Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
20.03.2020

Label: Artistry Music

Genre: R&B

Subgenre: Soul

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 15,20
  • 1East Bay! All the Way!00:53
  • 2Step Up05:09
  • 3The Story of You and I04:46
  • 4Who Would Have Thought?03:57
  • 5Addicted to You04:44
  • 6Look in My Eyes03:44
  • 7You da One04:22
  • 8Sleeping with You Baby05:42
  • 9If It's Tea Give Me Coffee03:15
  • 10Beyond My Wildest Dreams04:51
  • 11Any Excuse Will Do04:40
  • 12If You Wanna Be a Winner03:21
  • 13Let's Celebrate Our Love04:35
  • 14East Bay! Oaktown All the Way!01:04
  • Total Runtime55:03

Info zu Step Up

We knew when we went into the studio, we were going to make the best record that we could make – the best album of our career. And we did. We took it to another level.” (Emilio Castillo)

With a landmark 50th anniversary album, 2018’s "Soul Side of Town," still visible in their rearview mirror, one would think Tower of Power, the much-lauded creators of their own horn-based, hybrid brand of East Bay soul/funk/R&B/rock, would take a well-deserved breather. But that is not in the band’s DNA, nor that of its founder and ringmaster, tenor saxophonist and bandleader Emilio Castillo.

Now, with their latest album release, "Step Up," the band forges on into the next decade of the 21st century reinvigorated with the addition of new talent, most notably the phenomenal young lead vocalist, Marcus Scott. Marcus replaced TOP’s longtime lead singer, Ray Greene, who makes his final appearance with the band on "Step Up." Also taking his bows on the new album is 30-year TOP veteran bassist Francis ‘Rocco’ Prestia, who is stepping back from life on the road and whose driving fingerstyle funk is ably replaced on tour by Marc Van Wageningen.

The new album came together in a somewhat unusual manner, Emilio says. In 2018, after spending a few years crafting a large body of new songs, TOP headed into the studio with producer Joe Vannelli. Between the writing, arranging and recording, it was a long and careful process – six years in the making.

“We knew when we went into the studio, we had so much great material, much more than one album,” says group co-founder Emilio Castillo. About halfway through recording, he continues, Artistry Music [an imprint under Mack Avenue Music Group], the band’s new label, “loved what they were hearing so much, they wanted to put all the material out on one album for the band’s 50th anniversary. “But we decided we were going to do the Michael Jackson thing,” Emilio laughs. “You know, where you record way more than you need and pick the best 12. So, we ended up with two great albums instead – Soul Side of Town for the anniversary and then Step Up for this year as we move forward.”

And to lead things off, the band gives us a taste of what’s to come with a new single, the title track, “Step Up.” A prototypical TOP jam, it highlights the band’s iconic horns and combines it with an electric arrangement and strong lead vocals from Scott.

Tower of Power




Tower of Power
For well close to five decades, Tower of Power has delivered the best in Rhythm and Blues music. But, as group co-founder Emilio Castillo says, they could have had a much different name.

“We were a Soul band called The Motowns.” he recalls. Rocco Prestia was the bass player, I was in there, and my brother was the drummer. I met Doc Kupka at the Alameda County Fair over the Fourth of July weekend back in 1968, and gave him an audition. He came in the band, and we eventually changed our name to the Tower of Power.” The reason for the band name change was that they had a specific goal in mind. “We wanted to get into the Fillmore Auditorium and with a name like the Motowns, dressed in suits with razor cuts, we knew we’d never get in there. We grew our hair long, and started to be hippies, and changed our name. Doc then suggested to me that we should start writing our own songs. Our first song was ‘You’re Still A Young Man.”

The gig at the Fillmore was a major goal for the band, which incidentally came along at just the right time. “At the time, we had been playing nightclubs, and we had gotten busted for being underage. We had been playing underage in nightclubs for years. That’s all we knew. One night, the ABC came in, and caught the trumpet player drinking a screwdriver, and the next thing we knew, they put a notice out to all the clubs in the Bay Area that if they hired us again, they would lose their liquor license. We found ourselves with no work and no money. My parents had moved to Detroit and I was on my own for the first time. I was broke and hungry, and all I did was rehearse. We wrote the songs for the East Bay Grease record, and we practiced them every day. By the time November came around, we were at the end of our rope. I told the guys that I was going to Detroit for the holidays to see my parents, and if nothing happened with this audition, I wasn’t coming back.”

Fortunately, he did have to make a return trip to the Bay Area. “A couple of days later, Doc called me, and said ‘You’ve gotta come back. He dug it.” I said ‘Who dug it?” He said ‘Bill Graham.’ As it turned out, Bill and David Rubinson – the producer for his new label, San Francisco Records - liked the band because we were soulful. Everyone had grown out of the whole psychedelic thing. Bands like Jefferson Airplane and Grateful Dead had been happening for about three years. The collective ear of the Bay Area was ready for something soulful. That’s right when we came along.”

Their first record, East Bay Grease, helped to define the East Bay sound, and did well enough to warrant a recording contract with Warner Brothers. Bump City, their 1972 debut for the label, was a hit on both the Billboard 200 and the chart’s R&B Albums chart, and netted them the hits “You’re Still A Young Man” and “Down To The Nightclub.” The decade of the 1970s were a boom period for the group, who hit with radio classics like “So Very Hard To Go” and “What Is Hip?” and the band has continued to tour and record over the years with their latest project Hipper Than Hip being a live flash back to their 1974 tour. Castillo says their love of the stage is the same today as it was back in 1968.

“I still love it as much as ever. We’re not a smooth jazz band, or a retro band...we don’t follow trends, we just make our music exactly the way we want it to be. We noticed years ago that when we did that, the fans liked it. We stay true to that, and that makes it easy to go to work on a daily basis. Every time we go to play, we’re playing music we love because we got to make it our way” The thrill of stepping on stage has never gone away, because as Castillo says, he loves the attention. “Let’s face it. Musicians are some of the most self-centered people in the world. So, that never gets old. People ask what it feels like to hear your song on the radio. It never gets old. What’s it like to see yourself on TV? Again, it never gets old.”

In 2014, Tower of Power will be on the road – a lot – as a result of their tour with Journey and the Steve Miller Band. He credits their involvement to an old friend, Journey guitarist Neal Schon. “We’ve known him for years, back to when he was hired to play in Carlos Santana’s band as an extra guitarist. When we were new, Carlos really dug the band, and he used to take us on tour – even when people around the nation didn’t know us. Some of those nights, we were playing at a high level, and gave him a good run for his money. He liked that. He liked being challenged. It made him play better. At the time, Neil was in the band, and we’ve known him ever since then. About a year or two ago, he noticed our presence was becoming a little more known on the Internet and TV. He came to a few gigs, and the next thing we know, we get this offer to tour,” he says with a smile.

Fans that come out to see Tower of Power this year will get a look at their brand new lead singer, Ray Greene. Castillo says he’s a perfect fit. “It’s phenomenal. Most bands lose their singer, and it’s over. But, we’ve changed singers and other players so many times, the fans actually get excited about who’s next.” he said, as the band has had over forty members throughout their history. “I worked on finding a new singer for about a year, and prayed about it a lot. I found out about Ray, and he’s amazing. All the guys come on stage, and we just think ‘Wow. God has really blessed us.’ He’s doing a great job, and has a great personality. One of the things you learn when you’ve been in the business as long as I have is to hire good people with principles because you’re going to spend as much as twenty hours a day with these guys. Ray’s got everything – he looks great, he sings great, he’s a good person. We’re just really blessed to have him.”

With a new member comes a new attitude, and Emilio says it’s contagious. “Everybody in the band is saying ‘Wow, what is happening?’ You get to an age where we’re at and things can start to run down but it seems like for us that things are really kicking into high gear.”



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