Butterfly Effect Magnus Lindgren & John Beasley

• 1 Butterfly Effect 06:06
• 2 Echoes of the Desert 04:06
• 3 Shifting Dunes 05:33
• 4 Here and Now 05:14
• 5 Celestial 04:47
• 6 Reverie 03:18
• 7 Come Together 03:27
• 8 Infinity 03:36
• 9 Heartbeat 04:39
• 10 Ps and Qs 06:30
• 11 Fyra 04:08
• 12 Galaha 03:58
• Total Runtime 55:22

Info for Butterfly Effect

Kleiner Impuls, große Wirkung - dafür steht der Begriff „Butterfly Effect“. Schon der Flügelschlag eines Schmetterlings an einem Punkt der Erde kann eine Kette von Ereignissen auslösen, die an einem weit entfernten Ort gewaltige Veränderungen zur Folge haben. Im Falle des Duos von Saxofonist, Flötist und Klarinettist Magnus Lindgren und Pianist John Beasley ist der Ausgangspunkt für diese Kette von Ereignissen das kleinst-mögliche Format musikalischer Interaktion: Das Duo.

Die elf Eigenkompositionen und eine Bearbeitung des Beatles-Klassikers „Come Together“ erzeugen kleine musikalische Welten, die Lindgren und Beasley gemeinsam erkunden und gestalten. Man könnte dies auch Echtzeit-Arrangieren nennen, also die Beschleunigung der Kunst, für die Lindgren und Beasley seit Jahren weltberühmt sind. Beide zählen zu den wichtigsten und gefragtesten Arrangeuren in Jazz und populärer Musik und gleich ihr erstes gemeinsames Album „Bird Lives“ wurde mit einem GRAMMY ausgezeichnet und weitere drei Mal nominiert.

Wie bei „Bird Lives“ liegt auch der Reiz von „Butterfly Effect“ in den vielfältigen Perspektiven seiner Protagonisten. Magnus Lindgren, zuhause in Schweden, schöpft aus der Tiefe europäischer Klassik, der Freiheit des Jazz und der Emotionalität von Soul und Pop. Der Amerikaner John Beasley vereint die imaginative Kraft von Film- und TV-Soundtracks aus seiner Feder mit der Erfahrung aus der Zusammenarbeit mit Stars wie Miles Davis, Freddie Hubbard, Steely Dan oder Dianne Reeves und einem eindrucksvollen Background aus Bigband Arrangements und Kompositionen.

„Butterfly Effekt“ wirkt wie ein Destillat aus all diesen Einflüssen. Und zugleich zeigt das Album eine ganz andere Seite von Lindgren und Beasley, jenseits ihrer Arbeit mit großen Orchestern und Big Bands. Man merkt ihnen die Freude an der Leichtigkeit und Spontanität der kleinen Besetzung an - eine Freude, die sich unmittelbar auf die Zuhörer überträgt.

Magnus Lindgren, Flöte, Tenorsaxophon, Klarinette
John Beasley, Klavier

Magnus Lindgren
Lindgren’s constant search for new musical paths, combined with an extraordinary talent, has given him a position in Swedish musical life that is received with respect and fascination all over the world.

Winner of several awards such as Grammis, Swedish Radio Award for Swedish Jazz Album of the Year, Orkesterjournal Gold Record, etc. and the latest at the 65th GRAMMY Awards in February 2023, Lindgren together with John Beasly & The SWR Big Band won the GRAMMY for Best Arrangement, Instrumental or A Cappella, for „Scrapple From The Apple“, from the album Bird Lives.

Magnus‘ ability to express himself on tenor saxophone, clarinet or flute bears the stamp of a true master. As a composer, he has great potential to materialize his own creative impulses. He dresses them in a melodic costume that fits perfectly into the stylistic environment available to him at the time.

But perhaps where Magnus Lindgren shines the most is in his feelings when arranging music. Greatness is in the way he assembles timbres, rhythmic figures, harmonic sequences.

Magnus is constantly working to expand his musical framework, whether through small jazz combinations, big bands, choirs with instrumental soloists, the integration of classical orchestra and jazz ensemble, Swedish folk, heavy funk rhythms, Brazilian samba or traditional African music. Structures and genres always acquire new dimensions in Magnus‘ careful hands.

Rooted in the post-bebop of modern jazz, there are influences from all corners of the world, which is reflected in Lindgren’s compositions from different decades, most of which the group performs along with covers of the treasure trove of modern jazz songs.

The desire for groove mixed with extroverted energy, as well as a minimalist, modestly challenging and playful interplay, is the group’s motto.

“Improvised music is a bridge between people. Through music we can meet people in a universal language where differences disappear and we all meet as one. Big Bands are to Jazz what the Symphony Orchestra is to Classical music. This tradition of combining large ensembles with improvisation remains something that I find most inspiring in music. This inspiration has led to the curiosity to collaborate with musicians from other backgrounds, who may have different preferences to mine.” Magnus Lindgren.

Being the 33rd year of his professional life, Magnus Lindgren is exploring the International arena even more, and is hoping for more and new collaborations and expanding his own borders.

John Beasley
is a versatile pianist, composer, arranger who began his career in his 20s backing jazz icons Miles Davis and Freddie Hubbard. Since then, Beasley has performed with a wide range of artists, including Dianne Reeves, Christian McBride, John Patitucci, Chaka Khan, Carly Simon, to name a few. He was music director for international tours with Steely Dan, AR Rahman (Slumdog Millionaire) and Queen Latifah and co-MD for Chucho Valdes La Creation tour.

As a recording artist, Beasley has over a dozen albums and has earned 11 GRAMMY nominations. Beasley’s solo project, MONK’estra, is a trilogy of albums which has earned six consecutive GRAMMY nominations and a win. As co-producer/arranger and pianist on “Bird Lives”, a re-imagination of Charlie Parker’s music with Stuttgart’s SWR Big Band and strings with Artistic Director, Magnus Lindgren, Beasley earned a 2023 GRAMMY for arrangement of “Scrapple from the Apple” and 3 nominations. He ventured into a Fado-jazz project “Close to Me” with Portuguese singer Maria Mendes writing arrangements and conducting the Metropole Orkest, which earned him a first Latin Grammy nomination. This album also won a Dutch Edison award for “Best Jazz Vocal” album in 2021. Mendes and Beasley followed this success with a new recording “Suadade, Colour of Love” album.

When UNESCO declared April 30 as International Jazz Day in 2011, John Beasley was appointed Music Director for its annual global gala concerts, which are hosted by the Herbie Hancock Jazz Institute. Since 2012, Beasley helmed concerts in Paris, Istanbul, Osaka, St Petersburg, Havana, Washington, DC, Melbourne, New Orleans, New York, Los Angeles and online, which PBS TV have broadcast. The 2016 Jazz at the White House gala hosted by President Barack Obama and First Lady Michelle Obama earned Beasley an Emmy nomination for Best Musical Direction (ABC TV).

Beasley’s work as a composer-arranger-pianist extends beyond jazz with many credits in TV and film, particularly with 15-time Oscar-nominee film composer Thomas Newman in the upcoming Elemental (Pixar June 2023) and blockbusters 1917, James Bond’s Spectre and Skyfall, Finding Dory, He Named Me Malala, Shawshank Redemption. Newman invited John to orchestrate & conduct his big band MONK’estra in Steven Soderbergh’s Let them all Talk with Meryl Streep. Beasley started composing for TV at the age of 24 working for Paramount, Disney and other studios on Star Trek: The Next Generation, Cheers, Fame, to name a few. He was handpicked to be Music Director for TV specials and singing competitions, including Sports Illustrated 50 Years of Beautiful, Duets with John Legend, Sing Your Face Off, The Search for the Next Pussycat Girl. In American Idol’s 4th season, Beasley was Associate MD ushering Carrie Underwood to victory. He then spent a decade working as Lead Arranger for the American Idol and The Tonight Show with Rickey Minor as MD.

Over the recent five years, Beasley’s output has been prodigious whether writing, recording or performing with his MONK’estra big band/Septet/Quartet; managing steady projects with 3 to 5 European big bands a year; and venturing into symphonic jazz after winning JAM Music Lab’s international composition competition with his “Simplexity” piece performed by the renowned Vienna Radio Symphony Orchestra. In 2021/2022, Chucho Valdes called to ask him to arrange part of his La Creation suite and tour as co-MD and keyboardist. Also, Beasley can be found touring world stages with Dianne Reeves; his jazz-fusion “El Trio” band with Horacio “El Negro” Hernandez and Jose Gola or writing and producing albums for various artists.

As an educator, Beasley is committed to nurturing the next generation of musicians. He conducts master classes at music schools around the world. His bands often are intergenerational. He has been fortunate to write commissions for Los Angeles Philharmonic’s Youth Orchestra Los Angeles and Carnegie Hall National Youth Orchestra.

Booklet for Butterfly Effect