Shout! The Isley Brothers
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- 1When the Saints Go Marching In02:31
- 2St. Louis Blues03:02
- 3Yes Indeed!02:01
- 4How Deep Is the Ocean01:54
- 5Ring-A-Ling-A-Ling (Let the Wedding Bells Ring)02:57
- 6Rock Around the Clock02:14
- 7He's Got the Whole World In His Hands01:57
- 8That Lucky Old Sun (Just Rolls Around Heaven All Day)02:44
- 10Without a Song01:58
- 11Shout, Pts. 1 & 204:24
- 12Turn to Me02:40
- 13Not One Minute More02:20
- 14I'm Gonna Knock On Your Door01:54
- 15Shout, Pt. 102:16
- 16Shout, Pt. 202:18
- 18Gypsy Love Song (Slumber On, My Little Gypsy Sweetheart)02:34
- 19Open Up Your Heart02:04
- 20Tell Me Who02:41
- 21Say You Love Me Too00:54
- 22Say You Love Me Too02:04
Info for Shout!
Though „Shout!“ was the first album of the Isley Brothers' multi-decade career, their signature raw-edged soul is fully formed here and comes on like gangbusters. Combining elements of gospel, R&B, and rock & roll, the Isleys visit traditional songs ('When the Saints Go Marching In'), torchy ballads ('Turn to Me'), hymns ('He's Got the Whole World in His Hands'), doo wop ('Without a Song'), and popular tunes of the time (their version of 'Rock Around the Clock' blows Bill Haley's out of the water).
„Shout!“ fairly bursts at the seams with energy; the rhythm section chugs like a freight train, electric guitars sting (the fiery solo on 'Yes Indeed' stands against any Sun Studio recording), and the Isleys' screams, yelps, and call-and-response sections balance impeccably precise singing. The apex of the album, of course, is the title track, which lays down four minutes and 25 seconds of pure R&B bliss. From its insistent tambourine to the slinky half-time change-up, to its famed 'a little bit softer now/a little bit louder now' instructions, 'Shout' is, like the album, a celebration of life.
'Shout' is like a tent revival gone haywire, with the merest scraps of a song -- a groove and a few phrases -- igniting a soul explosion the likes of which had never been heard on record. The song was only a minor hit, but has been granted immortality for its exuberance and influence. The album of the same name, the Isley Brothers' full-length debut in 1959, shows what a gulf existed between the Isleys and their old-school producers. The menu of standards and white rock & roll songs like 'Rock Around the Clock' may have worked well for someone like Brook Benton, but the Isley Brothers sound tense on these songs, like they want to break loose. Collectables' skimpy 1990 Shout!“ (Greg Adams, AMG)
Ronald Isley, vocals
O'Kelly Isley, Jr., background vocals
Rudolph Isley, background vocals
Recorded 1959 at RCA Victor's Music Center Of The World in New York
Produced by Hugo Peretti, Luigi Creatore
The Isley Brothers
Born and raised in the suburbs of Cincinnati, Ohio, The Isley Brothers--O'Kelly Isley, Jr., Rudolph Isley, Ronald Isley and a fourth brother, Vernon Isley (who died a couple of years after their first incarnation)--began performing as a gospel-based vocal group in 1954. Moving to the New York City area in the late 1950s, The Isley Brothers scored some modest regional chart successes before their fourth single (and first for RCA Victor), "Shout"--written by O'Kelly, Rudolph and Ronald--catapulted them into the pantheon of pop immortality in 1959. One of the most immediately identifiable and infectious party anthems ever written or recorded, The Isley Brothers "Shout"--with its irresistible call-and-response structure--combined gospel heat and doo-wop soul with a high-powered rock 'n' roll energy. The much-covered "Shout" was inducted into the Grammy® Hall of Fame in 1999 and placed No. 118 on Rolling Stone's list of The 500 Greatest Songs of All Time.
The Isleys followed up "Shout" with a variety of tracks (including their Top 20 single, "Twist & Shout," a song later famously covered by The Beatles).
Perhaps the most musically adventurous vocal ensemble in American pop history, The Isley Brothers were adding rock, funk, R&B, soul and ballad elements into the gospel and doo-wop music at the foundation of their sound.
In the 1960s, while The Isley Brothers bounced between various labels (including Atlantic, United Artists and Motown), they briefly employed a then-unknown Jimi Hendrix (aka Jimmy James) as their lead guitarist, buying him a white Fender Stratocaster guitar and moving him into the Isley home. Though Jimi's stint with the Isley Brothers was brief, his musical sensibilities remained in the group, with younger brother Ernie Isley carrying the fiery experimental rock 'n' soul guitar sound they shared into the Isley Brothers future.
Tired of labels that didn't fully understand or support their R&B/rock fusion musical vision, The Isley Brothers launched their independent T-Neck imprint with distribution through Buddah Records. At T-Neck, the Isleys finally enjoyed the freedom to make music the way they wanted, recording and producing their own material as well as assisting in the distribution and promotion process. The T-Neck label's lead single, the irresistible Grammy Award®-winning funk hit "It's Your Thing," instantly established the band and label as a commercial powerhouse, its lyric a mantra for the trail The Isley Brothers would blaze in the next decade.
The Isleys' ever-expanding musical repertoire in the 1970s included funky covers of pop/rock favorites ("Love The One You're With," "Lay, Lady, Lay") that helped spread these songs through urban markets. The group would hit a new peak with the album 3+3 and single "That Lady" in 1973.
They added younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar) and Rudolph's brother-in-law Chris Jasper (keyboards, synthesizers) into the mix, turning The Isley Brothers vocal trio into a self-contained pop/rock/R&B/funk ensemble, writing, producing, performing, arranging, distributing their own works on T-Neck Records throughout the 1970s into the early 1980s.
With Ernie, Chris and Marvin leading the way creatively, the group pushed the barriers of soul music, bringing funk and laid-back quiet storm into the mainstream and earning the band three gold and seven platinum or multi-platinum albums--including 3+3 (1973), the #1 chart-topping The Heat Is On (1975) and 1983's Between The Sheets--and 14 Top 10 R&B albums (seven of which hit No. 1). In the world of R&B, only Parliament-Funkadelic and Earth, Wind & Fire have achieved success rivaling the Isley Brothers.
The Isley Brothers have had 19 Top 10 singles (7 of those at #1) in the US Billboard R&B chart, with 16 Isley albums hitting the Top 40. 13 of their albums have achieved RIAA gold, platinum or multi-platinum status. The Isley Brothers were inducted into the Rock and Roll Hall of Fame in 1992. They got their star on the Hollywood Rockwalk in 1997 and were inducted into the Vocal Group Hall of Fame in 2003.
The Isley Brothers, through an unprecedented seven decades, have remained one of the most consistently successful groups of all time. The Isleys were present at the birth of rock and roll, their biggest hits have influenced R&B, rock and roll and funk music from the 1950s onward while their deep grooves helped form the rhythmic backbone of hip-hop, a sound the Isleys would embrace in the 1990s and 2000s.
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