Aspirations Cincinnati Wind Symphony & Kevin Michael Holzman

• Adolphus Hailstork (b. 1941): An American Guernica:
• 1Hailstork: An American Guernica07:07
• Frank Proto (b. 1941): Concerto for Piano and Wind Symphony Mvt:
• 2Proto: Concerto for Piano and Wind Symphony Mvt 110:47
• 3Proto: Concerto for Piano and Wind Symphony Mvt 213:23
• 4Proto: Concerto for Piano and Wind Symphony Mvt 310:46
• William Grant Still (1895 - 1978): Symphony No. 1 “Afro-American”:
• 5Still: Symphony No. 1 “Afro-American” , Mvt 106:52
• 6Still: Symphony No. 1 “Afro-American” , Mvt 205:21
• 7Still: Symphony No. 1 “Afro-American” , Mvt 303:21
• 8Still: Symphony No. 1 “Afro-American” , Mvt 408:23
• Total Runtime01:06:00

Info zu Aspirations

Aspirations is the latest recording from the Cincinnati Conservatory of Music - a long standing partner with Klavier Records. *The entire album, Aspirations, was created with all musicians wearing masks and personal protective equipment (PPE) to mitigate the spread of COVID-19.

Symphony No. 1, “Afro-American” by William Grant Still, transcribed by Robert O. O’Brien
I. Longing
II. Sorrow
III. Humor

IV. Aspiration
William Grant Still was a prominent Black composer who was part of the Harlem Renaissance, a cultural and intellectual revival of African-American music. He was considered the “Dean of African American Composers” as he composed over 150 works, including five symphonies, nine operas, four ballets, over 30 choral works, and chamber music. His Symphony No. 1 “Afro-American” is the first known symphony written by an African American. The piece combines Black culture with classical forms and structures. This band arrangement is by Robert O. O’Brien and provides more compositions by Black composers to be included in the wind band canon of repertoire. The piece uses many classically and jazz derived musical devices, including classical forms, blues, spiritual style, and even quotes from George Gershwin’s “I Got Rhythm.”

American Guernica by Adolphus Hailstork
Adolphus Hailstork is an African-American composer and educator. He has composed works for various ensembles, including choir, orchestra, chamber ensembles, solo instruments, and opera. His piece American Guernica was composed in remembrance of the 16th Street Baptist Church fire-bombing in Birmingham, Alabama on September 15, 1963. The attack was racially motivated, injuring 22 people and killing four young girls attending Sunday school: Carol Robertson, 14; Addie Mae Collins, 14; Cynthia Wesley, 14; and Denise McNair, 11. Hailstork’s title American Guernica refers to the famous mural by Spanish painter Pablo Picasso, Guernica, which depicts the bombing of the town located in the Basque Country in Northern Spain. The village was attacked by Nazi German and Fascist Italian warplanes on April 26, 1937. The musical composition depicts the violence, chaos, outrage, and mourning of the 16th Street Baptist Church bombing using sirens, aleatoric musical gestures, spatial notation, gospel lyricism, and extended techniques. Hailstork also employs solo piano played in the gospel style depicting the worship service violently interrupted by the bombing.

Concerto for Piano and Wind Symphony by Frank Proto
Movement I
Movement II
Movement III

Frank Proto is an American composer and double bassist. He played double bass and was the composer-in-residence with the Cincinnati Symphony Orchestra from 1966 to 1997. His works were premiered regularly with the CSO, including concertos for violin, cello, double bass, clarinet, trumpet, tuba, and percussion. The Concerto for Piano and Wind Symphony demonstrates the technical and lyrical virtuosity of both the piano soloist and all members of the accompanying wind symphony. The composition contributes to the wind band medium by expanding the canon of solo piano works with a large wind band. Proto incorporates various compositional techniques, including post-tonality, blues, jazz, and classical forms.

Cincinnati Wind Symphony
Kevin Michael Holzman, direction

Kevin Michael Holzman
serves as the Director of Wind Studies at the University of Cincinnati College-Conservatory of Music. Holzman joined CCM’s faculty on a visiting basis in 2017 as the Assistant Director of Wind Studies, and assumed the Director of Wind Studies position in August 2018. As Director of Wind Studies, Holzman serves as the music director for the CCM Wind Symphony (CCM’s premier large wind ensemble), the CCM Chamber Orchestra, the CCM Chamber Winds, and the CCM Bras Choir. His academic responsibilities include teaching graduate conducting, survey of wind literature and related courses as well as the advising and mentoring of wind conducting students in CCM’s MM and DMA programs.

Prior to his appointment as Visiting Assistant Director of Wind Studies at CCM, Holzman earned his Doctor of Musical Arts degree in conducting at the Eastman School of Music, where he studied with Music Director of the Eastman Wind Ensemble, Mark Scatterday, DMA. As the Frederick Fennell Conducting Fellow and 2016 recipient of the prestigious Walter Hagen Prize for Excellence in Conducting, Holzman served as Associate Conductor of the world-renowned Eastman Wind Ensemble and Eastman Wind Orchestra. He regularly appeared as a conductor for OSSIA New Music, including multiple world-premiere performances. He also studied extensively with Neil Varon, Director of Eastman Orchestras.

In summer 2016, Holzman was invited to serve as an associate conductor on the Eastman Wind Ensemble’s first tour in Europe, where he conducted the Eastman Harmonie in Salzburg, Vienna and Prague. He also collaborated with prominent composers David Maslanka and Bert Appermont for the “Celebration of the Symphony” concert with the Eastman Wind Ensemble. The performance was Eastman’s first live-streamed large ensemble concert, which included the North American premiere of Appermont’s Symphony No. 2 The Golden Age. Holzman also served as an Assistant Producer for the Eastman Wind Ensemble’s recent release Sierra Live and upcoming album featuring the music of Jeff Tyzik.

Beyond Eastman, Holzman has worked with professional ensembles including the United States Army Band “Pershing’s Own” and the Rochester Philharmonic Orchestra. In April 2017, he was appointed conductor of the Music in the American Wild ensemble, a National Endowment for the Arts grant-funded ensemble that commissioned 11 new works in celebration of the 2016 U.S. National Parks Centennial. Holzman recently completed a studio-recording project of commissioned compositions, set for release by ArtistShare NYC in fall 2018. In 2016 Holzman formed and began serving as Music Director of the Upstate Brass Band, an exciting brass ensemble that performs in upstate New York, and was commissioned to record a series of new brass band arrangements by renowned composer/trombonist Bill Reichenbach.

Holzman became the founding Music Director and conductor of the Hobart and William Smith Colleges Wind Ensemble in fall 2016. He successfully recruited and led the ensemble’s inaugural year, and it is now the college’s largest instrumental ensemble. After earning his MM in conducting at the University of Arizona (UA), Holzman had the opportunity to teach and conduct as Interim Principal Conductor for the Wind Symphony at UA’s Fred Fox School of Music during the director’s extended absence from 2012 to 2014. He also served as the Director and Coordinator of the UA Symphonic Band and High School Honor Band during his tenure. ...

Dieses Album enthält kein Booklet