Civilization Tony Williams

Album info

Album-Release:
1987

HRA-Release:
16.09.2014

Label: Blue Note Records

Genre: Jazz

Subgenre: Hard Bop

Artist: Tony Williams

Album including Album cover

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  • 1Geo Rose07:26
  • 2Warrior05:34
  • 3Ancient Eyes05:27
  • 4Soweto Nights06:39
  • 5The Slump06:29
  • 6Civilization04:29
  • 7Mutants On The Beach05:56
  • 8Citadel06:43
  • Total Runtime48:43

Info for Civilization

„Although he had recorded the year before using trumpeter Wallace Roney and pianist Mulgrew Miller on Foreign Intrigue, Civilization was the debut record by drummer Tony Williams' hard bop quintet, a group also including Billy Pierce on tenor and soprano, and bassist Charnett Moffett (who would later be succeeded by Ira Coleman). The leader's loud and forceful drumming forced the other soloists to use their maximum power, and his eight originals gave his sidemen challenging compositions to play. With Roney emulating Miles Davis as usual, Williams must have been pleased to have his former boss' sound at his disposal. Although none of the songs caught on as standards, this is an excellent effort.“ (Scott Yanow, AMG)

Tony Williams, drums
Billy Pierce, soprano & tenor saxophones
Wallace Roney, trumpet
Mulgrew Miller, piano
Charnette Moffett, bass

Recorded at Capitol Records, Studio B, on November 24, 25 and 26, 1986
Engineered by David Cole
Digitally mastered at Capitol Records
Produced by Tony Williams and David Cole

Digitally remastered


Tony Williams
was one of the last great jazz drummers, whose career began at the tender age of 17 when Miles Davis picked him to play in his band.

Tony Williams' death in 1997 of a heart attack after routine gall bladder surgery was a major shock to the jazz world. Just 51, Williams (who could be a very loud drummer) seemed so youthful, healthy, and ageless even though he had been a major drummer for nearly 35 years. The open style that he created while with the Miles Davis Quintet in the mid- to late '60s remains quite influential, and he had a long list of accomplishments during the decades that followed. Williams' father, a saxophonist, took his son out to clubs that gave him an opportunity to sit in; at 11, the youngster already showed potential. He took lessons from Alan Dawson, and at 15 was appearing at Boston-area jam sessions. During 1959-1960, Williams often played with Sam Rivers, and in December 1962 (when he was barely 17), the drummer moved to New York and played regularly with Jackie McLean. Within a few months he joined Miles Davis, where his ability to imply the beat while playing quite freely influenced and inspired the other musicians; together with Herbie Hancock and Ron Carter he was part of one of the great rhythm sections. Williams, who was 18 when he appeared on Eric Dolphy's classic Out to Lunch album, stayed with Davis into 1969, leading his own occasional sessions and becoming a household name in the jazz world.

In addition to his interest in avant-garde jazz, Tony Williams was a fan of rock music, and when he left Miles he formed the fusion band Lifetime, a trio with Larry Young and John McLaughlin. After leading other versions of Lifetime (one of them starring Allan Holdsworth), Williams stuck to freelancing for a time, studied composition, and toured with Herbie Hancock's V.S.O.P. band. By the mid-'80s, he was heading his own all-star hard bop group which featured Wallace Roney as a surrogate Miles Davis and a repertoire dominated by the drummer's originals (including the standard "Sister Cheryl"). After breaking up his longtime quintet in 1995, Williams gigged a bit with a trio, recorded a very interesting set of original music for the Ark 21 label, and seemed to have a limitless future. His premature death makes one grateful that he started his career early and that he was extensively documented. (Scott Yanow, AMG)

This album contains no booklet.

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