Album Info

Album Veröffentlichung:


Label: Navona

Genre: Classical

Subgenre: Vocal

Interpret: The Crossing & Donald Nally

Komponist: James Primosch

Das Album enthält Albumcover


Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 14,90
  • James Primosch (b. 1956):
  • 1Journey03:45
  • 2Carthage10:47
  • Mass for the Day of St. Thomas Didymus:
  • 3Mass for the Day of St. Thomas Didymus: I. Kyrie06:27
  • 4Mass for the Day of St. Thomas Didymus: II. Gloria03:31
  • 5Mass for the Day of St. Thomas Didymus: III. Credo05:45
  • 6Mass for the Day of St. Thomas Didymus: IV. Sanctus05:52
  • 7Mass for the Day of St. Thomas Didymus: V. Agnus Dei05:13
  • James Primosch:
  • 8Spiralling Ecstatically05:02
  • 9Two Arms of the Harbor04:53
  • 10One with the Darkness, One with the Light02:27
  • Total Runtime53:42

Info zu Carthage

The latest installment in a multi-album series with Navona Records, CARTHAGE offers six striking pieces by composer James Primosch that confront the most elemental questions of Western philosophy. Internationally recognized and prolific, Primosch is the 2020 winner of The Virgil Thomson Award for Vocal Music from The American Academy of Arts and Letters.

CARTHAGE opens with Journey, a solemn meditation in which the men of The Crossing chant text based on the work of 13th-century monk and mystic Meister Eckhart: "There is a journey you must take. / It is a journey without destination. / There is no map. / Your soul will lead you. / And you can take nothing with you." The title track, Carthage, draws on prose from Marilynne Robinson's novel Housekeeping, a work that employs the devastated city of Carthage as a metaphor for desire and imagination: "For to wish for a hand on one's hair is all but to feel it."

Following is Mass for the Day of St. Thomas Didymus. Here, four soloists sing the Latin Mass texts, while the main choir sings Denise Levertov’s cycle of poems which gives the work its title. In pulling together these texts, Primosch celebrates the feast of St. Thomas Didymus—better known as “doubting Thomas”—plumbing the depths between unbelief and faith in which true spirituality so often resides. More works inspired by questions of spirit and faith round out the program, with spiralling ecstatically - a setting of a poem of E.E. Cummings - and Two Arms of the Harbor, drawing on the musings of Thomas Merton. The album closes with One with the Darkness, One with the Light, a setting of poetry by Wendell Berry.

The Crossing
Donald Nally, conductor

The Crossing
is a professional chamber choir conducted by Donald Nally and dedicated to new music. Consistently recognized in critical reviews, The Crossing has been hailed as “ardently angelic” (Los Angeles Times, 4/14) and “something of a miracle” (The Philadelphia Inquirer, 7/14). Formed by a group of friends in 2005, the ensemble has since grown exponentially and “has made a name for itself in recent years as a champion of new music.” (The New York Times, 2/14). Highly sought-after for collaborative projects, The Crossing was the resident choir of the Spoleto Festival, Italy in 2007; appeared at Miller Theatre of Columbia University in the American premiere of James Dillon’s Nine Rivers with the International Contemporary Ensemble (ICE); joined Bang on a Can’s first Philadelphia Marathon; and has appeared with the American Composers Orchestra, Network for New Music, Lyric Fest, Piffaro, red fish blue fish, Tempesta di Mare Baroque Chamber Orchestra, PRISM Saxophone Quartet, Toshimaru Nakamura, Dolce Suono, and in the summer of 2013, The Rolling Stones. The ensemble has sung in such venues as Walt Disney Concert Hall, The Kennedy Center, Carnegie Hall, and the Metropolitan Museum of Art; they made their Lincoln Center debut this past summer in a world premiere of John Luther Adams in a collaboration with the Mostly Mozart Festival, Lincoln Center Out of Doors Festival, eighth blackbird, Jack Quartet, and TILT brass.

The Crossing frequently commissions works and has presented over forty world premieres. Upcoming projects include commissions with Pelle Gudmundsen-Holmgreen, David T. Little, Joel Puckett, Santa Ratniece, Caroline Shaw, Kile Smith, Lewis Spratlan, Hans Thomalla, Anna Thorvaldsdottir, and Toivo Tulev. The ensemble recently released two recordings on the Innova label: Christmas Daybreak– with world premiere recordings of James MacMillan and Gabriel Jackson—and I want to live – with the complete choral works for women by David Lang. Recordings soon to be released include Lewis Spratlan’s Hesperus is Phosphorus and Gavin Bryars’ The Fifth Century, both commissioned by The Crossing and on the Innova label, as well as Choral Music of Greg Brown on the Navona label. The Crossing is the recipient of two ASCAP Awards for Adventurous Programming as well as the Dale Warland Singers Commissioning Award from Chorus America.

Donald Nally
is responsible for imagining, programming, commissioning, and conducting at The Crossing. He is also director of choral organizations at Northwestern University and chorus master of The Chicago Bach Project. He has held distinguished tenures as chorus master for Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, Spoleto USA, and for many seasons at the Spoleto Festival in Italy. He has served as artistic director of the Vocal Arts Ensemble of Cincinnati and the Choral Arts Society of Philadelphia. Among the many ensembles Donald has guest conducted are the Latvian State Choir in Riga, the Grant Park Symphony Chorus in Chicago, the Philharmonic Chorus of London, and the Santa Fe Desert Chorale. His ensembles have sung with the Philadelphia Orchestra, the Pennsylvania Ballet, Spoleto USA, the BBC Symphony Orchestra, Sinfonia Cymru, RAI National Symphony Orchestra, and ICE; his work is heard on numerous recordings on the Chandos, Navona, and Innova record labels. Donald is the recipient of the distinguished alumni merit award from Westminster Choir College and the Louis Botto Award for Innovative Action and Entrepreneurial Zeal from Chorus America; he is the only conductor to have two ensembles receive the Margaret Hillis Award for Excellence in Choral Music - in 2002 with The Choral Arts Society of Philadelphia, and in 2015 with The Crossing. His book, Conversations with Joseph Flummerfelt, was published in 2011.

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