Beethoven: Sonatas for Piano and Violin Vol. 3 Michael Foyle & Maksim Štšura

• Ludwig van Beethoven (1770 - 1827): Sonata No. 9 in A Major, Op. 47:
• 1Beethoven: Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto - Presto10:52
• 2Beethoven: Sonata No. 9 in A Major, Op. 47: II. Andante con variazioni14:37
• 3Beethoven: Sonata No. 9 in A Major, Op. 47: III. Finale. Presto07:02
• Sonata No. 10 in G Major, Op. 96:
• 4Beethoven: Sonata No. 10 in G Major, Op. 96: I. Allegro moderato08:13
• 5Beethoven: Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo05:32
• 6Beethoven: Sonata No. 10 in G Major, Op. 96: III. Scherzo. Allegro02:08
• 7Beethoven: Sonata No. 10 in G Major, Op. 96: IV. Poco Allegretto08:27
• Total Runtime56:51

Info zu Beethoven: Sonatas for Piano and Violin Vol. 3

Die Sonaten auf den ersten beiden CDs sind emblematisch für Beethovens frühe und mittlere Schaffensperiode und zeigen, wie gut der Komponist das klassische Idiom beherrscht. Die letzten beiden Sonaten verschieben die Grenzen der Gattung noch weiter, was zu künstlerischen Anstrengungen von erhöhter emotionaler Intensität, zyklischem Umfang und lyrischer Intimität führt. Sie zählen zu den dramatischsten und anspruchsvollsten Werken des Duorepertoires.

Eine frühe Rezension der Sonate Nr. 9 in der Allgemeinen musikalischen Zeitung war unhöflich: "Der Zusatz zum Titel 'scritta in uno stile molto concertante, quasi come d'un concerto' erscheint exzentrisch, anmaßend und ostentativ". Für das moderne Publikum jedoch ist dieses "konzertante" Element, das die Gleichberechtigung und den demokratischen Dialog zwischen den beiden Instrumenten beschreibt, heute ein wesentlicher Bestandteil unseres Verständnisses von Kammermusik, und in dieser Hinsicht war Beethoven ein Wegbereiter. Nach den Worten des großen Geigers Carl Flesch muss in den Seelen derjenigen, die Beethovens Sonate für Klavier und Violine G-Dur op. 96 aufführen, eine Blume erblühen". Das Werk stammt aus dem Jahr 1812, ein ganzes Jahrzehnt nach den vorangegangenen sechs Sonaten, und repräsentiert in seiner erhabenen Schönheit und seinem Pathos den Wandel in Beethovens späteren Werken von dem heroischen, trotzigen Drama, das in Werken wie dem "Kreutzer" verewigt wurde, zu etwas weitaus Suchenderem und Spirituellerem, das eher seinen späten Quartetten ähnelt.

Michael Foyle, Violine
Maksim Štšura, Klavier

Michael Foyle
Praised for playing of ‘compelling conviction’ (The Daily Telegraph) and performances ‘full of sparkling detail, with tonal beauty and incisive rhythmic clarity, balancing wit and poetry’ (The Strad), Michael Foyle launched his career by winning The Netherlands Violin Competition in 2016. His performance of Szymanowski’s Violin Concerto No.1 with the Rotterdam Philharmonic Orchestra led to an immediate invitation to give his debut recital in the Concertgebouw, Amsterdam.

His London debut followed with a recital at the Wigmore Hall (‘superlative’ – Seen and Heard International) and since then he has performed recitals in the UK’s most prestigious venues, including Queen Elizabeth Hall, Purcell Room, Buckingham Palace, St. Martin-in-the-Fields, Bridgewater Hall and Usher Hall, regularly being broadcast on BBC Radio 3.

In 2018-19 he released his debut CDs, ‘The Great War Centenary - Debussy, Janacek and Respighi Sonatas’ on Challenge Records and ‘Lutoslawski and Penderecki: Complete Violin and Piano Works’ on Delphian Records, both to critical acclaim (‘vividly and beautifully conceived and executed – BBC Music Magazine, ‘richly detailed and impassioned performances’ - The Daily Telegraph, ‘a dream debut, 10/10’ – Luister, ’an extraordinary release, played phenomenally’ – Stretto). In 2020-21, he is releasing the Complete Beethoven Sonatas with pianist Maksim Stsura to mark the composer's bicentenary.

Michael now pursues a busy solo career, recently performing concertos with the English Chamber Orchestra at Cadogan Hall (Prokofiev No.1), the Polish Baltic Philharmonic in Gdansk (Elgar), Youth Symphony Orchestra of Russia in Great Hall of Moscow Conservatory (Brahms) and a return to the Rotterdam Philharmonic (Korngold). He gives recitals at festivals worldwide, including St. Magnus International Festival, New York Chamber Music Festival, Grachtenfestival Amsterdam, Cervantino Festival (Mexico) and Evgeny Mravinsky Festival (St. Petersburg).

Also a passionate collaborator, Michael has recently performed with the likes of Michael Collins, Rafael Payare, Trevor Pinnock, London Conchord Ensemble and the Brodsky Quartet. With duo pianist Maksim Stsura, he has given over 200 recitals. He has performed premieres of solo and chamber works by over 30 living composers, while invitations to perform as Guest-Concertmaster with orchestras such as BBC Symphony and The Halle have seen him working with conductors including Semyon Bychkov, Mark Elder, Oliver Knussen, Sakari Oramo and Vasily Petrenko.

Alongside his performance work, Michael became Professor at the Royal Academy of Music in London in 2016, the youngest violinist appointed in the institution’s 200-year history. In October 2021 he will also join the violin faculty of the Hochschule für Musik und Tanz in Cologne.

Michael was born in Scotland in 1991 and, as a teenager, won the BBC Young Musician of the Year Tabor Award and led the National Youth Orchestra of Great Britain. He studied at the Royal College of Music and Royal Academy of Music in London with Maureen Smith and Daniel Rowland, and then at the Vienna Konservatorium with Pavel Vernikov. He also received masterclasses from James Ehnes and Maxim Vengerov. During this time, Michael won the Royal Overseas League String Competition, the Salieri-Zinetti International Chamber Music Competition and Beethoven Society of Europe Competition, and was selected for the Park Lane Group, City Music Foundation, Kirckman Concert Society, Making Music Young Concert Artists and Live Music Now.

He plays a Gennaro Gagliano violin (1750) on loan.

Booklet für Beethoven: Sonatas for Piano and Violin Vol. 3