Bad But Beautiful (Remastered) Eartha Kitt

• 1All I Want Is All There Is And Then Some03:18
• 2Do It Again!02:32
• 3It's So Nice To Have A Man Around The House02:42
• 4La Dolce Vita (The Sweet Life)02:39
• 5Lola Lola02:44
• 6A Lady Loves02:34
• 7Love For Sale02:38
• 8Always True To You In My Fashion02:10
• 9Whatever Lola Wants (Lola Gets)02:16
• 10Diamonds Are A Girl's Best Friend01:50
• 11Never On Sunday01:53
• 12Good Little Girls02:37
• Total Runtime29:53

Info zu Bad But Beautiful (Remastered)

Verrucht, aber wunderschön. So könnte man vielleicht am besten den Titel dieses Albums von Eartha Kitt übersetzen, das nun erstmals seit seiner ursprünglichen Veröffentlichung im Jahr 1962 wieder erhältlich ist. In ihrer unnachahmlichen Manier swingt sich “die aufregendste Frau der Welt” (O-Ton Orson Welles) hier durch von Billy May arrangierte Film- und Broadway-Klassiker wie “Love For Sale” und “Diamonds Are A Girl’s Best Friend”.

Das Leben von Eartha Kitt war eine der faszinierendsten und einzigartigsten amerikanischen Geschichten in der Popmusik. Geboren 1927 in South Carolina als Tochter einer afroamerikanischen und Cherokee-Mutter und eines vermutlich weißen Vaters, dessen Identität nie bestätigt wurde - es wird spekuliert, dass er eines der erwachsenen Kinder der Besitzer der Baumwollplantage war, auf der Kitt geboren wurde - wuchs Kitt in zwei verschiedenen Familien auf, bevor sie Ende der 30er/Anfang der 40er Jahre nach New York zog, um mit ihrer leiblichen Mutter wieder vereint zu sein. Dort fand sie schnell Gefallen an der Kunst und begann in der weltweit ersten afroamerikanischen modernen Tanzgruppe und im Kabarett The Katherine Dunham Company zu arbeiten, bevor sie in Orson Welles' Inszenierung von Dr. Faustus als Helena von Troja zu sehen war. Obwohl sie eine talentierte Schauspielerin und Tänzerin war, ist Kitt vielleicht am besten für ihre unverwechselbare Stimme in Erinnerung geblieben, die auf dem 1962 erschienenen Album Bad But Beautiful in bester Form ist. Unterstützt von dem legendären Arrangeur Billy May arbeitet sich Kitt hier in der schwülen und swingenden Art, für die sie berühmt ist, durch 12 klassische Nummern.

Eartha Kitt

Digitally remastered

Eartha Kitt
was an international star who gave new meaning to the word versatile. She distinguished herself in film, theater, cabaret, music, and on television. Kitt was one of only a handful of performers to be nominated for a Tony (three times), a Grammy (twice), and an Emmy Award (twice). She enthralled New York nightclub audiences during her extended stays at the Café Carlyle. These intimate performances have been captured in, Eartha Kitt, Live at The Carlyle.

Eartha Mae Kitt was born on January 17, 1927. She was ostracized at an early age because of her mixed-race heritage. At eight years old, Kitt was given away by her mother and sent from the South Carolina cotton fields to live with an aunt in Harlem. In New York, her distinct individuality and flair for show business manifested itself, and on a friend's dare, the shy teen auditioned for the famed Katherine Dunham Dance Troupe. She won a spot as a featured dancer and vocalist, and before the age of twenty, toured worldwide with the company. During a performance in Paris, Kitt was spotted by a nightclub owner and booked as a featured singer at his club. Her unique persona earned her fans and fame quickly, including Orson Welles. Welles was so taken with her talent that he cast her as “Helen of Troy” in his fabled production of Dr. Faust.

Back in New York, Kitt was booked at The Village Vanguard, and soon spotted by a Broadway producer who put her in New Faces of 1952, where every night she transfixed audiences with her sultry rendition of “Monotonous.” Her show stopping performance in New Faces of 1952, which ran for a year, led to a national tour and a Twentieth Century Fox film version.

Broadway stardom led to a recording contract and a succession of best-selling records including “Love for Sale,” “I Want to Be Evil,” “Santa Baby,” and “Folk Tales of the Tribes of Africa,” which earned her a Grammy nomination. During this period, she published her first autobiography, Thursday’s Child. Kitt then returned to Broadway in the dramatic play Mrs. Patterson, and received her first Tony nomination. Other stage appearances followed, as did films including The Mark of the Hawk with Sidney Poitier, Anna Lucasta with Sammy Davis, Jr. and St. Louis Blues with Nat King Cole.

Singing in ten different languages, Kitt performed in over 100 countries and was honored with a star on The Hollywood Walk of Fame in 1960. In 1966, she was nominated for a primetime Emmy Award for her role in the series, I SPY. In 1967, Kitt made an indelible mark on pop culture as the infamous “Catwoman” in the television series, Batman. She immediately became synonymous with the role and her trademark growl became imitated worldwide. In 1968, Kitt's career took a sudden turn when, at a White House luncheon hosted by Lady Bird Johnson, she spoke out against the Vietnam War. For years afterward, Kitt was blacklisted in the U.S. and was forced to work abroad where her status remained undiminished.

In 1974, Kitt returned to the United States with a triumphant Carnegie Hall concert, and in 1978, she received a second Tony nomination for her starring role in the musical, Timbuktu. Kitt's second autobiography, Alone with Me, was published in 1976, and I’m Still Here: Confessions of a Sex Kitten was released in 1989. Her best-selling book on fitness and positive attitude, REJUVENATE! (IT'S NEVER TOO LATE), was released by Scribner in May 2001.

Live theater was Kitt's passion. In 2001, Broadway critics singled her out with a Tony and Drama Desk nomination for her role as “Dolores” in George Wolfe's The Wild Party. Kitt has starred in National Tours of The Wizard of Oz and Rogers & Hammerstein's Cinderella. In December 2003, Kitt dazzled Broadway audiences as “Liliane Le Fleur” in the revival of Nine, The Musical. In December 2004, she appeared as “The Fairy Godmother” in The New York City Opera production (Lincoln Center) of Cinderella. She also starred in the off-Broadway production of Mimi Le Duck (2006) and The Westport County Playhouse production of The Skin of our Teeth (2007).

Kitt's distinctive voice enthralled an entirely new generation of fans. Young fans loved her as “Yzma,” the villain, in Disney's animated feature The Emperor’s New Groove (2001 Annie Award for Best Vocal Performance /Animated Feature). Kitt was also featured in the sequel, The Emperor’s New Groove II, and reprised the role in the popular Saturday morning animated series The Emperor’s New School, for which she received a 2007 and 2008 Emmy Award for Outstanding Performer in an Animated Program and a 2007 and 2008 Annie Award for Best Vocal Performance in an Animated Television Production.

On January 17, 2007, Kitt turned eighty years old and marked the occasion at Carnegie Hall with a celebratory concert, JVC Jazz Presents EARTHA KITT AND FRIENDS.

In February 2007, Kitt returned to London after a fifteen year absence for a remarkable series of sold-out performances at The Shaw Theater. She returned to Great Britain in 2008 to headline the prestigious Cheltenham Jazz Festival.

Kitt performed for the last time publicly for The HistoryMakers’ An Evening With Eartha Kitt. She passed away on December 25, 2008 at the age of 81. Kitt is survived by her daughter, Kitt Shapiro, and four grandchildren. (Source: thehistorymakers.org)

Dieses Album enthält kein Booklet