Current: MISSING ATOM (Artists of the Opera MISSING), Marie Clements, Brian Current, Timothy Long, Continuum Ensemble

• Marie Clements (b. 1962), Brian Current (b. 1972): MISSING, Prelude:
• 1 Clements, Current: MISSING, Prelude 04:33
• Brian Current: MISSING, Act I Scene 1:
• 2 Current: MISSING, Act I Scene 1: Fly Away 03:15
• MISSING, Act I Scene 2:
• 3 Current: MISSING, Act I Scene 2: You Don't Look Like Yourself 03:53
• MISSING, Act I Scene 3:
• 4 Current: MISSING, Act I Scene 3: Dr. Wilson 11:24
• MISSING, Act I Scene 4:
• 5 Current: MISSING, Act I Scene 4: Ava and Jess 01:32
• MISSING, Act I Scene 5:
• 6 Current: MISSING, Act I Scene 5: Angus 09:22
• MISSING, Act I Scene 6:
• 7 Current: MISSING, Act I Scene 6: Everything Has Changed in Me 03:27
• MISSING, Act I Scene 7:
• 8 Current: MISSING, Act I Scene 7: Language Lesson 04:43
• MISSING, Act I Scene 8:
• 9 Current: MISSING, Act I Scene 8: Hlguhlxw 04:29
• MISSING, Act I Scene 9:
• 10 Current: MISSING, Act I Scene 9: A Gitxsan Wedding 03:43
• MISSING, Act II Scene 1a:
• 11 Current: MISSING, Act II Scene 1a: There Should Be No Sun 02:16
• MISSING, Act II Scene 1b:
• 12 Current: MISSING, Act II Scene 1b: The Mother's Aria 02:28
• MISSING, Act II Scene 2:
• 13 Current: MISSING, Act II Scene 2: She Cries 03:30
• MISSING, Act II Scene 3:
• 14 Current: MISSING, Act II Scene 3: Nightmare 04:08
• MISSING, Act II Scene 4:
• 15 Current: MISSING, Act II Scene 4: Ava Wake Up 01:39
• MISSING, Act II Scene 5:
• 16 Current: MISSING, Act II Scene 5: You Don't Have to Be Afraid of Me 05:45
• MISSING, Act II Scene 6:
• 17 Current: MISSING, Act II Scene 6: I Saw Your Eyes 03:34
• MISSING, Epilogue:
• 18 Current: MISSING, Epilogue 05:09
• Total Runtime 01:18:50

Info zu Current: MISSING

MISSING is a powerful opera confronting the crisis of missing and murdered Indigenous women and girls. With music composed by Brian Current and a libretto by Marie Clements, it follows Ava, a young woman whose encounter with the spirit of a lost Indigenous girl changes her forever. The Artists of The Opera MISSING (ATOM) and Continuum Ensemble, led by conductor Timothy Long, weave contemporary classical music with Gitxsan language and cultural traditions, moving through grief, memory, and justice, ensuring these voices continue to be heard.

Caitlin Wood, soprano (Ava
Melody Courage, soprano (The Native Girl)
Michelle Lafferty, mezzo-soprano (The Native Mother)
Andrea Ludwig, mezzo-soprano (Jess)
Marion Newman, mezzo-soprano (Dr. Wilson)
Asitha Tennekoon, tenor (Devon)
Evan Korbut, baritone (Angus)
Carol Fujino, violin
Paul Widner, cello
Leslie Newman, flute
Anthony Thompson, clarinet
Gregory Oh, piano
Ryan Scott, percussion
Michael Murphy, percussion Continuum Ensemble
Timothy Long, conductor

Caitlin Wood
made her debut with Pacific Opera Victoria in the title role of the company’s 2015 school tour production of Mary’s Wedding. She returned to Pacific Opera for the role of Ava in the 2017 world première production of Missing by Marie Clements and Brian Current and as Annina in Verdi’s La traviata. During the 2019/20 season, Caitlin appears as the lover in Il tabarro and Alms Sister in Suor Angelica as part of Pacific Opera’s company première of Puccini’s Il trittico. Caitlin will also reprise her role as Ava in Missing, when the opera is remounted in Victoria, Regina, and Prince George.

Timothy Long
A pianist, conductor, and educator of Muscogee Creek and Choctaw descent, Timothy conducted the 2017 world première of Missing by Marie Clements and Brian Current and is conducting the opera’s remounting in 2019 for performances in Victoria, Regina, and Prince George.

Timothy is Music Director of Opera at the Eastman School of Music. He has also served as assistant conductor at the Brooklyn Philharmonic, associate conductor at New York City Opera, associate professor at SUNY-Stony Brook, and has been on faculty at the Aspen Music Festival and School, the Juilliard School, and the Yale School of Music.

His early training as a pianist and violinist led to his work with singers, and eventually to operatic engagements that have included companies such as the Boston Lyric Opera, Wolf Trap Opera, The Juilliard School, New York City Opera, Opera New England, Opera Colorado, Utah Opera, Shreveport Opera, the Maryland Opera Studio, Opera Theatre of Saint Louis, Théâtre Municipal de Castres, the Brooklyn Philharmonic, the Stony Brook Symphony Orchestra, the Stony Brook Contemporary Chamber Players, The New Group, Baltimore Center Stage, and the Oregon Bach Festival Orchestra, as well as Théâtre Municipal de Castres and the Prague Summer Nights Festival. Long is founding conductor and arranger for The Coast Orchestra, an all-Native American orchestra of classically trained musicians.

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