J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos Mario Brunello & Mauro Valli

• Johann Sebastian Bach (1685 - 1750): Violin Sonata No. 3 in C Major, BWV 1005 (Arr. for Two Piccolo Cellos):
• 1 Bach: Violin Sonata No. 3 in C Major, BWV 1005 (Arr. for Two Piccolo Cellos): I. Adagio 04:43
• 2 Bach: Violin Sonata No. 3 in C Major, BWV 1005 (Arr. for Two Piccolo Cellos): II. Fuga 11:15
• 3 Bach: Violin Sonata No. 3 in C Major, BWV 1005 (Arr. for Two Piccolo Cellos): III. Largo 03:52
• 4 Bach: Violin Sonata No. 3 in C Major, BWV 1005 (Arr. for Two Piccolo Cellos): IV. Allegro assai 05:42
• Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos):
• 5 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): I. Prelude 06:29
• 6 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): II. Allemande 05:38
• 7 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): III. Courante 01:58
• 8 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): IV. Sarabande 03:24
• 9 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): V. Gavotte I 02:28
• 10 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): VI. Gavotte II 02:27
• 11 Bach: Cello Suite No. 5 in C Minor, BWV 1011 (Arr. for Two Piccolo Cellos): VII. Gigue 02:46
• Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos):
• 12 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): I. Preludio 04:24
• 13 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): II. Loure 04:19
• 14 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): III. Gavotte en rondeau 03:27
• 15 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): IV. Menuet I 01:55
• 16 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): V. Menuet II 02:49
• 17 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): VI. Bourrée 02:06
• 18 Bach: Violin Partita No. 3 in E Major, BWV 1006 (Arr. for Two Piccolo Cellos): VII. Gigue 02:01
• Total Runtime 01:11:43

Info zu J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos

Zwei Violoncelli piccoli, eines mit vier, das andere mit fünf Saiten, insgesamt also neun Saiten: Es ist, als wäre ein neues Instrument geboren worden, eine Orgel mit Saiten statt Pfeifen, um virtuose polyphone Meisterwerke mit einer größeren, bereicherten Klangpalette aufzuführen. Ausgehend von Gustav Leonhardts Klavier-Transkriptionen der Suiten, Sonaten und Partiten verleiht Mario Brunello drei von Bachs Solostücken für unbegleitete Violine und Violoncello eine neue klangliche Dimension und macht die zuvor auf nur vier Saiten beschränkte Polyphonie hörbar. Sein langjähriger Freund Mauro Valli, der bereits bei Arcana mit seiner persönlichen Neuinterpretation der Cellosuiten (Bach in Bologna A459, 2019) zu hören war, steht ihm dabei zur Seite.

„Ich betrachte das nicht als Transkription, ja nicht einmal als Fassung für andere Instrumente. Ich würde es einfach eine Erscheinung nennen – etwas, das existiert, aber – wie gewisse Naturphänomene, etwa ein Regenbogen – nur unter bestimmten Bedingungen sichtbar wird.“ (Mario Brunello)

Mario Brunello, Cello
Mauro Valli, Cello

Mario Brunello
is a musician gifted with an uncommon expressive freedom. In 1986 he won the Tchaikovsky Prize in Moscow, the very first Italian to have received this recognition. Over the years he has worked with the greatest conductors such as Abbado, Gergiev, Ozawa, Pappano and Koopman, combining his appearances as a soloist with intense activity as a chamber musician.

Eclectic and innovative, in recent years he has promoted the rediscovery of the violoncello piccolo – an instrument no longer in current use, but popular among composers of the 17th and 18th centuries – which bore fruit in the “Brunello Bach Series”, a project consisting of three recordings in which important masterworks for violin acquired a new dimension on the violoncello piccolo with four strings.

After the release of the Sonatas and Partitas (2019) and the Sei Suonate à cembalo certato è violoncello piccolo solo (2021), the trilogy will conclude in 2022 with “Bach Transcriptions”, an ingenious programme of concertos recorded with the Accademia dell’Annunciata.

In the meantime, the collaboration between Brunello and Arcana gave birth to two remarkable albums with the same instrument: a CD dedicated to Tartini (Diapason d’Or) and “Sonar in Ottava” in collaboration with Giuliano Carmignola (which BBC Music Magazine rated as among the “Best Concerto Recordings” of 2020).

Mauro Valli
was born in Sant’Agata Feltria, the same birthplace of Angelo Berardi. Valli descend from the great school of the legendary cellist Camillo Oblach, the favourite cellist of Toscanini famous for the magic velvet sound of his playing.

After winning several competitions (Vittorio Veneto, Turin, Milan) he joined the Orchestra of “Teatro alla Scala” where he played under legendary conductors such as Leonard Bernstein, Carlos Kleiber, George Pretre. However his main interests have always been chamber music and baroque music and for this reason he left La Scala to devote himself exclusively to playing and teaching in these areas.

He has worked with notable musicians such as Maurice Steger making with him very succesful recordings) and Anner Bylsma, who described him as a Master of embellishment. Member Founder of Accademia Bizantina, he has also played as soloist and first cello in others well known chamber music groups such as Quartetto Sandro Materassi, Il Complesso Barocco of Alan Curtis, I Barocchisti di Lugano of Diego Fasolis. He has appeared in some of the most important Concert Halls of the world, always to great acclaim.

Both as soloist and as chamber musician, he has made many records with well known companies such as Decca, Denon, Harmonia Mundi, Arts, and these have always been favourably rewiewed; the records include Concerti by Vivaldi and Leo, Sonatas by Scarlatti and Trio Sonata by Bach, Corelli, Galuppi, Platti. His next CD – teh first world recording of the Six Canzoni by Angelo Berardi – will be published by Sony. He also plans to record Bach Sonatas and Vivaldi Concertos with Diego Fasolis, with whom he regularly collaborates.

His concerts have been transmitted by some of the main Radio and Television station of Europe. For about thirty years he has dedicated himself to playing baroque music on original instruments and to the rediscovery of historical instruments such as the five-stringed violoncello piccolo, the Arpeggione and the Baryton. He plays a cello made by Andrea Castagneri in 1740 and also uses a violoncello piccolo and a copy of a Montagnana made by the violin makers Lucia Valli and Matias Herrera. With their help he has produced a copy of an Arpeggione conserved by the Museum of Musica Instruments of Berlin.

He has been a lecturer in chamber music at the Conservatorio of Bologna, and he has taught for ten years at the Conservatorio della Svizzera Italiana of Lugano.

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