's career, giving them a chance to pay tribute and jam with the Band one last time. Many of the group's classics are reprised, but there are some notable standouts. Legendary Canadian rocker Ronnie Hawkins, who the Band backed in their early days as The Hawks, offers "Who Do You Love." After their tenure with Hawkins, the group went on to accompany Bob Dylan on some of his earliest electric sessions. Dylan returns the favor by performing a strong folk-blues medley beginning and ending with a fiery, rocking version of "Baby Let Me Follow You Down." Muddy Waters gives a lesson in the blues on "Mannish Boy," with the late great Paul Butterfield on harmonica. Eric Clapton offers his own polished version of the blues with a blistering "Further On Up The Road." Emmylou Harris, a highlight in any setting, duets on the gentle waltz "Evangeline." Dr. John's accurate and rousing "Such A Night" brings a bit of Mardi Gras to the proceedings. Joni Mitchell provides another pleasant change of pace, introducing her jazz-inflected sound with "Coyote," and joining in on soulful soaring harmonies with Neil Young on his classic "Helpless." Even Neil Diamond joins in on the fun, on a song he co-wrote with Robbie Robertson (who produced Diamond's BEAUTIFUL NOISE). Although not the last track on the disc, the Dylan-led all-star rendition of the Band/Dylan classic "I Shall Be Released" is the emotional climax of one of the most important performances in contemporary music.
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