Marcelle de Manziarly: Chamber Works Cecilia Zilliacus, Kati Raitinen, Bengt Forsberg, Peter Friis Johansson

• Marcelle de Manziarly (1899 - 1989): Piano Trio:
• 1Manziarly: Piano Trio: I. Grave, rude, sans lenteur08:41
• 2Manziarly: Piano Trio: II. Rapide03:07
• 3Manziarly: Piano Trio: III. Sans trop de lenteur05:39
• 4Manziarly: Piano Trio: IV. Rude, assez vite05:44
• Nocturne:
• 5Manziarly: Nocturne02:39
• Dialogue:
• 6Manziarly: Dialogue11:08
• Violin Sonata:
• 7Manziarly: Violin Sonata: I. Modéré, très simple et expressif06:32
• 8Manziarly: Violin Sonata: II. Lent et grave05:22
• 9Manziarly: Violin Sonata: III. Tumultueux10:35
• Trilogue:
• 10Manziarly: Trilogue: Prologue04:15
• 11Manziarly: Trilogue: Premonition02:41
• 12Manziarly: Trilogue: Epilogue02:58
• Total Runtime01:09:21

Info for Marcelle de Manziarly: Chamber Works

Eine beträchtliche Anzahl von Frauen war im Frankreich der Zwischenkriegszeit als professionelle Komponistinnen tätig. Obwohl sie mit ihren männlichen Kollegen zusammenarbeiteten und von Konzertveranstaltern, Interpreten, Kritikern und Publikum gleichermaßen akzeptiert wurden, sind sie heute wenig bekannt und ihre Werke werden selten im Konzert aufgeführt oder aufgenommen.

Die Komponistin, Dirigentin, Pianistin und Lehrerin Marcelle de Manziarly ist eine dieser vergessenen Musikerinnen. Nach ihrem Studium der Komposition bei Nadia Boulanger, die ihre Mentorin wurde, und Dirigieren bei Felix Weingartner verfolgte sie eine Karriere auf beiden Seiten des Atlantiks, in Frankreich und den Vereinigten Staaten.

Ihr umfangreiches und vielfältiges Œuvre entstand praktisch während des gesamten 20. Jahrhunderts und spiegelt ihre ständige stilistische Weiterentwicklung und Transformation wider. Diese Aufnahme, die eine Reihe diskografischer Erstaufführungen enthält, vereint Werke, die zu verschiedenen Zeitpunkten ihrer langen Karriere entstanden sind, von der Violinsonate, einem Frühwerk, das mit seinen für die französische Musik der Jahrhundertwende typischen Harmonien bereits außergewöhnliche Reife zeigt, bis zum Trilog mit seinen Dissonanzen und Minimalismus.

Vorgetragen von erstklassigen Kammermusikern zeigen diese Werke, dass es höchste Zeit ist, Marcelle de Manziarly wiederzuentdecken.

Cecilia Zilliacus, Violine
Kati Raitinen, Cello
Bengt Forsberg, Klavier
Peter Friis Johansson, Klavier

Cecilia Zilliacus
”Cecilia is extremely musical and living proof that it ́s always possible to pursue unusual ideas” The Strad, 2018

Over the years, audiences have embraced Cecilia Zilliacus’ equally tantalizing and warm interpretations of everything from the great classical and romantic works to contemporary chamber music and collaborations across genres - from the most prominent symphony orchestras, conductors and composers in Europe, to jazz musicians, folk musicians, singer-song writers and many others.

Exchanges with fellow musicians and communication with the audience are catchwords in the projects she pursues or initiates.

”I want to dwell in contexts where the point is that it ́s me who ́s bringing my distinctiveness to the table - just as the other musicians are bringing theirs - and that our work together becomes more than the sum of the individual parts”

Cecilia Zilliacus’ efforts to draw attention to lesser-known composers, both male and female, have led to a very broad repertoire. She often greets her audiences with compositions written specifically for her.

She collaborates regularly with internationally active musicians, composers and conductors and has recorded a number of acclaimed recordings, several of which have been rewarded with ”Grammis”.

As a soloist, she has performed with most Swedish, as well as many Nordic and European symphony orchestras. Cecilia Zilliacus is the artistic director of Katrina Chamber Music on Åland as well as of the Korsholm Music Festival in Vaasa, Finland. She is also a driving force in the Swedish string trio ZilliacusPerssonRaitinen which has been awarded a number of prizes. The trio are artistic directors of the Stockholm Concert Hall’s chamber music series, ”Äntligen måndag” (Monday, at last).

Zilliacus’ leadership is characterized by an open and spirited inducement to creative processes. She has played a large role in the inflow of Nordic and European composers and artists to Stockholm and Finland.

Cecilia Zilliacus received her education in Stockholm, Sweden and in Cologne, Germany. She is a professor of violin at the Royal College of Music in Stockholm and a member of the Royal Swedish Academy of Music. Her violin of many years is a Nicola Gagliano from the Järnåker Foundation.

Kati Raitinen
combines her work as solo cellist in the Royal Opera Orchestra in Stockholm with wide-ranging engagements in domestic and international chamber-music. As a member of the string trio ZilliacusPerssonRaitinen she has received multiple Swedish Grammy Awards. Besides CD-recordings, she has made numerous recordings for radio and television, the most recent being the official world premiere of Amanda Maier’s piano trio. Kati studied in Helsinki with Prof. Martti Rousi and in Stockholm with Prof. Frans Helmerson. She plays on an unknown Italian instrument, probably from Rome around 1750.

Bengt Forsberg
was born in Edsleskog in 1952. He first sought to train as an organist, but later changed to piano. After continuing his piano studies in Copenhagen and London, he embarked upon a career as a concert pianist, with his repertoire frequently including such relatively unknown and challenging composers as Charles Alkan and Kaikhosru Sorabji. For many years Bengt has been Anne Sofie von Otter’s loyal musical companion in an extensive series of notable recordings for Deutsche Grammophon, for example. The acclaimed album Neglected works for piano presents a wide range of works by composers who have undeservedly remained unheard, including Amy Beach, Vítĕzslava Kaprálová, Ruth Sofia Almén, and Grażyna Bacewicz.

Booklet for Marcelle de Manziarly: Chamber Works