Elisabeth Lutyens: Piano Works, Volume 1 Martin Jones

• Elisabeth Lutyens (1906 - 1983): Seven Preludes for Piano, Op. 126:
• 1Lutyens: Seven Preludes for Piano, Op. 126: I. Whose Name Was Writ in Water02:49
• 2Lutyens: Seven Preludes for Piano, Op. 126: II. Night Winds04:19
• 3Lutyens: Seven Preludes for Piano, Op. 126: III. Starlight01:14
• 4Lutyens: Seven Preludes for Piano, Op. 126: IV. Tenebrae01:41
• 5Lutyens: Seven Preludes for Piano, Op. 126: V. Strange Thunders From the Potency of Song02:32
• 6Lutyens: Seven Preludes for Piano, Op. 126: VI. Labyrinths03:33
• 7Lutyens: Seven Preludes for Piano, Op. 126: VII. The Shifting of Mighty Winds That Blow Hither and Thither All the Changing Thoughts of Man03:52
• Elisabeth Lutyens:
• 8Lutyens: The Great Seas, Op. 13217:25
• Five Impromptus, Op. 116:
• 9Lutyens: Five Impromptus, Op. 116: Impromptu I03:20
• 10Lutyens: Five Impromptus, Op. 116: Impromptu II01:35
• 11Lutyens: Five Impromptus, Op. 116: Impromptu III02:17
• 12Lutyens: Five Impromptus, Op. 116: Impromptu IV01:13
• 13Lutyens: Five Impromptus, Op. 116: Impromptu V01:51
• Elisabeth Lutyens:
• 14Lutyens: Plenum I, Op. 8612:54
• 15Lutyens: La natura dell’Acqua, Op. 15406:53
• Total Runtime01:07:28

Info for Elisabeth Lutyens: Piano Works, Volume 1

The name Elisabeth Lutyens is synonymous with music that is overtly serial, uncompromisingly modernist, and of daring and fearless individuality. Yet there is much to explore behind the naturally combative and provocative façade of this extraordinary composer, whose music is at various times sensual, thoughtful and delicate, as well as dark, turbulent and even violent.

With a programme of works all composed in the last decade of her life, and containing world premiere recordings, the first volume of pianist Martin Jones’s survey of Lutyens’s piano works includes five works at times startling in their stark beauty, and bursting with both vivid imagery and lyrical fluidity.

Martin Jones, piano

Martin Jones
was a chorister at Magdalene College School and studied at the Royal Academy of Music. He has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances on both sides of the Atlantic.

He is a prolific recording artist and his many discs for Nimbus Records include the complete solo piano works of Mendelssohn, Brahms, Debussy, Grainger, Szymanowski (voted Best Instrumental Recording of 1996 by the Spanish magazine CD Compact) Stravinsky, Korngold and the sonatas of Alun Hoddinott. He has recorded several Spanish piano masters and Volume 2 of this series received the 2000 Classical Indie Award from the Association for Independent Music in the USA. The soundtrack of the film Howards End features Martin Jones performing Grainger’s Bridal Lullaby and Mock Morris. He has also recorded Grainger’s Tribute to Foster conducted by John Eliot Gardiner for Philips, Richard Addinsell’s Warsaw Concerto for ASV, a recital disc with horn player, David Pyatt, for Erato Disques, and Reger’s Clarinet Sonatas with Anthony Pike. Four albums featuring Richard Rodney Bennett’s piano music have been released on the Metronome label. Some recent Nimbus releases include Gershwin transcriptions by Earl Wild, Czerny Sonatas, major piano works by Hans Gal and the complete piano works of Guastavino, Ernesto Halffter, Joachim Nin, Reizenstein and most recently Alun Richardson.

Martin Jones has performed as concerto soloist with many of the leading British orchestras, as well as in the USA and Russia, and toured Canada as soloist with the BBC Welsh Symphony Orchestra. Performances include Shostakovich’s Concerto No. 1 in Central and South America with the London Festival Orchestra, a regional tour playing Rachmaninov’s Paganini Rhapsody and Gershwin’s Rhapsody in Blue with the Hallé Orchestra, the Britten Piano Concerto in St Petersburg, the Schoenberg Piano Concerto with the Adelaide Symphony Orchestra, Scharwenka’s Piano Concerto No. 1 in the USA, Brahms Concerto No. 1 with the Oman Symphony Orchestra, Mozart’s K491 with the London Festival Orchestra, and Rachmaninov’s Rhapsody on a theme of Paganini with the Royal Scottish National Orchestra.

His performance repertoire, as well as encompassing most of the standard works for piano, also includes unusual concertos such as the Busoni Concerto, which he performed with the BBC Symphony Orchestra and Norman Del Mar. He has also championed the music of British composers and has performed concertos by Britten, Benjamin, Mathias, McCabe and Lambert. He gave the first performance of the revised version of Alun Hoddinott’s Third Concerto at the 1974 BBC Promenade Concerts, and recorded Hoddinott’s Second Concerto with Andrew Davis and the Royal Philharmonic Orchestra for Decca.

Martin Jones has given recitals throughout Great Britain, and as well as regular broadcasts for BBC Radio 3, he has given recitals for Brussels Radio, RTE in Dublin, DeutschlandRadio in Berlin and ABC in Australia. In the USA he has served as jury member on a number of international piano competitions, and performed in New York, Washington, Florida, Tennessee, Louisiana, Texas, Utah, Wisconsin and California. In Los Angeles he gave a recital as part of the 1994 UK/LA Celebration of British Arts, which was broadcast live on KUSC Radio. He gave the world premiere of Ravelled Threads by American composer, Wendy Carlos in New York, and in 1996 he became the first major British artist to give a solo recital in Ekaterinburg, Russia. Other recital appearances include the Adelaide Festival, a programme of Percy Grainger at the Eifeler Musiktage in Germany, and the complete Iberia of Albéniz at London’s Southbank Centre.

Booklet for Elisabeth Lutyens: Piano Works, Volume 1