Gambini: 8 Chamber Romances Benedetta Torre & Davide Mingozzi
- Carlo Andrea Gambini (1819 - 1865): 8 Chamber Romances:
- 18 Chamber Romances: I. Invito al mare03:52
- 28 Chamber Romances: II. Sola…!04:15
- 38 Chamber Romances: III. Al lido04:16
- 48 Chamber Romances: IV. La Viola04:35
- Album vocale:
- 5Album vocale: I. La vedova05:51
- 6Album vocale: II. Il salice04:20
- 7Album vocale: III. Zulima06:58
- 8Album vocale: IV. È morta!07:42
- Pensieri melodici, Op. 39:
- 9Pensieri melodici, Op. 39: I. Notturno06:37
- 10Pensieri melodici, Op. 39: III. Menuetto et trio05:13
Info zu Gambini: 8 Chamber Romances
First recordings of songs and scenas by a neglected Romantic-era Italian composer.
Born in Genoa in 1819, Carlo Andrea Gambini began his career as a piano teacher to local aristocracy thanks to his family’s privileged connections. Showing equal energy and invention in both words and music, however, he soon pursued parallel activities as a composer and a critic. He was friends with both Rossini and Mercadante but held Verdi’s music in little esteem.
His own music looks to the north of the Alps for its inspiration: to Chopin and Schumann, Thalberg and Liszt. Though he engaged in operatic composition – writing a Christopher Columbus drama, for example – Gambini focused his compositional energies on piano music and vocal chamber works such as the Romanzas recorded for the first time on this album.
This genre enjoyed huge popularity at the time in Italy, though its format did not translate readily or survive well beyond the 19th century: the nearest equivalents would be English and German ballads, at least until Reinaldo Hahn cast a spell over the drawing rooms of fin-de-siècle Paris. Cast between a song and an operatic scena, Gambini’s romanzas set texts by contemporary lyricists such as Felice Romani (librettist for Bellini’s Norma and much else besides) and the Genovese poet Giuseppe Torre. They talk of love and loneliness, the sea and the shore, and Gambini’s settings burn with declamatory fire and passionate confession.
This is the second album of Gambini’s music on Brilliant Classics, following an absorbing 2CD survey of his organ music, played by Marco Ruggeri (BC95515). The soloist here is soprano Benedetta Torre, whose career highlights include singing the High Priestess in Aida under Riccardo Muti at the 2017 Salzburg Festival, as well as Amelia Grimaldi (Simon Boccanegra) at the Teatro Carlo Felice in Naples, and Mimi (La bohème) in theatres across Europe.
Carlo Andrea Gambini (1819-1865) was born in Genua, Italy. His talent was recognized at an early age and he developed into one of the most prominent concert pianists of his time.
As a composer Gambini was a son of his time, his style is highly romantic, influenced by the Italian opera and its grandiloquence, pomp and sentiment. He composed a substantial oeuvre of operas, chamber music, piano works and vocal music.
This album presents the first recording of 8 Chamber Romances by Gambini, for soprano and piano. Alternating charm and drama they imbue the chamber music setting with a style rich in theatrical references, simulating (for example in the ballad Zulima) real opera scenes in the form of recitative and aria (Sola...!; La vedova).
Beautifully sung by soprano Benedetta Torre, winner of the Concorso Renata Tebaldi. She sang a.o. at the Salzburg Festival and with the Chicago Symphony Orchestra conducted by Riccardo Muti (Mozart Requiem). The pianist Davide Mingozzi plays a superb Pleyel piano from 1842.
The booklet contains liner notes in English and Italian, as well as the original song texts.
Benedetta Torre, soprano
Davide Mingozzi, piano
Soprano, born in Genoa in 1994, began to study singing at 13 years old.
In 2011/2012 she belonged to the “Opera youth Ensamble Studio” at Teatro Carlo Felice in Genoa, where she regulary attended master classes held by soprano Donata D’Annunzio Lombardi, her actually singing teacher.Further to the Enseble period, she was the Contessa di Ceprano in Rigoletto, under the baton of M° Carlo Rizzari.
She won the youth prize at the V International Singing Competition Francesco Paolo Tosti and in April 2013 she sang several concerts in Tokyo and Osaka, organized by Francesco Paolo Tosti Institute.
Finalist of the 2014 Tagliavini Competition in Deutschlandsberg (Graz, Austria), she took part in 52° “Voci Verdiane” City of Busseto International Singing Competition, receiving a special mention in the final round for the voice and interpretation, in relation to her youth. Then she was finalist of ASLICO 2015 and Flaviano Labò Competition 2015.In the same year, she partecipated in 6° International Singing Competition Renata Tebaldi, winning the 2° prize.
In november 2014 she was cover of Luisa in Luisa Miller at Teatro Carlo Felice, directed and performed by Leo Nucci and conducted by M° Andrea Battistoni.
In July 2015 she was a student of Riccardo Muti Opera Academy as Alice Ford in Falstaff, and in October of the same year she made her debut in Simon Boccanegra in the role of Amelia Grimaldi, conducted by M° Stefano Ranzani at the opening of the Teatro Carlo Felice season.
In December 2015 she was Mimì in La Bohème directed by Cristina Mazzavillani Muti and conducted by M° Nicola Paszkowski, went on stage to Ravenna Festival, Lithuanian National Opera and Ballet Theatre in Vilnius, then to Teatro Coccia in Novara in February 2016 and, in november, at Teatro Municipale in Piacenza; during the same period she was still Mimì at Teatro del Giglio in Lucca, under the direction of Marco Gandini.
Among her future engagements, L’Elisir d’Amore as Adina at Teatro Carlo Felice in Genoa, and Aida at Salzburg Festival 2017 in the role of Sacerdotessa, under the baton of M° Riccardo Muti