Encore - Live au Petit Faucheux Ping Machine
Album info
Album-Release:
2013
HRA-Release:
22.08.2013
Album including Album cover Booklet (PDF)
- 1Encore - Première Partie06:49
- 2Encore - Deuxième Partie07:18
- 3Encore - Troisième Partie12:50
- 4Encore - Quatrième Partie (Live)05:24
- 5Grrr...13:36
- 6Trona - 6am10:34
- 7Trona - 12pm07:24
- 8Trona - 6pm & 12am07:44
Info for Encore - Live au Petit Faucheux
After two studio albums ENCORE is Ping Machine’s first live album recorded March 22nd & 23rd 2013 at the Petit Faucheux. It is vibrant, undistilled, passionate and without compromises. The head of this 15 musicians large ensemble, Frédeŕ ic Maurin, confirms his taste for taking risks and unveils on stage new, polished and challenging compositions full of nuances and surprises.
His musicians play on the edge and surpass themselves on these pieces written to compete.
The shared pleasure and emotion is audible on these live takes. That which is most wild and urgent comes out with the audience.
Bastien Ballaz, trombone
Stephan Caracci, vibraphone, glockenspiel, percussion
Guillaume Christophel, baritone saxophone, bass clarinet
Andrew Crocker, trumpet
Jean-Michel Couchet, alto & soprano saxophones
Fabien Debellefontaine, alto saxophone, clarinet & flute
Florent Dupuit, tenor saxophone, flute, alto flute & piccolo
Quentin Ghomari, trumpet & flugelhorn
Didier Havet, bass trombone & tuba
Paul Lay, piano, fender Rhodes & minimog
Julien Soro, tenor saxophone & clarinet
Fabien Norbert, trumpet, piccolo trumpet & flugelhorn
Rafaël Koerner, drums
Raphaël Schwab, double bass
Frédéric Maurin, guitar, minimog & direction
Ping Machine is the energy of fourteen musicians associated in the same breath and using a repertoire consisting of original compositions written and orchestrated by the guitarist Fred Maurin.
With an average age of thirty, this young band - copy of the richness of the new jazz scene in France - said his artistic goals with determination and maturity: permanent concern of the work of the sound material, diversity of forms and themes and especially close attention paid to group listening and playing pleasure. The repertoire draws on ideas developed in Ellington or Mingus and does not hesitate in leaning on these roots, to launch its homing (ideas, arrangements, soloists, guests) in the directions of the most adventurous with amazing accuracy and insight . The resulting music is dense in its way, with a modern underlying always subtly present but always keeps a great flexibility, fluidity for the listener, allowing him to perceive through the apparent complexity of the sound material that exists behind the sound. An entire music and passionate, committed and enjoyment, this big set that positions among the most stimulating of his generation.