Poulenc, Cavanna: Le Moine et le Voyou Les Metaboles, Ensemble Multilatérale, Léo Warynski

• Francis Poulenc (1899 - 1963): Un soir de neige, FP 126:
• 1Poulenc: Un soir de neige, FP 126: I. De grandes cuillers de neige01:24
• 2Poulenc: Un soir de neige, FP 126: II. La bonne neige01:39
• 3Poulenc: Un soir de neige, FP 126: III. Bois meurtri02:36
• 4Poulenc: Un soir de neige, FP 126: IV. La nuit, le froid, la solitude01:07
• Quatre motets pour un temps de pénitence, FP 97:
• 5Poulenc: Quatre motets pour un temps de pénitence, FP 97: I. Timor et Tremor03:19
• 6Poulenc: Quatre motets pour un temps de pénitence, FP 97: II. Vinea mea electa04:02
• 7Poulenc: Quatre motets pour un temps de pénitence, FP 97: III. Tenebrae Factae Sunt04:08
• 8Poulenc: Quatre motets pour un temps de pénitence, FP 97: IV. Tristis Est Anima Mea03:17
• Exultate Deo, Motet pour les fêtes solennelles, FP 109:
• 9Poulenc: Exultate Deo, Motet pour les fêtes solennelles, FP 10902:59
• Bernard Cavanna (b. 1951): Messe, un jour ordinaire:
• 10Cavanna: Messe, un jour ordinaire: I. Kyrie08:12
• 11Cavanna: Messe, un jour ordinaire: II. Gloria15:28
• 12Cavanna: Messe, un jour ordinaire: III. Credo02:45
• 13Cavanna: Messe, un jour ordinaire: IV. Sanctus06:10
• Total Runtime57:06

Info zu Poulenc, Cavanna: Le Moine et le Voyou

With Messe, un jour ordinaire, Bernard Cavanna has created an emblematic work that cannot be interpreted in a univocal manner. Like all works that deeply challenge, this piece created in 1994 remains elusive and continues to diffuse a mystery suggested by all the contradictions that the composer carries within him and has introduced into this clash between trivial and tragic. Using an eight-minute extract from Jean-Michel Carré’s documentary film Galères de femmes, which focuses on a young drug addict seeking to reintegrate herself by talking to members of a charity association, Bernard Cavanna has imagined a furious oratorio. This young woman in disarray, Laurence, a light soprano, enters a church, asks for help and is confronted with the ritual of the mass embodied by a lyric soprano and tenor who try to silence her in a vehement bel canto, saturating their pomp to the point of delirium.

Les Metaboles
Multilatérale
Léo Warynski, conductor

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Booklet für Poulenc, Cavanna: Le Moine et le Voyou