Leclair: Violin Concertos, Vol. 2 Leila Schayegh & La Cetra Barockorchester Basel

• Jean-Marie Leclair (1697 - 1764): Violin Concerto in D Major, Op. 10 No. 3:
• 1Violin Concerto in D Major, Op. 10 No. 3: I. Allegro moderato05:40
• 2Violin Concerto in D Major, Op. 10 No. 3: II. Andante06:32
• 3Violin Concerto in D Major, Op. 10 No. 3: III. Allegro ma non tropo05:11
• Violin Concerto in B-Flat Major, Op. 10 No. 1:
• 4Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro04:59
• 5Violin Concerto in B-Flat Major, Op. 10 No. 1: II. Andante03:43
• 6Violin Concerto in B-Flat Major, Op. 10 No. 1: III. Giga. Allegro ma non tropo04:53
• Violin Concerto in D Minor, Op. 7 No. 1:
• 7Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro03:44
• 8Violin Concerto in D Minor, Op. 7 No. 1: II. Aria. Gratioso04:31
• 9Violin Concerto in D Minor, Op. 7 No. 1: III. Vivace04:13
• Violin Concerto in C Major, Op. 7 No. 3:
• 10Violin Concerto in C Major, Op. 7 No. 3: I. Allegro05:25
• 11Violin Concerto in C Major, Op. 7 No. 3: II. Adagio05:50
• 12Violin Concerto in C Major, Op. 7 No. 3: III. Allegro assai04:03
• Total Runtime58:44

Info zu Leclair: Violin Concertos, Vol. 2

Der virtuose Engel: Jean-Marie Leclair muss ein außergewöhnlicher Geigenvirtuose gewesen sein. Seine exzellente Technik umfasste sämtliche auch heute noch gefürchteten Schwierigkeiten wie z. B. unbequeme Akkorde, Doppelgriffe, Bariolagen und Passagen bis fast ans Ende des Griffbretts. Anders als manch einer seiner Virtuosenkollegen legte er dabei viel Wert auf ein perfektes und tonschönes Spiel, das mit dem eines Engels verglichen wurde. Leyla Schayegh nimmt bei ihrer Aufnahme mit dem La Cetra Barockorchester Basel die spieltechnischen Herausforderungen in den hier ausgewählten Konzerten Leclairs an und begeistert durch ihre ebenso virtuose wie klangschöne Interpretation.

"Eine Hommage an Leclair, ›historisch informiert‹ und lebendig." (Fono Forum, Mai 2019)

Leila Schayegh, Violine
La Cetra Barockorchester Basel

Leila Schayegh
belongs to the most visible violinists in the current baroque music scene.

Her vivacious interpretation has placed her at the center of old music. She performes all over Europe as a soloist or in chamber music groups and is regularly invited by modern orchestras for concerts and masterclasses.

Leila Schayegh has developed a close collaboration with Jörg Halubek, cembalist, organist and director. Their 2016 recording of Bach’s six obligato sonatas was awarded numerous prizes (Diapason de l’année, Grammophone Award, Schallenplattpreis). Her collaboration with director and cembalist Vaclav Luks led to the recordings of Benda’s violin sonatas (Diapason d’Or 2011) and Mysliveček’s violin concertos in 2018. She’s been playing since 2008 with Gli Angéli Genève (directed by Stephan MacLeod), in particular for the almost complete series of Bach’s cantatas. She’s recently expended her repertoire towards the classical and romantic period, in particular with a recording of Brahms’s violin sonatas in 2018 with Jan Schultsz for the label Glossa.

Since 2010 she is professor of baroque violin at the Schola Cantorum Basiliensis, as successor of Chiara Banchini. She passes to a new generation of musician her experience as well as approach of music: an expressive interpretation based on thorough knowledge of the historical and musical context of the period where the works were composed.

Born in Winterthur (Switzerland), she finished in 1999 her studies in modern violin with Raphaël Oleg at the Basel Music Academy with Summa cum laude. After two years as a member of the Philharmonia Zurich, she joined the class of Biara Banchini at the Schola Cantorum Basiliensis, where she obtained in 2005 a diploma Summa cum laude. She was awarded in 2003 the first prizes of the Alte Musiktreff in Berlin, the Förderpreiswettbewerb der Konzertgesellschaft in München as well as Premio Bonporti in Rovereto, Italy.

Booklet für Leclair: Violin Concertos, Vol. 2