After Bach Brad Mehldau

Cover After Bach

Album info

Album-Release:
2018

HRA-Release:
09.03.2018

Album including Album cover Booklet (PDF)

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  • 1Before Bach: Benediction05:25
  • 2Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 84801:21
  • 3After Bach: Rondo08:21
  • 4Prelude No. 1 in C Major from The Well-Tempered Clavier Book II, BWV 87002:36
  • 5After Bach: Pastorale03:46
  • 6Prelude No. 10 in E Minor from The Well-Tempered Clavier Book I, BWV 85502:16
  • 7After Bach: Flux05:05
  • 8Prelude and Fugue No. 12 in F Minor from The Well-Tempered Clavier Book I, BWV 85706:09
  • 9After Bach: Dream07:49
  • 10Fugue No. 16 in G Minor from The Well-Tempered Clavier Book II, BWV 88503:04
  • 11After Bach: Ostinato12:19
  • 12Prayer for Healing11:05
  • Total Runtime01:09:16

Info for After Bach

The album comprises the pianist/composer's recordings of four preludes and one fugue from J.S. Bach's Well-Tempered Clavier, each followed by an After Bach piece written by Mehldau and inspired by its WTC mate. The album begins with Mehldau's own "Before Bach: Benediction" and ends with his "Prayer for Healing."

As Mehldau's label mate Timo Andres says in his After Bach liner note, "As a professional organist, much of Bach's work took the form of improvisation, and during his lifetime it was the virtuosity and complexity of these improvisations for which he was most admired … Some three centuries after the fact, Brad Mehldau takes up this tradition and applies it to a frustratingly unknowable aspect of Bach's art."

Andres continues, "There have always been elements of Mehldau's style that recall Bach, especially his densely-woven voicing—but he's not striving to imitate or play dress-up. Rather, After Bach surveys their shared ground as keyboardists, improvisers, and composers, making implicit parallels explicit."

After Bach originated in a work Mehldau first performed in 2015—commissioned by Carnegie Hall, The Royal Conservatory of Music, The National Concert Hall, and Wigmore Hall—called Three Pieces After Bach.

Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, Mehliana: Taming the Dragon, Nearness with Joshua Redman, and last year's Chris Thile & Brad Mehldau. Mehldau's additional solo albums on Nonesuch include Live in Marciac and the eight-LP/four-CD 10 Years Solo Live, which the New York Times says "contains some of the most impressive pianism he has captured on record."

Brad Mehldau, piano




Brad Mehldau
played in a number of different ensembles, including label mate Joshua Redman’s quartet, before becoming a bandleader himself in the 1990s. The Brad Mehldau Trio, which tours the world extensively, made eight acclaimed recordings for Warner Bros., including the five widely praised Art of the Trio albums with former drummer Jorge Rossy (released as a boxed set by Nonesuch in 2011). The pianist’s nine years with Nonesuch have been equally productive, beginning with the solo disc Live in Tokyo and including six trio records Day is Done, House on Hill, Live, Ode, and Where Do You Start, as well as a collaboration with soprano Renée Fleming, Love Sublime; a chamber ensemble album, Highway Rider; two collaborations with label mate Pat Metheny, Metheny Mehldau and Quartet, the latter of which also includes Trio members Jeff Ballard and Larry Grenadier; a CD/DVD set of live solo performances, Live in Marciac; and collaborations with genre-crossing musicians on Modern Music, with composer/pianist Kevin Hays and composer/arranger Patrick Zimmerli. Additionally, he produced saxophonist Joshua Redman’s 2013 release Walking Shadows.

Mark Guiliana
According to Modern Drummer, Mark Guiliana is “at the forefront of an exciting new style of drumming.” The New Jersey native’s unique and un-compromised approach to playing the drums has earned him international acclaim as both a leader and a sideman. In 2004, Guiliana created HEERNT, an “experimental-garage-jazz” trio based in New York. The band’s debut record, Locked in a Basement, was called the record “the most exuberant, dramatic, beautiful, sassy, genre-busting little outing that I've heard since I don't know when” by legendary drummer Bill Bruford (Yes, King Crimson). As a sideman, Guiliana’s longest partnership has been with world-renowned jazz bassist Avishai Cohen. He toured all over the world with Cohen from 2003 until 2008, performing on six studio records and a live DVD recorded at the Blue Note in Manhattan. Guiliana has also recorded and/or performed with Meshell Ndegeocello, Dhafer Youssef, Wayne Krantz, Matisyahu, Jazz Mandolin Project, Jason Lindner, Brad Shepik, Bobby McFerrin, Tigran Hamasyan, and many more. His debut solo record, Beat Music, which was co-produced by Ndegeocello, was released in the spring of 2013. Guiliana plays Gretsch drums, Sabian cymbals, Vic Firth sticks, and Evans drumheads.

Booklet for After Bach

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