A Night At Birdland Vol. 1 (Live) Art Blakey & The Jazz Messengers

Album info

Album-Release:
2014

HRA-Release:
28.10.2014

Label: Blue Note

Genre: Jazz

Subgenre: Hard Bop

Artist: Art Blakey & The Jazz Messengers

Album including Album cover

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  • 1 Announcement By Pee Wee Marquette 00:58
  • 2 Split Kick 08:45
  • 3 Once In A While 05:19
  • 4 Quicksilver 07:00
  • 5 A Night In Tunisia 09:21
  • 6 Mayreh 06:19
  • Total Runtime 37:42

Info for A Night At Birdland Vol. 1 (Live)

When Pee-Wee Marquette, emcee of Birdland, introduces Art Blakey and his quintet, the audience in attendance erupts in enthusiastic applause. Rightly so; this is a powerful group in full stride.

„A Night At Birdland Vol.1“ captures Blakey's pre-Messengers quintet on an evening in February 1954 with legendary trumpeter Clifford Brown and alto saxophonist Lou Donaldson holding down the front line. Longtime partners Blakey and pianist Horace Silver, as well as talented bassist Curley Russell, propel the relentless rhythm section. The results of that eventful night are now preserved so that we may become patrons of the once legendary nightspot. The fiery mambo 'Split Kick' opens the set showcasing Blakey's assertive drumming and the fine blowing of Brown and Donaldson. Silver's bebop-style 'Quicksilver' also provides a stunning vehicle for the group's lightning-quick dexterity. Turning the tide, the slow and sultry 'Blues' is a totally improvised jam that provides some down-and-dirty solos by the horns and piano. Of course, the highlight of the set is Dizzy Gillespie's 'A Night In Tunisia,' a piece that would become a Messengers favorite. Finally, Silver's up-tempo 'Mayreh' closes the set on a high note with raucous solos all around.

Art Blakey, drums
Lou Donaldson, alto saxophone
Clifford Brown, trumpet
Horace Silver, piano
Curly Russell, bass

Recorded live at Birdland, New York, New York on February 21, 1954
Engineered by Rudy Van Gelder
Produce by Alfred Lion

Digitally remastered

No biography found.

This album contains no booklet.

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