J.S. Bach: The Six Partitas Giulia Nuti

• Johann Sebastian Bach (1685 - 1750): Partita No. 1 in B-Flat Major, BWV 825:
• 1Bach: Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium01:56
• 2Bach: Partita No. 1 in B-Flat Major, BWV 825: II. Allemande04:45
• 3Bach: Partita No. 1 in B-Flat Major, BWV 825: III. Corrente02:56
• 4Bach: Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande05:46
• 5Bach: Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I - Menuet II - Menuet I da capo03:22
• 6Bach: Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue02:09
• Partita No. 2 in C Minor, BWV 826:
• 7Bach: Partita No. 2 in C Minor, BWV 826: I. Sinfonia. Grave Adagio - Andante05:08
• 8Bach: Partita No. 2 in C Minor, BWV 826: II. Allemande06:40
• 9Bach: Partita No. 2 in C Minor, BWV 826: III. Courante02:56
• 10Bach: Partita No. 2 in C Minor, BWV 826: IV. Sarabande04:07
• 11Bach: Partita No. 2 in C Minor, BWV 826: V. Rondeaux01:29
• 12Bach: Partita No. 2 in C Minor, BWV 826: VI. Capriccio03:54
• Partita No. 6 in E Minor, BWV 830:
• 13Bach: Partita No. 6 in E Minor, BWV 830: I. Toccata06:21
• 14Bach: Partita No. 6 in E Minor, BWV 830: II. Allemande04:51
• 15Bach: Partita No. 6 in E Minor, BWV 830: III. Corrente05:02
• 16Bach: Partita No. 6 in E Minor, BWV 830: IV. Air01:15
• 17Bach: Partita No. 6 in E Minor, BWV 830: V. Sarabande07:08
• 18Bach: Partita No. 6 in E Minor, BWV 830: VI. Tempo di Gavotta02:06
• 19Bach: Partita No. 6 in E Minor, BWV 830: VII. Gigue06:45
• Partita No. 4 in D Major, BWV 828:
• 20Bach: Partita No. 4 in D Major, BWV 828: I. Ouverture06:10
• 21Bach: Partita No. 4 in D Major, BWV 828: II. Allemande11:00
• 22Bach: Partita No. 4 in D Major, BWV 828: III. Courante03:51
• 23Bach: Partita No. 4 in D Major, BWV 828: IV. Aria02:04
• 24Bach: Partita No. 4 in D Major, BWV 828: V. Sarabande07:10
• 25Bach: Partita No. 4 in D Major, BWV 828: VI. Menuet01:28
• 26Bach: Partita No. 4 in D Major, BWV 828: VII. Gigue03:57
• Partita No. 3 in A Minor, BWV 827:
• 27Bach: Partita No. 3 in A Minor, BWV 827: I. Fantasia02:32
• 28Bach: Partita No. 3 in A Minor, BWV 827: II. Allemande04:08
• 29Bach: Partita No. 3 in A Minor, BWV 827: III. Corrente02:57
• 30Bach: Partita No. 3 in A Minor, BWV 827: IV. Sarabande04:52
• 31Bach: Partita No. 3 in A Minor, BWV 827: V. Burlesca02:13
• 32Bach: Partita No. 3 in A Minor, BWV 827: VI. Scherzo01:02
• 33Bach: Partita No. 3 in A Minor, BWV 827: VII. Gigue03:42
• Partita No. 5 in G Major, BWV 829:
• 34Bach: Partita No. 5 in G Major, BWV 829: I. Praeambulum02:27
• 35Bach: Partita No. 5 in G Major, BWV 829: II. Allemande05:48
• 36Bach: Partita No. 5 in G Major, BWV 829: III. Corrente02:02
• 37Bach: Partita No. 5 in G Major, BWV 829: IV. Sarabande05:59
• 38Bach: Partita No. 5 in G Major, BWV 829: V. Tempo di Minuetta01:42
• 39Bach: Partita No. 5 in G Major, BWV 829: VI. Passepied01:50
• 40Bach: Partita No. 5 in G Major, BWV 829: VII. Gigue04:29
• Total Runtime02:39:59

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Drei mit großem Sachverstand gestaltete, exzellent ausgeführte und u.a. mit dem Preis der deutschen Schallplattenkritik ausgezeichneten Anthologien mit Musik für Tasteninstrumente hat Giulia Nuti bereits eingespielt; zwei davon für das Label Arcana. Auch auf die Instrumente wurde für diese Aufnahmen größter Wert gelegt, um das jeweilige Repertoire entsprechend zu bereichern: Le Cœur et l'Oreille (2017) entstand auf einem Cembalo von Louis Denis aus des Jahr 1658, für The fall of the Leaf (2022) kam das prächtige Virginal „Rucellai“ von 1575 zum Einsatz.

Für ihr viertes Solo-Recital-Album geht Giulia Nuti einen anderen Weg und spielt einen der Höhepunkte der Tastenliteratur, die Sechs Partiten von Johann Sebastian Bach. In dieser Aufnahme verwendet sie ein fabelhaftes Cembalo von Christian Kuhlmann (2016), eine Kopie des 1751 entstandenen Instrumentes von Henri Hemsch.

Giulia Nuti, Cembalo

Giulia Nuti
studied viola at the Scuola di Musica di Fiesole (Firenze). She plays viola and keyboards in the band Underfloor, that she joined in 2011 after contributing to their previous albums.

She was a member of Hypnodance and Lightshine. She played several times at the Premio Ciampi (an Italian national award for songwriters) with artists like Graziano Romani, Simone Felice, Emma Tricca, Claire Hamill, Underfloor, Kenny White. She worked as a musician and arranger on the italo-american hip hop artist DropAflo’s debut album (Warner Italia, 2004). She played viola and violin on Ernesto De Pascale’s first solo album, “Morning Manic Music” (2007) , and she co-wrote few of the songs. In 2006 she joined a project of traditional music from Sicily led by Salvatore Meccio, with whom she recorded the album “Salvatore Meccio – Una Rosa per Natale” (Materiali Sonori Associated, 2006). In 2007 she joined the project “Salvatore Meccio and Bandakaleido”. She played the viola on Graziano Romani’s “Tre Colori” album (2006) and she kept collaborating with him on all of his following releases.

In 2008 she played on the album “My Land is your land” by Ashley Hutchings (Fairport Convention, Steeley Span, Albion Band) and Ernesto De Pascale (Esoteric Recordings/Cherry Red). In 2009 she played with the English songwriter Claire Hammil (the author of the song You Take My Breath Away) in her italian mini tours and recorded with her. Besides Underfloor, she collaborates with other projects and artists as Le Macchie di Rorschach, Pericle Sponzilli, Chiara White, Fabrizio Berti Jug Band.

As a journalist, she wrote for Rosso Fiorentino and for the magazine of Slow Food Italy. She currently writes for Jam, l’Ambasciata Teatrale and Il Popolo del Blues (www.ilpopolodelblues.com), that she edits together with the editor in chief Michele Manzotti. With Michele Manzotti and Fabrizio Berti , since 2011 she hosts Il Popolo del Blues radio show, broadcasted on Controradio (www.controradio.it) on saturady night and sunday afternoon, bringing on Ernesto De Pascale’s activity.

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