Rock The Plaza: Concert To Save The Historic Plaza Theatre In Palm Springs (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) Alice Cooper, Joshua Homme, Orianthi, Paul Rogers

• 1 No More Mister Nice Guy (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:06
• 2 I'm Eighteen (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 04:07
• 3 Under My Wheels (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:03
• 4 School's Out/Another Brick In The Wall (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 05:45
• 5 Let's Dance (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 04:25
• 6 Something Stupid (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:14
• 7 These Boots Are Made For Walkin' (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:00
• 8 I Got You Babe (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:27
• 9 Right Down The Line (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 04:58
• 10 I Sat By The Ocean (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:49
• 11 Can't Get Enough (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 04:08
• 12 I Thank You (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:23
• 13 Feel Like Makin' Love (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 05:19
• 14 Rebel Rebel (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 03:47
• 15 My Generation (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 02:50
• 16 All Right Now (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022) 07:00
• Total Runtime 01:05:21

Info zu Rock The Plaza: Concert To Save The Historic Plaza Theatre In Palm Springs (Live at The Plaza Theatre, Palm Springs, California, November 11, 2022)

Die Restaurierung von Objekten von historischer Bedeutung erfordert viel Zeit, Geld und Engagement. Und das Plaza Theatre in Palm Springs, Kalifornien, war genau die Art von Veranstaltungsort, die diese drei wichtigen Faktoren benötigte. Dieses klassische Art-déco-Gebäude, das 1936 erstmals für die Öffentlichkeit zugänglich gemacht wurde, war in den letzten 100 Jahren Schauplatz vieler großartiger Veranstaltungen.

Und so fand am 11. November 2022 unter der Leitung von Brian Ray (seit über 20 Jahren Gitarrist von Sir Paul McCartney) eine Gala-Spendenaktion statt, um eines der wertvollsten Wahrzeichen von Palm Springs, das historische Plaza Theatre, zu restaurieren.

Ray und sein Co-Musical Director Spike Edney (Queen, Clapton, Elton, Aretha) stellten eine All-Star-Band zusammen, um die vier Headliner der Abendshow zu begleiten. Und was für Headliner das waren: Alice Cooper, Mitglied der Rock & Roll Hall of Fame; Paul Rodgers (hochgelobter Leadsänger von Bad Company und Free); der legendäre Modern-Rock-Künstler und gebürtige Palm Springser Joshua Homme (Queens Of The Stone Age, Them Crooked Vultures) und die australische Gitarrengöttin Orianthi (Michael Jackson, Richie Sambora).

Die Begleitband hinter diesen Legenden bestand neben Ray und Edney aus Matt Sorum (Guns N’ Roses), Eric Singer (KISS, Black Sabbath), John Button (Shakira, The Who, Sheryl Crow) und dem Gitarristen der Gitarristen, Pete Thorn. Ihre Musikalität inspirierte Alice Cooper nach seinem Auftritt zu der Aussage: „Was für eine Band ... die beste Band des Landes!“

Was diesen Abend wirklich unvergesslich machte, waren nicht nur die herausragenden Versionen der Klassiker der Künstler („School’s Out“, „I’m Eighteen“, „Can’t Get Enough“, „All Right Now“ und „I Sat By The Ocean“), sondern auch die völlig einzigartigen Coverversionen, die jedes Bandmitglied beisteuerte ... Hören Sie Joshua Hommes treffende Interpretation von Bowies „Let’s Dance“, Paul Rodgers, der Sam & Daves mitreißendes „I Thank You“ singt, Alice Coopers triumphale Coverversion von „My Generation“ von The Who und Orianthi und Brian Rays verspielte Version des Duetts „I Got You Babe“ von Sonny & Cher und vieles mehr!

Lehnen Sie sich also zurück und lassen Sie sich in das Jahr 2022 zurückversetzen, als Rocklegenden die Welt bereisten, „die Lautstärke auf elf drehten“ und ein unvergesslicher Abend voller Spaß und Musik zu einem guten Zweck für Rock The Plaza wurde!

Alice Cooper
Brian Ray
Jay Nailor
Joshua Homme
Orianthi
Paul Rodgers

Alice Cooper (vocals; born February 4, 1948), Glen Buxton (guitar; born November 10, 1947, died October 18, 1997), Michael Bruce (guitar, keyboards; born March 16, 1948), Dennis Dunaway (bass; born December 9, 1948), Neal Smith (drums; born September 23, 1947).

Before the world heard of KISS, the New York Dolls, Marilyn Manson or Ozzy Osbourne, there was Alice Cooper, the original shock-rock band. With their penchant for ghoulish stage shows and a gender-bending wardrobe, this five-man group brought the element of theater to the world of rock. That alone would securely cement their stature as innovators. Yet they backed up their penchant for outrage with rock-solid music. Beyond the visuals Alice Cooper was a musical powerhouse, incorporating melodic hooks and complex progressive-rock passages into a foundation of catchy, riff-driven hard rock delivered in Cooper’s menacing, take-no-prisoners voice. Many of their songs – including “I’m Eighteen,” “Under My Wheels,” “Be My Lover” and “School’s Out” – remain anthems of the classic-rock era.

During their Seventies heyday it was impossible to be indifferent about Alice Cooper. They were one of the first acts of the modern-rock era that forced people to sit up and take notice, engendering curiosity and controversy in equal measure. The controversy began with the group’s very name. Alice Cooper was the both a band name and stage handle of its lead singer (born Vincent Furnier), suggesting a flamboyant sexual dualism that America was not yet ready to accept. Reportedly, the name surfaced during a session with the Ouija board.

Onstage, Alice Cooper brought a new level of visual theatrics to arenas with their gory array of props, which included a guillotine, electric chair, boa constrictor and fake blood. Their musical set pieces included Cooper’s beheading and electrocution. Their bleakly humorous explorations of the dark side were a far cry from the Woodstock ideals of peace and love. “We were the group that drove a stake through the heart of the love generation,” noted Cooper. The group was even deemed objectionable behind the Iron Curtain. According to Pravda, the Russian state newspaper, “Alice Cooper’s singing makes the blood run cold.”

They even jump-started the punk-rock movement that took root in Britain, inspiring the likes of Johnny Rotten (a.k.a., John Lydon). “I’ve referred to the Sex Pistols as ‘musical vaudeville’ and ‘evil burlesque,’ and for me there was definitively Alice Cooper influence there,” Lydon reflected.

Alice Cooper was banned, censured and lambasted by the establishment, all of which further fueled ticket sales to their concert spectacles. Their 1973 tour broke box-office records previously held by the Rolling Stones, and raised the bar for touring rock bands. After Alice Cooper, fans came to expect more from the concert experience. They wanted to see a show.

The roots of Alice Cooper extend back to Cortez High School in Phoenix, Arizona, where the core members came together as music aficionados with a shared yen for the macabre and surreal. They weren’t necessarily alienated misfits, as three members of the Earwigs – the first group in the Alice Cooper lineage – were high-school track stars who ranked among the fastest milers in the state. Dunaway, original drummer John Speer and Alice Cooper himself (known as Vince Furnier to his friends) could run a 4:30 mile, according to Cooper. Renaming themselves the Spiders, they scored a regional hit with “Don’t Blow Your Mind.” They changed names again to the Nazz and moved to Hollywood in 1968 with the idea of making it nationally. The final name change to Alice Cooper came when they learned there already was a Nazz – the Todd Rundgren-led group from Philadelphia – in existence.

The Alice Cooper band comprised vocalist Cooper, lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway and drummer Neal Smith. Frank Zappa signed them to his Straight label. Zappa was attracted to the way the group flouted conventions, both socio-sexual and musical. Alice Cooper’s first two albums, Pretties for You (1969) and Easy Action (1970), were strange even by Sixties psychedelic standards, but hold up today as monuments to the group’s undaunted pursuit of the bizarre.

However, Alice Cooper himself regards those records more as products of the group’s Nazz era and considers Love It to Death the first real Alice Cooper album. This release marked the group’s debut on Warner Bros. and the first of four with producer Bob Ezrin. (He would also go on to produce Alice Cooper as a solo artist.) With his cinematic and colorful production style, Ezrin came to be regarded by Alice Cooper as their George Martin (the Beatles’ producer). He taught them to focus, edit and tighten their more sprawling conceptual numbers. Released in 1971, Love It to Death was a tour de force of misfit fantasies and adolescent angst whose key number, “Eighteen,” gave Alice Cooper its first hit and an indelible classic about the anxieties of late adolescence. (Source: www.rockhall.com)

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