Benjamin Britten: Peter Grimes P.Pears

• Peter Grimes, Op.33 Prologue
• 1Peter Grimes!01:27
• 2You sailed your boat03:04
• 3Peter Grimes, I here advise you!02:09
• 4The truth...the pity...01:54
• 5Interlude I: On the beach02:57
• Act 1
• 6Oh, hang at open doors05:35
• 7Hi! give us a hand03:18
• 8I have to go from pub to pub01:58
• 9Let her among you03:08
• 10Look, the storm cone!02:41
• 11And do you prefer the storm04:56
• 12What harbour shelters peace01:11
• 13Interlude II: The Storm04:07
• 14Past time to close!04:21
• 15We live and let live01:58
• 16Have you heard?01:22
• 17Now the Great Bear and Pleiades03:40
• 18Old Joe has gone fishing02:28
• 19The bridge is down, we half swam over01:40
• Act 2
• 20Interlude III: Sunday morning by the beach02:23
• 21Glitter of waves05:41
• 22Let this be a holiday02:59
• 23This unrelenting work04:40
• 24Fool to let it come to this!02:18
• 25What is it?01:02
• 26People!...No! I will speak!02:14
• Peter Grimes, Op.33 Act 2
• 27We planned that their lives02:27
• 28Swallow! Shall we go00:44
• 29Now is gossip put on trial02:12
• 30From the gutter04:34
• 31Interlude IV: Passacaglia05:27
• 32Go there!07:18
• 33Now!...Now!02:09
• 34Peter Grimes! Nobody here?03:08
• Act 3
• 35Interlude V: Evening (Moonlight)04:17
• 36Assign your prettiness to me02:37
• 37Pah!02:48
• 38Come along, Doctor!03:19
• 39Embroidery in childhood05:09
• 40Mr. Swallow!01:59
• 41Who holds himself apart03:45
• 42Interlude VI: Fog02:35
• 43Grimes! Grimes!04:56
• 44Peter, we've come to take you home02:29
• 45To those who pass the Borough05:04
• Total Runtime02:22:08

Info zu Benjamin Britten: Peter Grimes

Britten’s opera always seem to have a particularly personal element to them. In adapting George Crabbe's epic poem The Borough Britten and his partner/collaborator Peter Pears created the quintessential antihero -- a man whose complete, and perhaps deserved, alienation from society is the very source of his sympathy. While the Grimes of Crabbe's poem is a relatively one-dimensional villain, sadistic and cruel, the central character of Britten's opera is conflicted and driven, no more villain than victim. Standing apart from society so completely, Grimes actually gives 'character' to the Borough in which he lives; the unity of hostile sentiment among its citizens forges them into a larger dramatic presence. The town itself seems to be opposed to Grimes and to be the driving force behind his tragic downfall.

“The Decca set, which in 1958 introduced this opera to many listeners, has never been superseded in its refinement or insight. Britten's conducting, lithe and lucid, reveals his work as a complex, ambiguous drama. Peter Pears, in the title-role written for him, brings unsurpassed detail of nuance to Grimes's words while never losing sight of the essential plainness of the man's speech. The rest of the cast form a vivid portrait gallery of characters.

The recording is as live and clear as if it had been made yesterday, and takes the listener right onto the stage. The bustle of activity and sound effects realise nicely Britten's own masterly painting of dramatic foreground and background.” (GRAMOPHONE, Classical Music Guide, 2010)

Peter Pears (Grimes), Tenor
Claire Watson (Ellen Orford), Soprano
James Pease (Balstrode)
Jean Watson (Auntie), Mezzo-Soprano
Geraint Evans (Ned Keene), Baritone
Lauris Elms (Mrs Sedley)
David Kelly (Hobson)
Owen Brannigan (Swallow)
Raymond Nilsson (Bob Boles), Tenor
Marion Studholme, Soprano
Iris Kells (Nieces)
Orchestra & Chorus of the Royal Opera House
Covent Garden Orchestra
Benjamin Britten, Composer & Conductor

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Penguin Guide: Rosette Winner


Synopsis
Peter Grimes
Composer: Benjamin Britten

PROLOGUE. An English fishing village. During a coroner’s inquest at the town hall, the lawyer Swallow questions the fisherman Peter Grimes about the death of his apprentice during a storm at sea. Though the room is crowded with villagers hostile to Grimes, Swallow accepts the man’s explanation of the event and rules that the boy died accidentally. He warns Grimes not to take on another apprentice unless he lives with a woman who can care for the boy. When the hall empties, Ellen Orford, the schoolmistress, asks Grimes to have courage and promises to help him find a better life.

ACT I. On a street by the sea, the women repair nets as a group of fishermen head for the Boar, a tavern kept by Auntie. Other villagers arrive: the Methodist fisherman Bob Boles, the widow Mrs. Sedley, and Balstrode, a retired sea-captain who warns that a storm is approaching. Grimes calls for help from the harbor to land his boat, but only Balstrode and the apothecary Ned Keene lend him a hand. Keene tells Grimes that he has found him a new apprentice at a workhouse. When the carrier Hobson refuses to fetch the boy, Ellen offers to go with him. The villagers make hostile comments, and she accuses them of hypocrisy (“Let her among you without fault cast the first stone”). As the storm rises and the crowd disperses, Grimes is left alone with Balstrode, who tries to convince him to leave the village. The fisherman explains that first he has to make enough money to open a store and marry Ellen.

That night, as the storm rages, the villagers gather at Auntie’s tavern. Auntie’s “nieces” are frightened by the wind and Bob Boles gets into a fight with Balstrode over one of them. When Grimes enters, there is a sudden silence, and he begins talking to himself, mystifying everyone (“Now the Great Bear and Pleiades”). The drunken Boles tries to attack Grimes. In an attempt to restore quiet, Ned Keene starts singing a sea shanty (“Old Joe has gone fishing”). When Hobson and Ellen arrive with the new apprentice, John, Grimes immediately takes the boy back into the storm and to his hut.

ACT II. On Sunday morning, as Ellen and John are watching the villagers go to church (“Glitter of waves”) she discovers a bruise on the young boy’s neck. Grimes comes to take John fishing. Ignoring Ellen’s concerns, he hits her and drags the child off. Auntie, Ned Keene, and Bob Boles have observed the incident and tell the congregation about it as they come out of church. The men decide to confront the fisherman, and despite Ellen’s protests, Boles leads the angry mob off to Grimes’s hut. Ellen, Auntie, and the nieces remain behind, reflecting on the childishness of men.

At his hut, Grimes orders John to dress for work. He dreams of the life he had planned with Ellen, but his thoughts return to his dead apprentice. As he hears the mob approaching, he rushes John out the back door. The boy slips and falls down the cliff; Grimes escapes. Bob Boles and the Rector find the hut empty and orderly and decide that they have misjudged Grimes. The villagers disperse, except for Balstrode, who looks over the cliff and knows better.

ACT III. A dance is under way in the town hall. Outside, Mrs. Sedley tries to convince Ned Keene that Grimes has murdered his apprentice. Balstrode enters with Ellen and tells her that Grimes’s boat has returned but that there is no sign of him or the boy. He has also found John’s wet jersey, and Ellen remembers embroidering the anchor on it (“Embroidery in childhood was a luxury”). Mrs. Sedley has overheard the conversation and informs Swallow that Grimes’s boat is back. Once again, the crowd sets off on a manhunt.

Grimes, deranged and raving, listens to the villagers shouting his name in the distance. He hardly notices Ellen and Balstrode, who try to comfort him. Ellen asks Grimes to come home, but Balstrode tells him to sail out and take his own life. He helps Grimes launch the boat, and then leads Ellen away. As dawn breaks, the villagers return to their daily chores. Swallow tells them that the coast guard has reported a sinking boat, but no one listens to him.

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