Scott Lee: Through the Mangrove Tunnels JACK Quartet, Steven Beck, Russell Lacy

• Scott Lee: Through the Mangrove Tunnels:
• 1Through the Mangrove Tunnels: I. Through the Mangrove Tunnels03:59
• 2Through the Mangrove Tunnels: II. The Man in the Water04:01
• 3Through the Mangrove Tunnels: III. Narvaez Dance Club04:51
• 4Through the Mangrove Tunnels: IV. Flying Fish01:33
• 5Through the Mangrove Tunnels: V. Playthings of Desire06:29
• 6Through the Mangrove Tunnels: VI. Engine Trouble06:01
• 7Through the Mangrove Tunnels: VII. The Ballad of Willie Cole11:38
• 8Through the Mangrove Tunnels: VIII. Floating Away07:08
• Total Runtime45:40

Info zu Scott Lee: Through the Mangrove Tunnels

Inspired by his childhood growing up in the swamps and bayous of Florida, composer Scott Lee's "Through the Mangrove Tunnels" featuring the JACK Quartet, pianist Steven Beck, and drummer Russell Lacy is an eight movement album length work whose stylistic flexibility facilitates a multi-dimensional portrait of this unique ecosystem. References to the natural landscape and historical context of the region frame the music in this genre straddling work. Praised as colorful and engaging (The Philadelphia Inquirer), Scott Lees music often takes inspiration from popular genres, exploring odd-meter grooves and interlocking hockets while featuring pointillistic orchestration and extended performance techniques. His music marries the traditional intricacy of classical form with the more body-centered and visceral language of contemporary popular music, creating a complex music of the present with broad appeal. The Berkshire Edge described the world premiere of his Slack Tide at Tangle-wood Music Center as having moments both of calm and maximum tension...weve never heard anything like it.

JACK Quartet
Christopher Otto, violin
Austin Wulliman, violin
John Pickford Richards, viola
Jay Campbell, cello
Steven Beck, piano
Russell Lacy, drum set

The JACK Quartet
electrifies audiences worldwide with "explosive virtuosity" (Boston Globe) and "viscerally exciting performances" (New York Times). David Patrick Stearns (Philadelphia Inquirer) proclaimed their performance as being "among the most stimulating new-music concerts of my experience." The Washington Post commented, "The string quartet may be a 250-year-old contraption, but young, brilliant groups like the JACK Quartet are keeping it thrillingly vital." Alex Ross (New Yorker) hailed their performance of Iannis Xenakis' complete string quartets as being "exceptional" and "beautifully harsh," and Mark Swed (Los Angeles Times) called their sold-out performances of Georg Friedrich Haas' String Quartet No. 3 "mind-blowingly good."

The recipient of New Music USA's 2013 Trailblazer Award, the quartet has performed to critical acclaim at Carnegie Hall (USA), Lincoln Center (USA), Wigmore Hall (United Kingdom), Suntory Hall (Japan), Salle Pleyel (France), Muziekgebouw aan 't IJ (Netherlands), La Biennale di Venezia (Italy), the Lucerne Festival (Switzerland), Bali Arts Festival (Indonesia), Reykjavik Arts Festival (Iceland), Festival Internacional Cervatino (Mexico), Kölner Philharmonie (Germany), Donaueschinger Musiktage (Germany), Wittener Tage für neue Kammermusik (Germany), and Darmstadt Internationale Ferienkurse für Neue Musik (Germany).

Comprising violinists Christopher Otto and Ari Streisfeld, violist John Pickford Richards, and cellist Kevin McFarland, JACK is focused on the commissioning and performance of new works. In addition to working with composers and performers, JACK seeks to broaden and diversify the potential audience for new music through educational presentations designed for a variety of ages, backgrounds, and levels of musical experience.

Steven Beck
continues to gather wide acclaim for his performances and recordings. Recent career highlights include performances of Beethoven’s variations and bagatelles at Bargemusic, a venue where he first performed a complete Beethoven sonata cycle. In addition, this season he performs with the Westchester Philharmonic and the Alabama Symphony.

An esteemed performer of new music, he has worked with Elliott Carter, Pierre Boulez, Henri Dutilleux, Charles Wuorinen, George Crumb, George Perle, and Fred Lerdahl, and performed with ensembles such as Speculum Musicae and the New York New Music Ensemble. He is a core member of the Da Capo Chamber Players, the Knights, and the Talea Ensemble. He is also a member of Quattro Mani, a piano duo specializing in contemporary music.

Mr. Beck’s discography includes Peter Lieberson's third piano concerto (for Bridge Records) and a recording of Elliott Carter’s Double Concerto on Albany Records. He is on the faculty of the Sewanee Summer Music Festival.

Russel Lacy
started playing percussion when he was nine. In high school, Russell studied classical percussion under the noted percussionist and composer Christopher Deane; he completed high school at the North Carolina School of the Arts. Russell continued his training at undergraduate and graduate training at North Carolina Central University and Queens College respectively. Russell has shared the stage with John Hart, John Bailey, Frank Kimbrough, Steve Cardenas, Bobby Porcelli, David Berkman, Michael Blake, Branford Marsalis, Joey Calderazzo, Eric Reed, Delfayo Marsalis, Ellis Marsalis, Pete McCann, and Gregory Tardy. Russell also co-led the Trachy/Lacy Collective, which released Lanky (2009) and performed in venues in the United States, most notably the Kennedy Center. A music educator since 2004 Russell opened Russell Lacy Music in 2012 located in Durham, NC which serves over 200 students with private and group instruction.

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