A Schubertiade with Arpeggione L'Amoroso & Guido Balestracci

Cover A Schubertiade with Arpeggione

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
17.01.2020

Label: Ricercar

Genre: Classical

Subgenre: Chamber Music

Interpret: L'Amoroso & Guido Balestracci

Komponist: Pauline Viardot-Garcia (1821-1910), Franz Peter Schubert (1797-1828)

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 176.4 $ 14,50
  • Traditional:
  • 1Schöne Minka03:35
  • Franz Schubert (1797 - 1828): Sonatine No.1 in D Major, D. 384:
  • 2Sonatine No.1 in D Major, D. 384: I. Allegro molto04:34
  • 3Sonatine No.1 in D Major, D. 384: II. Andante04:18
  • 4Sonatine No.1 in D Major, D. 384: III. Allegro vivace04:33
  • Franz Schubert:
  • 5Schwanengesang, D. 957: Ständchen05:43
  • 6An die Laute D. 90502:00
  • Sonate für Arpeggione in A Minor, D. 821:
  • 7Sonate für Arpeggione in A Minor, D. 821: I. Allegro moderato12:07
  • 8Sonate für Arpeggione in A Minor, D. 821: II. Adagio03:57
  • 9Sonate für Arpeggione in A Minor, D. 821: III. Allegretto09:53
  • Franz Schubert:
  • 10Die schöne Müllerin, D. 795: Pause04:05
  • 11Schwanengesang, D. 957: Liebesbotschaft03:04
  • 12An die Nachtigall, D. 49701:46
  • 13Valse Le printemps, VWV 117704:07
  • Total Runtime01:03:42

Info zu A Schubertiade with Arpeggione

The arpeggione, invented in 1823 by the Viennese luthier Johann Georg Stauffer, had a curious destiny. As its alternative names ‘guitar violoncello’ and ‘guitare d’amour’ suggest, it is in fact a guitar fitted with a bridge, held between the knees like a cello and played with a bow. The instrument enjoyed some success for around a decade, but, oddly enough, almost nothing has survived from its specific repertory except one supreme masterpiece: the sonata Franz Schubert wrote for it in 1824. The guitar was very popular in Vienna at that time, and Schubert was also fond of it; the original version of Die schöne Müllerin was published with guitar accompaniment! Guido Balestracci and the musicians of L’Amoroso have built a delightful Schubertiad around this famous sonata, combining the arpeggione and the piano with voice and guitars to appropriate a rich selection of the Viennese composer’s lieder.

L'Amoroso:
Guido Balestracci, arpeggione & direction
Caroline Pelon, soprano
Massimo Moscardo, terz guitar
Éric Bellocq, guitar & archlute
Maude Gratton, fortepiano



Keine Biografie vorhanden.

Booklet für A Schubertiade with Arpeggione

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