Brahms: Piano Concerto No. 1 & Violin Concerto - Schumann: Piano Quartet Frank Peter Zimmermann, Emanuel Ax, Royal Concertgebouw Orchestra & Bernard Haitink

Cover Brahms: Piano Concerto No. 1 & Violin Concerto - Schumann: Piano Quartet

Album Info

Album Veröffentlichung:
2017

HRA-Veröffentlichung:
21.03.2017

Label: RCO Live

Genre: Classical

Subgenre: Concertos

Interpret: Frank Peter Zimmermann, Emanuel Ax, Royal Concertgebouw Orchestra & Bernard Haitink

Komponist: Johannes Brahms (1833-1897), Robert Schumann (1810-1856)

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  • Johannes Brahms (1833-1897):
  • 1Violin Concerto in D Major, Op. 77: I. Allegro non troppo22:18
  • 2Violin Concerto in D Major, Op. 77: II. Adagio08:55
  • 3Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace08:24
  • Robert Schumann (1810-1856):
  • 4Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo09:05
  • 5Piano Quartet in E-Flat Major, Op. 47: II. Scherzo: Molto vivace03:46
  • 6Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile06:44
  • 7Piano Quartet in E-Flat Major, Op. 47: IV. Finale: Vivace08:29
  • Johannes Brahms:
  • 8Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso22:36
  • 9Piano Concerto No. 1 in D Minor, Op. 15: II. Adagio12:59
  • 10Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo: Allegro non troppo12:41
  • Total Runtime01:55:57

Info zu Brahms: Piano Concerto No. 1 & Violin Concerto - Schumann: Piano Quartet

In the autumn of 1853, the twenty-year-old Johannes Brahms, encouraged by his friend the violinist Joseph Joachim, interrupted a concert tour to present himself in Düsseldorf to Robert Schumann and his wife Clara, a virtuoso pianist. A former child prodigy, Joachim had already made a name for himself, but no one had yet heard of Brahms or his music. The meeting would have far-reaching consequences. Brahms played a number of his still unpublished compositions for the Schumanns, who were deeply impressed. That evening, Schumann noted this first meeting in his diary: ‘Visit from Brahms, a genius.’ Clara, too, made an entry: ‘There is one that comes as if sent by God. He played us sonatas, scherzos, etc. of his own, all showing exuberant imagination, depth of feeling and mastery of form. Robert said he could not tell him to leave something out of, or to add to, his music.’ For his Neue Zeitschrift für Musik, Schumann wrote an article, entitled ‘Neue Bahnen’ (New Paths), in which he praised Brahms to the heavens, who, ‘like Minerva, [seemed] to have sprung fully armed from the head of Kronion’ and described his piano sonatas as ‘symphonies in disguise’. Although the meeting with Brahms did cheer him for a short while, Schumann was already suffering from mental distress and hallucinations. On 27 February 1854, he attempted suicide and was then removed to an asylum. Brahms tended to Clara and her seven children as best he could, and a close emotional bond, perhaps stronger than friendship, developed between them.

Johannes Brahms (1833-1897):
Royal Concertgebouw Orchestra
Bernard Haitink, honorary conductor
Frank Peter Zimmermann, violin

Robert Schumann (1810-1856):
Emanuel Ax, piano
RCO Chamber Soloists:
Vesko Eschkenazy, violin
Henk Rubingh, viola
Gregor Horsch, cello

Johannes Brahms: Piano Concerto No. 1 in D minor, Op. 15 (1858)
Royal Concertgebouw Orchestra
Bernard Haitink, honorary conductor
Emanuel Ax, piano



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