Wonder in Venice. Galuppi: Sonatas and Concertos for Harpsichord Arianna Radaelli & La Filarete

• Baldassare Galuppi (1706 - 1785): Harpsichord Sonata in F Major, R.A.1.8.06:
• 1 Galuppi: Harpsichord Sonata in F Major, R.A.1.8.06: I. Andantino e con espressione 07:35
• 2 Galuppi: Harpsichord Sonata in F Major, R.A.1.8.06: II. Allegro assai 04:56
• 3 Galuppi: Harpsichord Sonata in F Major, R.A.1.8.06: III. Allegro 01:36
• Harpsichord Sonata in D Minor, R.A.1.04.02:
• 4 Galuppi: Harpsichord Sonata in D Minor, R.A.1.04.02: Allegro 06:24
• Harpsichord Sonata in D Major, R.A.1.03.01:
• 5 Galuppi: Harpsichord Sonata in D Major, R.A.1.03.01: Allegro assai 03:47
• Harpsichord Sonata in G Minor, R.A.1.12.01:
• 6 Galuppi: Harpsichord Sonata in G Minor, R.A.1.12.01: I. Andante 03:31
• 7 Galuppi: Harpsichord Sonata in G Minor, R.A.1.12.01: II. Allegro 02:12
• 8 Galuppi: Harpsichord Sonata in G Minor, R.A.1.12.01: III. Allegro 04:02
• Harpsichord Sonata in B-Flat Major, R.A.1.16.05:
• 9 Galuppi: Harpsichord Sonata in B-Flat Major, R.A.1.16.05: I. Larghetto 07:38
• 10 Galuppi: Harpsichord Sonata in B-Flat Major, R.A.1.16.05: II. Allegro 04:48
• Concerto for Harpsichord and Strings in C Minor:
• 11 Galuppi: Concerto for Harpsichord and Strings in C Minor: I. Allegro assai 02:59
• 12 Galuppi: Concerto for Harpsichord and Strings in C Minor: II. Andantino 03:19
• 13 Galuppi: Concerto for Harpsichord and Strings in C Minor: III. Allegro ma non presto 02:36
• Concerto for Harpsichord and Strings in F Major:
• 14 Galuppi: Concerto for Harpsichord and Strings in F Major: I. Allegro non tanto 04:34
• 15 Galuppi: Concerto for Harpsichord and Strings in F Major: II. Grave 05:35
• 16 Galuppi: Concerto for Harpsichord and Strings in F Major: III. Presto 03:49
• Total Runtime 01:09:21

Info zu Wonder in Venice. Galuppi: Sonatas and Concertos for Harpsichord

Die Aufgabe, die der Barock dem galanten Stil hinterließ, war es, das Publikum in Staunen zu versetzen. Der gefeierte Opernkomponist und Tastenvirtuose Baldassare Galuppi erreichte dies, indem er die Mittel der bildenden Kunst auf die Musik anwandte und mit Licht, Farbe und Perspektive spielte. Das innovative Feuer seiner Fantasie und die Anmut seiner Cantabiles fingen den Geist der Stadt Venedig mit der Launenhaftigkeit und Dramatik des neuen Goldonischen Theaters ein und machten ihn in ganz Europa berühmt. Mit einer Auswahl von Solosonaten und Konzerten für Cembalo und Streicher illustriert "Wonder in Venice" den Eklektizismus von Galuppis Musik, die den Glanz des venezianischen galanten Stils mit stürmischen Ausbrüchen des Sturm und Drang verbindet. Die junge italienische Cembalistin Arianna Radaelli, die auch mit Il Pomo d'Oro, Zefiro und Jordi Savall auftritt, gibt Galuppis Werken eine neue Lesart, die der historischen Aufführungspraxis treu bleibt, aber auch dynamisch und kühn ist. Flankiert von dem hervorragenden Streicherensemble La Filarete erkundet sie erfolgreich die Ausdruckskraft dieses Repertoires, das nun reif für eine Wiederentdeckung ist.

Arianna Radaelli, Cembalo & Leitung
La Filarete

Arianna Radaelli
graduated in piano under the guidance of Silvia Rumi and Paolo Bordoni at the Milan Conservatory (2015). After high school diploma (classical studies), she attended a Master’s degree in historical keyboards at the Como Conservatory (2017), in Giovanni Togni’s class. She subsequently obtained a Master of Arts in Performance and one in Pedagogy in the classes of Francesco Corti and Andrea Marcon at the Schola Cantorum Basiliensis (2019, 2021). In 2023 she obtained a Master in Project Management of Artistic and Cultural Events at the 24ORE Business School. Arianna is currently studying orchestra conducting with Gilberto Serembe at the Italian Conducting Academy.


Since 2023 she has been teaching harpsichord, basso continuo and historical performance practice (75%) at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart and she has directed the ancient music department since 2024. Since 2023, she has been teaching basso continuo at the Early Music Courses in Urbino (FIMA). From 2021 to 2023 she taught Generalbass and was correpetitor at Universität Mozarteum Salzburg (100%). Arianna won several solo and chamber music competitions, including the XIX “Paola Bernardi” International Harpsichord Competition in Bologna.

Arianna was a musical assistant in the staging of baroque operas at the “Internationale Händel-Festspiele Göttingen” and “Innsbrucker Festwochen der Alten Musik”, and performed on harpsichord, organ and historical piano both as a soloist and as continuo player in renowned ensembles and orchestras, including Il Pomo d’Oro, La Cetra Barockorchester, Abchordis Ensemble, Ensemble Zefiro, Gaechinger Cantorey Stuttgart, Café Zimmermann. She founded the ensemble “Alter Ego” with the traverso player Eleonora Bišćević. They were selected by the Da Vinci Publishing label for the recording of the duo’s first album (released in November 2024) with Corelli’s sonatas op. 5 nos. 1-6 in their historical arrangement for baroque flute. In 2023, the duo was chosen as artists in residence at Schloss Weissenbrunn, with whom the film ‘An Italian Gallery’ was recorded. Arianna collaborates with ‘Europa Danzante’ on interdisciplinary projects in early and contemporary music, baroque and contemporary dance and theatre. Arianna has recently recorded her first solo album with sonatas and concertos for harpsichord by Baldassare Galuppi, to be released in April 2025 by Arcana.

Booklet für Wonder in Venice. Galuppi: Sonatas and Concertos for Harpsichord