John Coprario Parrot or Ingenious Parodist Pluto-Ensemble, Marnix De Cat, Hathor Consort, Romina Lischka

• Alfonso Ferrabosco I (1543 - 1588): Come dal ciel:
• 1I: Come dal ciel02:22
• John Coprario (1570 - 1626): Fantasia No. 6:
• 2Coprario: Fantasia No. 603:04
• Giovanni Pierluigi da Palestrina (1525 - 1594): Io son ferito, ahi lasso:
• 3Palestrina: Io son ferito, ahi lasso02:31
• John Coprario: Fantasia No. 2:
• 4Coprario: Fantasia No. 202:55
• John Ward (1553 - 1622): Fantasia "Cor mio":
• 5Ward: Fantasia "Cor mio"03:09
• Thomas Lupo (1571 - 1627): Fantasia "Il vago":
• 6Lupo: Fantasia "Il vago"02:22
• Giovanni de Macque (1548 - 1614): Il vago e lieto aspetto:
• 7Macque: Il vago e lieto aspetto01:49
• Claudio Monteverdi (1567 - 1643): La tra ’l sangue e le morti, SV 67:
• 8Monteverdi: La tra ’l sangue e le morti, SV 6702:01
• Richard Mico (1590 - 1661): Fantasia Latral:
• 9Mico: Fantasia Latral: Parte seconda02:22
• Luca Marenzio (1553 - 1599): O voi che sospirate a miglior note:
• 10Marenzio: O voi che sospirate a miglior note03:06
• John Coprario: Fantasia "O voi che sospirate":
• 11Coprario: Fantasia "O voi che sospirate"02:35
• Luca Marenzio: Crudel, perché mi fuggi:
• 12Marenzio: Crudel, perché mi fuggi01:46
• Felice Anerio (1560 - 1614): Caggia fuoco dal cielo:
• 13Anerio: Caggia fuoco dal cielo00:55
• Thomas Morley (1557 - 1602): Fantasia "La caccia":
• 14Morley: Fantasia "La caccia"01:34
• Baldassare Donato (1525 - 1603): Fuggi e sai fuggir:
• 15Donato: Fuggi e sai fuggir01:42
• Orazio Vecchi (1550 - 1605): Gitene Ninfe:
• 16Vecchi: Gitene Ninfe04:21
• John Coprario: Fantasia "Gitene Ninfe":
• 17Coprario: Fantasia "Gitene Ninfe"02:35
• Thomas Lupo: Fantasia "O che vezzosa":
• 18Lupo: Fantasia "O che vezzosa"02:16
• Orazio Vecchi: O che vezzosa Aurora:
• 19Vecchi: O che vezzosa Aurora01:28
• Luca Marenzio: Udite, lagrimosi Spirti d’Averno:
• 20Marenzio: Udite, lagrimosi Spirti d’Averno02:38
• John Coprario: Fantasia "Udite, lagrimosi spirti":
• 21Coprario: Fantasia "Udite, lagrimosi spirti"03:29
• Total Runtime51:00

Info zu John Coprario Parrot or Ingenious Parodist

Hat sich John Coprario die Lorbeeren für das Werk eines anderen geholt, als er unter seinem eigenen Namen Transkriptionen von mehr als fünfzig italienischen Madrigalen für ein Gambenkonsort anfertigte? Eine solche Anschuldigung würde auf falschen Voraussetzungen beruhen, denn zu Beginn des 17. Jahrhunderts und noch lange danach war so etwas wie ein Urheberrecht unbekannt; die Verwendung von fremdem musikalischen Material wurde vielmehr als respektvolle Prüfung von Ideen betrachtet, die so vielversprechend waren, dass man sie weiterdenken wollte. Mit der Transkription dieser italienischen Madrigale setzte Coprario nicht nur eine etablierte Tradition fort, sondern ging auch über sie hinaus. Er ließ in seinen Madrigalfantasien nicht einfach den Text weg, wie es im 16. Jahrhundert üblich war, sondern führte die mehrstimmige Vertonung noch weiter und bereicherte sie mit instrumentalen Möglichkeiten, die Vokalstimmen allein nicht bieten konnten. Außerdem arrangierte er bestimmte Teile neu, so dass das ursprüngliche Vokalwerk nicht immer sofort erkennbar ist. Coprario war einer der ersten, der der Ensemblemusik eine instrumentale Identität verlieh – er war mitnichten ein musikalischer Papagei, sondern ein genialer Parodist.

Pluto-Ensemble
Hathor Consort
Romina Lischka, Viola da gamba
Thomas Baeté, Viola da gamba
Marnix De Cat, Countertenor

Romina Lischka
studies viola da gamba at the Schola Cantorum Basiliensis in Basel, Switzerland with Paolo Pandolfo, Soloist Diploma 2006 with distinction and subsequently with Philippe Pierlot at the Royal Conservatory of Brussels, Belgium, Master 2008 with distinction.

Since 2008 she has performed as a soloist with ensembles such as Collegium Vocale Gent (Philippe Herreweghe), her concert activity takes her to renowned festivals and concert halls in Europe, Russia, Asia, Canada, North and South America.

In 2012 Romina performed in the premiere of George Benjamin's opera Written on Skin at the Festival Aix -en-Provence. Since then she has followed the production to the Opéra Comique in Paris, the Bolshoi Theatre in Moscow, several tours with the Mahler Camper Orchestra in Europe (Royal Opera Madrid, Barbican London, etc). and the Shanghai Symphony Orchestra in China.

For the 2012/13 season, BOZAR and Concertgebouw Amsterdam select her as an ECHO Rising Star for the Early Music category. Within this framework, she performs as a soloist in a large number of European concert halls. Her first CD Pièces de viole de Sieur de Machy receives a Diapason 5. En Suite - Marin Marais & Ste. Colombe, receives the Klara Prize 'best classical CD of 2015'.

Romina can be heard on numerous CD recordings on the Coro, Flora, Ricercar, Christophorus, Musica Ficta, Fuga Libera, Paraty, Phi and Ramée labels.

Besides being a gambist, she studied North Indian classical singing, style Dhrupad, from 2006 to 2010 (Bachelor) at the Conservatory in Rotterdam, Holland (World Music Department), and in Delhi and Pune, India with Ustad Fariduddin Dagar and Uday Bhawalkar.

In 2012 she founded her Hathor Consort, dedicated to Renaissance and Baroque consort repertoire, as well as world music and contemporary music.

In 2018, she received the VRT Klara Award Soloist of the Year. In the 2019-20 season, she was Bozar's Portrayed Artist. In 2020 she receives de Ultimas award for music from the Flemish government.

Thomas Baeté
Born in Ostend, Belgium, Thomas Baeté studied his instrument, the viola da gamba, in Brussels and Barcelona with Wieland Kuijken and Sophie Watillon and took masterclasses with Jordi Savall and Paolo Pandolfo. He performs regularly on both the viola da gamba and medieval fiddles in concerts with ensembles such as Mala Punica (Pedro Memelsdorff), the Capilla Flamenca (Dirk Snellings) and Graindelavoix (Björn Schmelzer). He has also received invitations from the baroque orchestras La Petite Bande (Sigiswald Kuijken), Collegium Vocale (Philippe Herreweghe) et Les Agrémens. He is also a member of two viol ensembles: the Dutch quartet The Spirit of Gambo and Romina Lischka's Hathor Ensemble.

In 2010, he founded his own vocal and instrumental ensemble ClubMediéval, which specialises in repertoire from the late Middle Ages. With his second ensemble, Transports Publics, he pursues his passion for 17th century chamber music. His concert activity has taken him to more than 20 different European countries as well as Morocco, Peru, Colombia, USA, Canada, Georgia and Japan. In addition to concerts, he has also appeared as a musician in the dance theatre pieces "Foi" by Sidi Larbi Cherkaoui and "En atendant" by Anne Teresa De Keersmaeker.

He teaches viola da gamba and medieval repertoire in Leuven, Brussels and abroad. At the Conservatoire royal in Brussels he is a lecturer for improvisation in early music.

Marnix De Cat
The Belgian counter-tenor, conductor, organist and percussion player, Marnix De Cat, studied at Sint-Jan Berchmanscollege Brussel (1979-1985). He graduated from the Lemmens Institute in Leuven (Hogeschool voor Wetenschap & Kunst, 1985-1992), earning a First Prize in organ (under Reitze Smits), harmony and counterpoint. He also studied singing, percussion and fugue, and received a First Prize in choral conducting. (under Erik Van Nevel)

Marnix De Cat sings and plays music from 14th to 21st centuries, specializing in Ars Nova, Renaissance, Baroque, Early Romantism and Contemporary.

He grounded his own vocal Pluto-ensemble to work out his ideas on different music-scenes.

Marnix is a permanent member of the Gesualdo Consort Amsterdam (alto, since 2002). From 1996 till 2013 he has been one of the four permanent core members of the Capilla Flamenca, participating in its worldwide tours. In addition, he regularly collaborates with the Collegium Vocale Gent, Currende ensemble, Weser Renaissance, Huelgas Ensemble,..

He also has been raising his visibility as a soloist as well performing with conductors such as Gustav Leonhardt, Philippe Herreweghe, Jos van Immerseel, Manfred Cordes...

Several modern dance performances co-opted him as a singer for their tours, among others: Iets op Bach (A.Platel), Foi (S.L.Cherkaoui), and Bâche (K. Augustijnen).

You can hear Marnix De Cat on about 90 CD-recordings.

Marnix was replacing organist at St-Michielscathedral Brussels (1988-1993), and was organist for several years at the Church of St-Geertrui in Leuven. He taught at Hogeschool WENK, Campus Lemmensinstituut, Leuven, Belgium (1992-1996) and in the Aquariusproject for kids (Antwerp), and had his own keyboardschool (1992-1998). Marnix De Cat was the singer-coach of the BL!NDMAN saxophone quartet.

Together with jazz saxophonist Hugo Boogaerts, he formed the duo OrgaX, a unique combination of organ and saxophones, with an accent on improvisation and a mix of styles. To cap it all, he is also active as a composer and regularly collaborates on music projects for young people, and as a vocal ensemble coach.

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