Louder Than Words Lionel Richie
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- 1Piece Of Love04:04
- 2Still In Love04:33
- 3I Wanna Take You Down05:00
- 4Can't Get Over You04:32
- 6Nothing Else Matters04:33
- 7Ordinary Girl05:02
- 8Say I Do04:58
- 10Don't Wanna Lose You04:59
- 11Lovers At First Sight06:57
Info zu Louder Than Words
„After the greatest-hits collection Back to Front disappeared without a trace in 1992, Lionel Richie spent four years making Louder Than Words, his first album for Mercury Records. Although there are some slight attempts to incorporate new jack and hip-hop influences into Richie's sound, Louder Than Words relies on his trademark balladeering, which remains his forte. All of the weak moments on Louder Than Words are ill-advised forays into rap -- to put it bluntly, he can rap about as well as Snoop Dogg can sing. Although the ballads aren't as strong as his late-'70s and early-'80s standards, they are nevertheless pleasant, which makes the record a worthwhile purchase for fans.“ (Stephen Thomas Erlewine, AMG)
Lionel Richie, vocals, tenor saxophone, piano, keyboards, background vocals
David Cochrane, guitar, saxophone, synthesizer, drum programming
Dean Parks, guitar
Michael Thompson, guitar
Mike Scott, guitar
Steve Lukather, guitar
Timothy May, guitar
Robert Palmer, guitar
Toots Thielemans, harmonica
Tommy Morgan, harmonica
Dan Higgins, saxophone
Kim Hutchcroft, saxophone
Brandon Fields, saxophone
Daniel Fornero, trumpet
Warren Leuning, trumpet
Gary Grant, trumpet
Jerry Hey, trumpet
Oscar Brashear, trumpet
Charlie Davis, trumpet
George Bohannon, French horn, trombone
Marilyn L. Johnson, French horn
David Duke, French horn
Jon 'JD' Dickson, French horn
Brian O'Connor, French horn
Brad Warnaar, French horn
Andy Martin, trombone
William Frank 'Bill' Reichenbach Jr., trombone
Donald Waldrop, tuba
Greg Phillinganes, piano, keyboards
Babyface, keyboards, drum programming, background vocals
Lloyd Tolbert, keyboards, drum programming
James Anthony Carmichael, keyboards
David Paich, keyboards
Jimmy Wright, keyboards
Steve Porcaro, synthesizer, programming
Claude Gaudette, synthesizer
John Barnes, synthesizer
Michael Boddicker, synthesizer
Simon Franglen, synthesizer
William Ross, synthesizer
Nathan East, bass
Randy Jackson, bass
Sekou Bunch, bass
John 'J.R.' Robinson, drums
Chris 'Daddy' Dave, drums
Jeff Porcaro, drums
Omar Hakim, drums
Ricky Lawson, drums
Michael Fisher, percussion
Paulinho Da Costa, percussion
Tony Smith, programming, drum programming
Jeff Taylor, drum programming
Alexander Richbourg, drum programming
Jason Sylvain, background vocals
Tony Hightower, background vocals
Ron Jackson, background vocals
Sammy Crumbley, background vocals
Marva King, background vocals
Peter Gabriel, background vocals
Phillip Ingram, background vocals
Arnold McCuller, background vocals
Produced by Lionel Richie, David Foster
Music Icon. International Superstar. 100 million albums sold worldwide. Oscar winner. 5 time Grammy winner. 16-time American Music Award winner. Golden Globe winner. 5 time People’s Choice Award winner. A World Music Lifetime Achievement Award recipient. A Star on the Hollywood Walk Of Fame. An ASCAP Lifetime Achievement Award recipient. A United Negro College Fund Achievement Award recipient. A Goldene Kamera Award winner. Songwriters Hall of Fame Inductee. Tuskegee Institute Honorary Doctor of Music Degree. Germany’s ECHO Award for Lifetime Achievement. TV Land Icon Award recipient. Hong Kong’s Rojo Award winner. Alabama Music Hall of Fame Inductee. Italy’s San Remo Festival Lifetime Achievement Award winner. World Music Awards Lifetime Achievement Award Winner. National Academy of Recording Arts & Sciences Governors Award winner.
Lionel Richie has a discography of albums and singles second to none and is part of the fabric of American pop music. In fact, Lionel Richie and Irving Berlin are the only two songwriters in history to achieve the honor of having #1 records for nine consecutive years.
The real story behind Lionel is essentially the American dream. Lionel was born in Tuskegee Alabama. He lived in a small, isolated, predominantly African American community in the original home of Booker T. Washington. His family home is situated directly on the campus of what is now Tuskegee University and was previously The Tuskegee Institute, home the of the Tuskegee Airmen. Lionel’s grandmother, Adelaide Foster, a classical pianist, lived to be 102. His father, Lionel Richie Sr., was a military man, strict, regimented but also sincere towards his wife and children. Lionel’s mother, Adelaide Richie, was an English teacher. Lionel, to this day, values proper grammar because his mother always enforced its use. Lionel also has a younger sister, Deborah, who has dedicated most of her life to education and has recently completed her master’s degree from the University of California Los Angeles.
In Lionel’s college years, he was a tennis player, and one fortuitous day he was walking across campus in his short, white tennis shorts carrying a saxophone. A few members of a group called The Mystics, approached Lionel and asked if he knew how to play that saxophone. Lionel, knowing a couple notes, proudly exclaimed, “Yes!” Eventually, Lionel was invited to join their group which would later be renamed The Commodores.
Lionel joined bass player and trumpeter Ronald La Pread, keyboardist, trombonist and rhythm guitarist Milan Williams, trumpeter, rhythm guitarist and synthesizer player William “WAK” King, lead guitarist Thomas McClary and Walter Orange, vocalist and drummer. It was Walter who was the original lead. Lionel played saxophone and piano. Originally, the group was called The Mystics and then The ‘Jays. One day, while trying to decide on a new name for the group, the band decided to open the dictionary at random and point to a word. As the story goes, they almost called themselves the Commodes. However, the group, knowing they could not bear to become known as The Commodes, decided on the name The Commodores.
In 1968, Lionel, defying his parents, joined this musical group, because he wanted to leave the confines of Tuskegee and travel to perform in a group that he hoped would be a huge success. His first taste of stardom came when he was performing in New York and a group of female fans began to scream his name. Lionel reluctantly followed a band member’s suggestion to reach down and kiss a girl in the front row. He knew, however, that this act was the beginning of his stardom. This small pack of girls would turn into millions of screaming fans yelling not only his name, but also singing along with every one of his songs at every one of his shows.
Motown Records was founded in Detroit, Michigan by Berry Gordy, CEO and Chairman and was huge by 1971. Skip Miller was the Vice President of Motown University as Lionel jokingly calls it today. One night, Skip Miller walked into a club, saw The Commodores perform on stage and realized these kids had talent. Lionel, along with the rest of the group, was presented to Berry Gordy and given a record deal. This record label was prolific at the time because it had the most respected R&B and soul acts of the era including The Supremes, Marvin Gaye, Smoky Robinson, Stevie Wonder, The Temptations, and The Jackson 5, who The Commodores would later tour with. As the opening act for The Jackson 5, The Commodores began the start of their international success. They released their first single, “Machine Gun” in 1974, which reached #7 on the US R&B charts. The Commodores would go on have more singles that topped the charts including “Brick House”, “Just To Be Close To You”, “Too Hot Ta Trot” to list a few.
Lionel, after sitting in numerous studio sessions with Marvin Gaye, Stevie Wonder and Smoky Robinson, began to ask questions. In his innocence, Lionel once asked Marvin Gaye “Which music conservatory did you graduate from?” Marvin responded “Little brother, I cannot read or write music.” This opened up Lionel’s thinking. If Marvin Gaye, who at that time was one of the most creative songwriters, couldn’t read or write music, then maybe he should try to achieve success as a songwriter as well. It is at this moment that Lionel Richie, vocalist, pianist, and saxophonist added songwriter to his repertoire. He became influential within The Commodores due to his ability to write songs without genre boundaries, hence, “Three Times A Lady”, “Stuck On You”, “Lady” featuring Kenny Rogers, “Still” and “Easy.”
In 1981, when Lionel decided to pursue a solo career, his fans rolled with him. They watched Lionel become one of the most successful artists of the 1980’s, earning a string of 13 top ten hits between 1981 and 1987, including nine #1 singles. The first was, “Endless Love”, a ballad that he wrote and sang as a duet with his dear friend, Miss Diana Ross. Afterwards came the success of “Truly,” “All Night Long,” “Hello,” and “Say You (Say Me”) for which he won his Oscar and a Golden Globe. His 1982 self-titled album established a run of platinum plus albums throughout the 80’s, with 1986’s Dancing On The Ceiling “ becoming a pop and R&B classic. He also found time to co-write with Michael Jackson what eventually would become pop’s most famous anthem, the Live-Aid tune “We Are The World.”
Lionel has built a life out of doing precisely what people presumed he could not do. “Growing up if you told me to go left, I would go right,” laughs Lionel. “If you brought me into a room and said there’s one door that I absolutely cannot open, that’s the door I’m going to open.” And just like the legends he admires, from Sinatra to Santana, Lionel knows what it’s like to hear a door close as well. He’s survived the roller coaster ride of the music business by refusing to let others define him. The Lionel Richie story has always been about making that leap of faith with no net.
Lionel has upheld his amazing run by relating simply and honestly to the people who now celebrate his records as quintessential moments in their lives Lionel’s rapport with his fans is legendary. Not only do they sing along at his concerts all over the world, but also the ‘first name basis’ he’s earned in their hearts has been protocol since his days with The Commodores.
Lionel’s continuing relevance as a multi-generational artist was evidenced by his inclusion as a celebrity judge on “American Idol.” The performance of his classic “Easy” by one of the finalists during the 2006 season of the show was another reminder of Lionel’s enduring presence and effect on the contemporary music scene. Further keeping Lionel as part of the changing world of music, he has enlisted some of the top writers and producers such as Jermaine Dupri, Dallas Austin, Akon, Sean Garrett, Stargate, Tricky Dream and Kuk, Ne-Yo, John Eubank and Bob Sinclar. This new breed of writers and producers has slews of #1 hit singles and albums between them for artists such as Beyonce, Rihanna, Mariah Carey and Mary J. Blige, to name a few.
Lionel released his eighth studio album entitled "Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and premiered in July 2006, becoming his biggest hit in the U.S. in ten years. His adopted daughter, Nicole, stars in the music video for this track. The album was an incredible success for Richie in the United States, peaking at #6.
In 2012, Lionel went back to his Tuskegee roots by re-working some of his biggest hits as duets with country superstars such as Shania Twain, Kenny Rogers, Willie Nelson, Tim McGraw, Blake Shelton, Jason Aldean, Darius Rucker, and Little Big Town. The album was one the biggest of his career reaching #1 on the Billboard Top 200 list and garnering huge critical acclaim. Tuskegee also received a national two-hour CBS television special with performances by Richie and the album’s country duet partners that was the top-rated show of the night with more than 8 million viewers. “I realized that my songs perfectly translated to the country genre,” said Richie about the album. “I was born and raised in Tuskegee, Alabama. I am a country boy and proud of it. To do this project just felt natural.”
On the heels of the success of the Tuskegee album, in 2013 Lionel launched a global tour entitled “All The Hits, All Night Long” and he has proved to fans that he can deliver exactly that. A two hour set spanning his entire catalogue of music has lead to a fan frenzy and high praise from press around the world. Lionel has take the tour to every part of the planet including Europe, Asia, Australia, the Middle East and North America.
You would think that Lionel would be content with his career, which has spanned over three decades, but Lionel insists on pushing forward and marking new territory in his musical legacy. It is of utmost importance to Lionel to maintain a personal growing relationship with his fans, who he definitely values as one of the many reasons for his continuing success.
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