Solo Piano Ludovico Einaudi

• Ludovico Einaudi (b. 1955)
• 1 Einaudi: Le Onde 05:23
• 2 Einaudi: Nefeli 04:11
• 3 Einaudi: Melodia Africana III 04:19
• 4 Einaudi: Memory One 04:24
• 5 Einaudi: I Giorni 05:59
• 6 Einaudi: In Un'Altra Vita 05:20
• 7 Einaudi: Una Mattina 03:23
• 8 Einaudi: Nuvole Bianche (From "Insidious") 05:57
• 9 Einaudi: Monday 05:55
• 10 Einaudi: Jay 03:12
• 11 Einaudi: Seven Days Walking / Day 2: Birdsong 05:25
• 12 Einaudi: Adieux 02:55
• 13 Einaudi: Berlin Song 04:24
• 14 Einaudi: Experience (Solo Piano) 05:07
• 15 Einaudi: Luminous 04:43
• 16 Einaudi: Elegy For The Arctic 02:37
• 17 Einaudi: The Snow Prelude No. 2 04:09
• Total Runtime 01:17:23

Info for Solo Piano

Ludovico Einaudi’s first ever collection of best-loved solo piano works, released for the first time with brand new material, spanning his illustrious 30-year career.

Solo Piano includes some of Ludovico Einaudi’s most notable pieces, including “Elegy for the Arctic”, which he performed in the Arctic Ocean in support of Greenpeace in 2016, a solo version of his 2023 song “Experience”, as well as more recent compositions such as “Jay” from his album The Summer Portraits released last year.

Alongside the announcement of the new album, Einaudi has revealed a new piece, “Memory One”. Speaking of the track, he explains: “‘Memory One’ is a special piece. It’s the song of who we were, transformed by who we’ve become.”

The collection takes the listener on a journey, using just the keys of a piano. From ‘Elegy for the Arctic’, which Einaudi famously performed on a floating platform in the Arctic Ocean for Greenpeace ten years ago (in 2016), to a special solo piano version of his highest-streamed track of all time, ‘Experience’ from 2013. Also featured are recognisable favourites such as ‘Nuvole Bianche’ and ‘Una Mattina’.

More recent hits such as ‘Adieux’, from 2024, which became the fastest-streamed classical track of all time after reaching 2.5 million streams on release day alone, and ‘Jay’, from 2025’s chart-topping album ‘The Summer Portraits’ can be heard alongside other breathtaking Ludovico Einaudi compositions, all telling his story.

This collection coincides with Einaudi’s forthcoming Solo Piano 2026 tour (details below), which sold out across the UK and Ireland within days of going on sale. The solo tour sees Einaudi return to London’s Royal Albert Hall where he completed a record-breaking run of six nights in 2025 with his full band.

Einaudi recently announced his biggest ever UK performance, at The O2 on Friday 10th July 2026, to which, due to exceptional demand, a second night was quickly added, on Saturday 11th July 2026. In contrast to the Solo Piano record and tour, the O2 concerts will feature Einaudi performing with his full band.

Over the past three decades, Einaudi has quietly become the world’s most successful contemporary classical artist, with music that has reached millions through film, television and live performances worldwide. From Arctic Ocean stages to record-breaking residencies at the Royal Albert Hall, Barbican and Sydney Opera House, Einaudi continues to bring his evocative, cinematic music to audiences around the globe, both with his ensemble and where it all started, on piano alone.

Ludovico Einaudi, piano

Ludovico Einaudi
Luminous, emotive, effortlessly lyrical and always supremely refined the music and performance of Ludovico Einaudi have attracted an ever growing audience over the last two decades whose diversity and devotion are without parallel. He has released a series of chart-topping albums with sales of over a million copies, sells out the most prestigious concert halls worldwide, composed a string of award-winning film scores and routinely tops audience polls becoming an internet phenomenon. With a unique musical alchemy that draws on elements of classical, rock, electronica and world musics he has rendered traditional ideas of genre and audience divide obsolete and become not only one of the best known composers in the world today but almost certainly the best loved too.

Ludovico was born in Turin, Italy and trained as a classical composer and pianist at the Milan Conservatorio before continuing his studies with Luciano Berio, one of the most important composers of the twentieth century avant-garde. His career began with a series of prestigious commissions for institutions such as the USA’s Tanglewood Festival and Paris’ IRCAM but he turned away from what seemed a glittering classical career to forge his own musical path, giving him the freedom to reconcile his wider-ranging influences.

It was a bold strategy but one quickly rewarded, when Ludovico’s electric harp suite ‘Stanze’ (1997) was first played on BBC Radio the switchboard jammed with listeners. It was a similar story with his next release ‘Le Onde’ (1998), a solo piano cycle he performed himself. A listener-organised campaign made it Ludovico’s breakthrough and a permanent fixture atop the Classic FM charts. This upswell of grass roots activity, snowballing with the onset of the internet and social media, has allowed Ludovico to build a uniquely close relationship directly with his audience.

‘Le Onde’ also ignited Ludovico’s career in Film & TV music and he has since composed many award-winning scores including ‘Doctor Zhivago’ (2002) and ‘Sotto Falso Nome’ (2004) which also became successful albums in their own right. In recent years Shane Meadows’ acclaimed film ‘This Is England’ (2006) and its television sequel ‘This Is England ‘86’ (2010) have brought a BAFTA nomination for Ludovico and introduced his music to a huge new audience, Countless television programmes feature his music and the ad world has incorporated it in campaigns for brands including American Airlines, Vodafone, Sony Blu-ray and John Lewis.

Ludovico built on the impact of ‘Le Onde’ with a series of albums notable for their exuberant experimentation. ‘Eden Roc’ (1999) saw an array of guest musicians and instruments ranging from electric guitar to the Armenian duduk. ‘I Giorni’ (2001) deepened this engagement with world music in Ludovico’s second collection for solo piano. His ‘best of’ collection from these first four albums ‘Echoes: The Einaudi Collection’ (2003) has since sold more than 100,000 copies.

As Ludovico’s fame grew, his concert schedule naturally grew along with it and became an increasingly important part of his life. It immediately led to two new albums, Diario Mali (2005), a collaboration with kora virtuoso Ballaké Sissoko and his first live solo album ‘La Scala Concert 03.03.03’ (2003), recorded in his adopted city of Milan.

The release of ‘Una Mattina’ (2004) saw more ‘firsts’, it was Ludovico’s debut album on new and current record label Universal and also his most ‘classical’ to date. Largely written for solo piano, it leapt to the top of the UK Classical album chart and gave him his first sold-out UK tour.

Now one of the most popular composers in the UK and throughout Europe, at home Ludovico’s reputation scaled even loftier heights and thus on May 26th, 2005 in Rome, Ludovico Einaudi was awarded the ‘Ordine al Merito della Repubblica Italiana’ (or ‘OMRI’) the senior order of Knighthood bestowed by the Italian Republic.

The stage was set for ‘Divenire’ (2007) his most musically ambitious album yet and his greatest commercial success to date. ‘Divenire’ gathered many of the musical ‘streams’ that had flowed through Ludovico’s career and expanded on them with the help of The Royal Liverpool Philharmonic Orchestra and a battery of digital effects.

On release it became a phenomenon, topping classical charts throughout Europe and crashing the Italian pop charts. With sales in excess of 300,000 copies and a BRIT awards ‘Album of the Year’ nomination, Ludovico embarked on his biggest tour yet, 80 dates across Europe. One was captured for his second live album ‘Live In Berlin’ (2008) and it all culminated at a memorable concert at London’s Royal Albert Hall.

With people around the globe now clamoring to see him Ludovico became a permanent fixture on the road, traveling to new audiences in India, Japan and the USA. Along the way he formed a collaboration with Robert Lippock of post-rock band ‘To Rococo Rot’ and the results would be heard in two albums released in 2009, one featuring Ludovico as ‘band member’, the other as a solo artist.

First was ‘Cloudland’ (2009) the debut from ‘Whitetree’ - comprising Ludovico on piano, Robert Lippok on electronics, and Robert’s brother Ronald Lippok on drums - which has a sunny African feel amid the cutting-edge electronics and percussion.

‘Nightbook’ (2009) Ludovico’s seventh solo album was a perfect contrast. Meditative and introspective it charts an inward voyage through dreams and the shadows of the psyche with evocative use of electronics. Ludovico calls it his ‘Dark Side of The Moon’ and though challenging, it too found immediate resonance with his audience who once again took Ludovico to the summit of the charts and back into the concert halls.

The ‘Nightbook’ tour produced ‘The Royal Albert Hall Concert’ (2010) a double CD and DVD documenting Ludovico’s concert at the venue in March 2010. Drawing on every part of a now distinguished career, it shows a composer and performer at the very height of his creative powers.

This album contains no booklet.