After having dominated the Baroque scene for more than a decade, Véronique Gens went on to establish a solid international reputation and is now considered one of the finest interpreters of Mozart and the French repertory.
One of the flagship roles of her career, Donna Elvira in the production of Don Giovanni by Peter Brook and Claudio Abbado at the Festival d’Aix-en-Provence, brought her worldwide recognition. Her repertory comprises the leading Mozart roles (Countess, Vitellia, Fiordiligi etc.) and the great roles of tragédie lyrique (including Iphigénie en Tauride, Iphigénie en Aulide and Alceste) but also heroines of a later period such as Alice Ford (Falstaff), Eva (Die Meistersinger von Nürnberg), Madame Lidoine (Dialogues des Carmélites) and Missia (La Veuve joyeuse). Véronique Gens also gives numerous concerts and recitals in a wide-ranging repertory all over the world, notably in Paris, Dresden, Berlin, Beijing, Vienna, Prague, London, Tanglewood, Stockholm, Moscow, Geneva and Edinburgh.
She has performed on the world’s foremost operatic stages, among them the Opéra National de Paris, the Royal Opera House Covent Garden, the Vienna Staatsoper, the Bayerische Staatsoper in Munich, La Monnaie in Brussels, the Liceu in Barcelona, the Teatro Real in Madrid, De Nederlandse Opera in Amsterdam and the Aixen-Provence, Salzburg and Glyndebourne festivals.
In 1999, she was voted Vocal Artist of the Year at the Victoires de la Musique Classique. Her many recordings (more than eighty CDs and DVDs) have received several international prizes: most recently, her album of French mélodies, Néère won a Gramophone Award in 2016, while Visions obtained an International Classical Music Award and an International Opera Award in 2018. Also La Reyne de Chypre by Halévy obtained a Gramophone Award in 2019, in the Opera category.
Véronique Gens is a Chevalier de la Légion d’Honneur and Chevalier des Arts et des Lettres.