Donizetti: L'Elisir d'Amore Joan Sutherland

• Gaetano Donizetti (1797-1848): L'Elisir d'Amore, Overture (Preludio)
• 1Overture (Preludio)02:58
• L'Elisir d'Amore, Act 1
• 2Bel conforto02:09
• 3Quanto è bella03:21
• 4Benedette queste carte!...Della crudele Isotta05:04
• 5Marcia...Come Paride vezzoso04:28
• 6Or se m'ami, come io t'amo...Intanto, o mia ragazza05:41
• 7Una parola..chiedi all'aura09:14
• 8Che vuol dire codesta suonata?01:53
• 9Udite, udite, o rustici...Così chiaro07:59
• 10Ardir! Ha forse il cielo00:48
• 11Voglio dire, lo stupendo...Va mortale fortunato07:37
• 12Caro elisir! Sei mio!02:47
• 13Lallarallara la la la la...Non so se e finita o vera01:01
• 14Esulti pur la barbara05:46
• 15Tran, tran, tran, tran - In guerra ed in amor03:41
• 16Signor sargente02:51
• 17Adina credimi...Fra lieti concenti08:14
• L'Elisir d'Amore, Act 2
• 18Introduzione - Cantiamo, cantiam...Poichè cantarvi alletta03:37
• 19Barcaruola a due voci...Io son ricco e tu sei bella02:26
• 20Silenzo!...Le feste nuziale04:34
• 21La donna è un animale...Venti scudi02:44
• 22Ai perigli della guerra...qua la mano giovinotto07:16
• 23Saria possibile?04:21
• 24Dell'elisir mirabile...E bellissima04:28
• 25Io già m'immagino...Come sen va contento!05:26
• 26Quanto amore!...Una tenera occhiatina07:54
• 27Una furtiva lagrima...Eccola!06:41
• 28Prendi; per me sei libero11:15
• 29Alto! Fronte!01:44
• 30Ei corregge ogni difetto02:23
• Total Runtime02:20:21

Info zu Donizetti: L'Elisir d'Amore

“Bonynge leads a team ... which not only conveys jollity but which sings and plays as though full opera house applause is to be expected a the end of each number ... The ECO playing ... has a refinement and stylishness which makes all the difference ... Pavarotti has a Gigli -like quality in characterisation and this suits him ideally for the role of the simple, devoted Nemorino ... you should readily be won over by the sheer exuberance, vocal as well as dramatic, that Sutherland brings to the role. It is a joy to the ear to have well- loved music treated to extra vocal splendours at both ends of the soprano register.” (Gramophone)

“Sutherland makes Adina a more substantial figure than usual, full-throatedly serious at times, at others jolly...What helps to make this recording so special, apart from the superb ensemble work - often very exciting - is the inclusion of the addition written for Malibran ['Nel dolce incanto'].” (The Penguin Guide)

Joan Sutherland, soprano (Adina)
Luciano Pavarotti, tenor (Nemorino)
Dominic Cossa, baritone (Belcore)
Spiro Malas, bass (Dulcamara)
Maria Casula, mezzo-soprano (Giannetta)
Ambrosian Opera Chorus
English Chamber Orchestra
Richard Bonynge, conductor

Digitally remastered

Keine Biografie vorhanden.

Booklet für Donizetti: L'Elisir d'Amore