Prisma: Contemporary Works for Orchestra Moravian Philharmonic Orchestra & Petr Vronský; Prague Radio Symphony Orchestra & Robert Ian Winstin; Chicago Arts Orchestra
- Lionel Sainsbury (1958 - ):
- 1Lionel Sainsbury - Time of the Comet, Op. 2512:35
- Clive Muncaster (1960 - ):
- 2Clive Muncaster - Reflective Thought Patterns15:54
- Patricia Julien (1955 - ):
- 3Patricia Julien - Among the Hidden11:19
- Jay A. Kawarsky (1959 - ):
- 4J.A. Kawarsky - Fastidious Notes11:29
Info zu Prisma: Contemporary Works for Orchestra
Navona Records is proud to present PRISMA, a compilation featuring four contemporary composers from the United States and England including Lionel Sainsbury, Clive Muncaster, Patricia Julien, and J. A. Kawarsky. PRISMA spans the spectrum of unique styles of composition, from the grandiose and triumphant to the fragile and tender. This compilation captures a journey through colorful orchestral elements in a singular listening experience that builds into a thrilling sound.
PRISMA opens with triumph in Sainsbury’s “Time of the Comet.” Written in 1997, the piece was inspired by the visual presence of the Hale-Bopp comet. Sainsbury translated his vision into a grand composition featuring a proud and virtuous introduction that transitions between allegro and slow sections concluding with prevailing optimism and possibility.
Muncaster’s “Reflective Thought Patterns” builds in arch form to its central section and then literally reflects itself in reverse order. The composition starts with brass and timpani, transitioning its melody patterns on woodwinds, marimba, vibraphone, and French horn until the piece comes together at the end echoing the opening this time with a full orchestra.
“Among the Hidden” by Patricia Julien, introduces an eerie, darker shade to the PRISMA collection. Building off a circular, three-note piano melody, the moodiness of the composition creates a stark, yet refreshing contrast to the bright, brave orchestral performance of the other composers.
Lastly, Kawarsky’s “Fastidious Notes” draws in the ear of the listener with its unusual 5/4 metrical setting. The composition, based on a reworking of the American folk-song “Goodbye Old Paint,” features a sound borrowed right from the school of 20th century American classical music. As the compilation end, the four songs touch every emotion resulting in a conclusive listener experience.
Moravian Philharmonic Orchestra
Petr Vronský, conductor
Prague Radio Symphony Orchestra
Robert Ian Winstin, conductor
Chicago Arts Orchestra
Javier Mendoza, conductor
Jonathan Helton, alto saxophone
Keine Biografie vorhanden.
Dieses Album enthält kein Booklet