Satie: Piano Music, Vol. 1 Noriko Ogawa
- 1Gnossiennes: No. 1, Lent03:34
- 2Gnossiennes: No. 2, Avec etonnement01:49
- 3Gnossiennes: No. 3, Lent02:29
- 4Gnossiennes: No. 4, Lent02:09
- 5Gnossiennes: No. 5, Modéré03:29
- 6Gnossiennes: No. 6, Avec conviction et avec une tristesse rigoureuse01:07
- 7Gnossiennes: No. 7, Le Fils des étoiles03:53
- 8Le Piccadilly01:23
- Chapitres tournés en tous sens:
- 9I. Celle qui parle trop00:50
- 10II. Le Porteur de grosses Pierres02:20
- 11III. Regrets des Enfermes (Jonas et Latude)01:54
- Avant-dernières penseés:
- 12I. Idylle. Modéré, je vous prie00:51
- 13II. Aubade. Pas vite01:08
- 14III. Méditation. Un peu vif00:42
- Croquis et agaceries d’un gros bonhomme en bois:
- 15I. Tyrolienne Turque01:51
- 16II. Danse maigre (a la maniere de ces Messieurs)01:21
- 17III. Expanana01:19
- Sonatine bureaucratique:
- 18I. Allegro01:04
- 19II. Andante01:11
- 20III. Vivace01:28
- 21Poudre d'or04:36
- Embryons desséchés:
- 22I. d'holothurie. Allez un peu01:53
- 23II. d'edriophthalma. Sombre02:27
- 24III. de podophthalma. Un peu vif01:42
- Descriptions automatiques:
- 25I. Sur un Vaisseau. Assez lent02:12
- 26II. Sur une Lanterne. Lent01:57
- 27III. Sur un Casque. Pas accéléré00:54
- Heures séculaires et instantanées:
- 28I. Obstacles venimeux01:46
- 29II. Crepuscule matinal (de midi)00:52
- 30III. Affolements granitiques00:53
- 31Prelude en tapisserie02:03
- Les trois valses distinguées du précieux dégoûté:
- 32No. 1. Sa taille01:04
- 33No. 2. Son binocle01:28
- 34No. 3. Ses jambes00:46
- 35Je te veux05:16
- Trois Gymnopédies:
- 36No. 1. Lent et douloureux03:28
- 37No. 2. Lent et triste03:09
- 38No. 3. Lent et grave02:47
Info zu Satie: Piano Music, Vol. 1
150 years after his birth, Erik Satie is still one of the great enigmas of classical music a composer who said of himself 'I am not fond of jokes I never make jokes' but is nevertheless regarded as one of the great tricksters of Western music; who at one stage was involved with esoteric societies such as the Rosicrucian Order and founded a church of his own (the 'Metropolitan Art Church of Jesus the Conductor'), and inventing the genre 'furniture music' that, for Satie, was 'fundamentally industrial', similar to 'light, heat and all the forms of comfort'. In this anniversary year, Noriko Ogawa launches a complete set of Satie's music for solo piano a body of works which includes the sets of Gnossiennes and Gymnopédies, which through their use in countless movie sound tracks have reached and affected audiences across the planet, pieces that Satie wrote for his own use when working as a bar pianist (Je te veux, Le Piccadilly), parodies on other composers (Sonatine bureaucratique is a spoof on a sonata by Clementi) as well as experiments such as Vexations, a brief theme with chordal accompaniment which according to an instruction in the score is to be played 840 times! Noriko Ogawa, whose wide-ranging and acclaimed discography includes music by Mozart and Rachmaninov as well as complete recordings of the piano music by her compatriot Toru Takemitsu and by Debussy (a friend and rival of Satie's) performs all of this on an instrument from Satie's own time an exquisite Erard grand piano built in 1890, the very year that Satie composed his Gnossienne No. 1 which opens this disc and new cycle.
Noriko Ogawa, piano
has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records (“If you like your Debussy to sound like the musical equivalent of a chilled white wine, Noriko Ogawa is the pianist for you” Roger Vignoles, BBC Radio 3, CD Review), confirms her as a fine Debussy specialist, and her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’ by Stephen Walsh, BBC Radio 3’s CD Review, January 2014. Noriko’s next recording for BIS records is of solo piano music by Eric Satie.
Noriko appears with all the major European, Japanese and US orchestras including recent and forthcoming performances with the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra and the Nagoya Philharmonic Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 with the BBC Concert Orchestra (conducted by Barry Wordsworth) and appeared again in 2014 with the Endymion Ensemble. She has been appointed Vice President of the St Cecilia Orchestra in Ripon, Honorary Patron of the Ipswich Orchestral Society and, from January to June 2012, was the Artistic Director for the Reflections on Debussy Festival, hosted by BBC Philharmonic and Bridgewater Hall. In 2015 she continued her relationship with the Bridgewater Hall as Associate Artist for Ravel and Rachmaninov Festival alongside Peter Donohoe.
Noriko is also renowned as a recitalist and chamber musician. Notable chamber projects include a tour of Japan with the Berlin Philharmonic Wind Ensemble and the leader of the Vienna Philharmonic, Rainer Honeck. With her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos (Three Hands) at the 2013 BBC Proms, has toured in Japan and given premieres of Graham Fitkin’s double piano concerto Circuit. Noriko has also collaborated with Steven Isserlis, Isabelle van Keulen, Martin Roscoe, Michael Collins and Peter Donohoe.
As an advocate of commissioning, Noriko has been involved in numerous premieres including works by Richard Dubugnon, Takemitsu, Graham Fitkin and Dai Fujikura, as well as ‘Le Tombeau de Rachmaninov’, specially written for Noriko by eight composers and premiered at Manchester’s Bridgewater Hall. In addition to recording and performing, Noriko is a sought-after presenter, both on the radio and on television, recently appearing as a piano expert on the BBC3 coverage of the Leeds Piano Competition, and on BBC Worldwide in ‘Visionaries’ as an advocate for Takemitsu and in programmes for NHK and Nippon Television. As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.
In Japan, Noriko acts as artistic advisor to the MUZA Kawasaki Symphony Hall in her hometown. In 1999, the Japanese Ministry of Education awarded her their Art Prize in recognition of her outstanding contribution to the cultural profile of Japan throughout the world and she has also been awarded the Okura Prize for her outstanding contribution to music in Japan. As a writer, Noriko has completed her first book (published in Japan) and her Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand, with the Japanese music magazine Ongaku no tomo saying “Ogawa translates Tomes’ elegant composition into very beautiful Japanese with deep empathy and affection” (August 2012).
Noriko is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £40,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising. Noriko also founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.
Noriko lives with her partner Philip and their cat Sox. When not practising she enjoys writing and cooking for friends.